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Arkansas’s Crystal Bridges Museum Just Opened a Sprawling Show About the State of American Art Today. Here’s What It Looks Like

Over the weekend, the nation got a new contemporary art museum: The Momentary in Bentonville, Arkansas. Situated in a repurposed Kraft cheese factory, the new space is the latest outpost of the nearby Crystal Bridges Museum of American Art. The Momentary’s industrial-strength embrace of emerging art is intended to augment that nine-year-old institution’s focus on art-historical classics, which has made an unexpected cultural tourism destination of Bentonville, previously best known as the home of Walmart (heiress Alice Walton is the prime mover behind Crystal Bridges).

The Momentary kicks open its doors with “State of the Art,” the second edition of what is promised to be a once-every-five-years exhibition of American art focused on spotlighting contemporary art practice outside of traditional art centers such as New York and Los Angeles. Curated by Lauren Haynes—a transplant from the Studio Museum in Harlem—with Alejo Benedetti and Allison Glenn, the result is a 61-artist survey, shared between the cheese-factory chic of the Momentary’s new galleries and the bucolic luxury of Crystal Bridges. At the latter, curators have supplemented galleries dedicated to “State of the Art” with a few targeted interventions into the permanent collection, including a video projected within the Frank Lloyd Wright-designed Bachman-Wilson House, which Crystal Bridges purchased and had rebuild on its grounds back in 2015.

There’s plenty to say, both about show and about the new space. While I’m figuring out what exactly that is, here is a taste of what “State of the Art” looks like.

The Momentary

The Momentary, Bentonville's newest museum.

The Momentary, Bentonville’s newest museum. Image: Ben Davis.

The first gallery of "State of the Art" at the Momentary. Image: Ben Davis.

The first gallery of “State of the Art” at the Momentary. Image: Ben Davis.

Works by Alex Chitty. Image: Ben Davis.

Works by Alex Chitty. Image: Ben Davis.

Jena Thomas's <em>Beautiful Dirty</em> and </em>In Search of Fun</em>. Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/03-Jena-Thomas-Beautiful-Dirty-and-In-Search-of-Fun-1-1024×768.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/03-Jena-Thomas-Beautiful-Dirty-and-In-Search-of-Fun-1-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/03-Jena-Thomas-Beautiful-Dirty-and-In-Search-of-Fun-1-50×38.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Jena Thomas’s and . Image: Ben Davis.

Chele Isaac's video <em>Facilities Fully Functional</em>. Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/04-chele-isaac-facilities-fully-functional-1-1024×768.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/04-chele-isaac-facilities-fully-functional-1-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/04-chele-isaac-facilities-fully-functional-1-50×38.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Visitors watch Chele Isaac’s video . Image: Ben Davis.

Enrico Riley's <em>Untitled: Resistance, Carrier of Music</em> (2019) and <em>Untitled: Midnight Our Dreams Move Forward</em> (2018). Image: Ben Davis. ” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/05-Enrico-Riley-Untitled-Midnight-Our-Dreams-Move-Forward-2-1024×768.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/05-Enrico-Riley-Untitled-Midnight-Our-Dreams-Move-Forward-2-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/05-Enrico-Riley-Untitled-Midnight-Our-Dreams-Move-Forward-2-50×38.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Enrico Riley’s (2019) and (2018). Image: Ben Davis.

Diego Rodriguez-Warner, <em>The Fountain</em> (2019). Image: Ben Davis.” width=”1024″ height=”682″ srcset=”https://news.artnet.com/app/news-upload/2020/02/06-Diego-Rodriguez-Warner-1024×682.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/06-Diego-Rodriguez-Warner-300×200.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/06-Diego-Rodriguez-Warner-50×33.jpeg 50w, https://news.artnet.com/app/news-upload/2020/02/06-Diego-Rodriguez-Warner.jpeg 1561w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Diego Rodriguez-Warner, (2019). Image: Ben Davis.

Paul Stephen Benjamin, <em>Summer Breeze</em> (2018). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/07-Paul-Stevohen-Benjamin-Daily-Meditations-2-1024×768.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/07-Paul-Stevohen-Benjamin-Daily-Meditations-2-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/07-Paul-Stevohen-Benjamin-Daily-Meditations-2-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Paul Stephen Benjamin, (2018). Image: Ben Davis.

Jill Downen, <em>Three Dimensional Sketchbook</em> (2013-present). Image: Ben Davis.” width=”768″ height=”1024″ srcset=”https://news.artnet.com/app/news-upload/2020/02/08-Jill-Downen-Three-Dimensional-Sketchbook-768×1024.jpeg 768w, https://news.artnet.com/app/news-upload/2020/02/08-Jill-Downen-Three-Dimensional-Sketchbook-225×300.jpeg 225w, https://news.artnet.com/app/news-upload/2020/02/08-Jill-Downen-Three-Dimensional-Sketchbook-38×50.jpeg 38w, https://news.artnet.com/app/news-upload/2020/02/08-Jill-Downen-Three-Dimensional-Sketchbook-1440×1920.jpeg 1440w” sizes=”(max-width: 768px) 100vw, 768px” /></p><p class=A guide shows guests how to interact with Jill Downen, (2013-present). Image: Ben Davis.

Kellie Romany, <em>In an Effort to Be Held</em> (2016-2019). Image: Ben Davis.” width=”1024″ height=”849″ srcset=”https://news.artnet.com/app/news-upload/2020/02/09-Kellie-Romany-In-an-Effort-to-Be-Held-1024×849.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/09-Kellie-Romany-In-an-Effort-to-Be-Held-300×249.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/09-Kellie-Romany-In-an-Effort-to-Be-Held-50×41.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Visitors interact with Kellie Romany, (2016-2019). Image: Ben Davis.

Jody Kuehner, <em>DITCH</em> (2019-2020). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/10-Jody-Kuehner-DITCH-1024×768.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/10-Jody-Kuehner-DITCH-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/10-Jody-Kuehner-DITCH-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Jody Kuehner, (2019-2020). Image: Ben Davis.

Eddie R. Aparicio, <em>De Colon a Dolor</em> (2019). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/11-eddie-R-aparicio-3-1024×768.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/11-eddie-R-aparicio-3-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/11-eddie-R-aparicio-3-50×38.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Eddie R. Aparicio, (2019). Image: Ben Davis.

Peter Everett, <em>Vermillion Screen</em> (2018). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/12-Peter-Everett-Vermillion-Screen-2-1024×768.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/12-Peter-Everett-Vermillion-Screen-2-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/12-Peter-Everett-Vermillion-Screen-2-50×38.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Peter Everett, (2018). Image: Ben Davis.

Kris Pierce, <em>Free Food</em>. Image: Ben Davis.” width=”1024″ height=”776″ srcset=”https://news.artnet.com/app/news-upload/2020/02/13-Kris-Pierce-Free-Food-1024×776.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/13-Kris-Pierce-Free-Food-300×227.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/13-Kris-Pierce-Free-Food-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Kris Pierce, (2018). Image: Ben Davis.

Karen Seapker, <em>Tent Mama</em> (2019). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/14-Karen-Seapker-Tent-Mama-1024×768.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/14-Karen-Seapker-Tent-Mama-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/14-Karen-Seapker-Tent-Mama-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Karen Seapker, (2019). Image: Ben Davis.

Works by Anthony Sonnenberg. Image: Ben Davis.

Works by Anthony Sonnenberg. Image: Ben Davis.

Anthony Romero, Matthew Joynt, and Josh Rios, <em>Not Peaceable and Quiet (Piñata Sound System)</em> (2019). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/16-Anthony-Romero-Matthew-Joynt-and-Josh-Rios-Not-Peaceable-and-Quiet-Pinata-Sound-System-1024×768.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/16-Anthony-Romero-Matthew-Joynt-and-Josh-Rios-Not-Peaceable-and-Quiet-Pinata-Sound-System-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/16-Anthony-Romero-Matthew-Joynt-and-Josh-Rios-Not-Peaceable-and-Quiet-Pinata-Sound-System-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Anthony Romero, Matthew Joynt, and Josh Rios, (2019). Image: Ben Davis.

Hong Hong, <em>Composition for Gravity in the Void</em> (2015-present). Image: Ben Davis.” width=”1024″ height=”767″ srcset=”https://news.artnet.com/app/news-upload/2020/02/17-Hong-Hong-Composition-for-Gravity-in-the-Void-1024×767.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/17-Hong-Hong-Composition-for-Gravity-in-the-Void-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/17-Hong-Hong-Composition-for-Gravity-in-the-Void-50×37.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Hong Hong, (2015-present). Image: Ben Davis.

Suchirta Mattai, <em>Exodus</em> (2019). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/18-Suchirta-Mattai-Exodus-1024×768.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/18-Suchirta-Mattai-Exodus-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/18-Suchirta-Mattai-Exodus-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Suchirta Mattai, (2019). Image: Ben Davis.

Didier William, <em>Ou ap tonbe, men m ap kanbe ou</em> (2018). Image: Ben Davis. ” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/19-Didier-William-Ou-ap-tonbe-men-m-ap-kanbe-ou-2-1024×768.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/19-Didier-William-Ou-ap-tonbe-men-m-ap-kanbe-ou-2-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/19-Didier-William-Ou-ap-tonbe-men-m-ap-kanbe-ou-2-50×38.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Didier William, (2018). Image: Ben Davis.

Jordan Seaberry, <em> Blueberry (The Right to Self)</em> (2019). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/20-Jordan-Seaberry-Blueberry-The-Right-to-Self-4-1-1024×768.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/20-Jordan-Seaberry-Blueberry-The-Right-to-Self-4-1-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/20-Jordan-Seaberry-Blueberry-The-Right-to-Self-4-1-50×37.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Jordan Seaberry, (2019). Image: Ben Davis.

Frances Bagley, <em>Shangri-La</em> (2018). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/21-Frances-Bagley-Shangri-La-1024×768.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/21-Frances-Bagley-Shangri-La-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/21-Frances-Bagley-Shangri-La-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Frances Bagley, (2018). Image: Ben Davis.

Edra Soto, <em>Open 24 Hours</em> (2017). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/22-Edra-Soto-Open-24-Hours-1024×768.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/22-Edra-Soto-Open-24-Hours-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/22-Edra-Soto-Open-24-Hours-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Edra Soto, (2017). Image: Ben Davis.

Nicolas Lobo, <em>Silhouette of a Friend</em> (2020). Image: Ben Davis.” width=”1024″ height=”683″ srcset=”https://news.artnet.com/app/news-upload/2020/02/23-Nocolas-Lobo-Silhoue-1024×683.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/23-Nocolas-Lobo-Silhoue-300×200.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/23-Nocolas-Lobo-Silhoue-50×33.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Nicolas Lobo, (2020). Image: Ben Davis.

Alex Pixley Young, <em>Geist, Lighthouse and Transmissions</em> (2020). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/24-Alex-Pixley-Young-Geist-Lighthouse-and-Transmissions-2-1024×768.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/24-Alex-Pixley-Young-Geist-Lighthouse-and-Transmissions-2-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/24-Alex-Pixley-Young-Geist-Lighthouse-and-Transmissions-2-50×38.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Alex Pixley Young, (2020). Image: Ben Davis.

Joanna Keane Lopez, <em>A dance of us (un baile de nosotros)</em> (2020). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/25-joanna-keane-lopez-a-dance-of-us-un-baile-de-nosotros-1024×768.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/25-joanna-keane-lopez-a-dance-of-us-un-baile-de-nosotros-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/25-joanna-keane-lopez-a-dance-of-us-un-baile-de-nosotros-50×38.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Joanna Keane Lopez, (2020). Image: Ben Davis.

Crystal Bridges Museum of American Art

Crystal Bridges Museum of Art. Image: Ben Davis.

Crystal Bridges Museum of Art. Image: Ben Davis.

Mari Hernandez, <em>Colonizer</em> (2017) inserted into the main collection of Crystal Bridges. Image: Ben Davis.” width=”1024″ height=”750″ srcset=”https://news.artnet.com/app/news-upload/2020/02/27-Mari-Hernandez-Colonizer-55-1024×750.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/27-Mari-Hernandez-Colonizer-55-300×220.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/27-Mari-Hernandez-Colonizer-55-50×37.jpg 50w, https://news.artnet.com/app/news-upload/2020/02/27-Mari-Hernandez-Colonizer-55-750×550.jpg 750w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Mari Hernandez, (2017) inserted into the main collection of Crystal Bridges. Image: Ben Davis.

David Harper, <em>She Drank the Water that was Meant for the Orchids</em> (2019), inserted into the Crystal Bridges collection. Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/28-David-Harper-She-Drank-the-Water-that-was-Meant-for-the-Orchids-1024×768.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/28-David-Harper-She-Drank-the-Water-that-was-Meant-for-the-Orchids-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/28-David-Harper-She-Drank-the-Water-that-was-Meant-for-the-Orchids-50×38.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=David Harper, (2019), inserted into the Crystal Bridges collection. Image: Ben Davis.

George Sanchez-Calderon's <em>Americana</em>, as viewed from inside Crystal Bridges. Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/28-George-Sanchez-Calderon-Americana-3-1024×768.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/28-George-Sanchez-Calderon-Americana-3-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/28-George-Sanchez-Calderon-Americana-3-50×38.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=George Sanchez-Calderon’s , as viewed from inside Crystal Bridges. Image: Ben Davis.

JooYoung Choi, <em>Time for You and Joy to Get Acquainted</em> (2017). Image: Ben Davis.” width=”768″ height=”1024″ srcset=”https://news.artnet.com/app/news-upload/2020/02/29-JooYoung-Choi-Time-for-You-and-Joy-to-Get-Acquainted-768×1024.jpeg 768w, https://news.artnet.com/app/news-upload/2020/02/29-JooYoung-Choi-Time-for-You-and-Joy-to-Get-Acquainted-225×300.jpeg 225w, https://news.artnet.com/app/news-upload/2020/02/29-JooYoung-Choi-Time-for-You-and-Joy-to-Get-Acquainted-38×50.jpeg 38w, https://news.artnet.com/app/news-upload/2020/02/29-JooYoung-Choi-Time-for-You-and-Joy-to-Get-Acquainted-1440×1920.jpeg 1440w” sizes=”(max-width: 768px) 100vw, 768px” /></p><p class=JooYoung Choi, (2017). Image: Ben Davis.

Carla Edwards, <em>Bonfire</em> (2017). Image: Ben Davis.” width=”683″ height=”1024″ srcset=”https://news.artnet.com/app/news-upload/2020/02/30-Carla-Edwards-Bonfire-683×1024.jpg 683w, https://news.artnet.com/app/news-upload/2020/02/30-Carla-Edwards-Bonfire-200×300.jpg 200w, https://news.artnet.com/app/news-upload/2020/02/30-Carla-Edwards-Bonfire-33×50.jpg 33w, https://news.artnet.com/app/news-upload/2020/02/30-Carla-Edwards-Bonfire-1280×1920.jpg 1280w” sizes=”(max-width: 683px) 100vw, 683px” /></p><p class=Carla Edwards, (2017). Image: Ben Davis.

Damien Stamer, <em>Horry County 6</em> (2018). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/32-Damien-Stamer-Horry-County-6-2-1024×768.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/32-Damien-Stamer-Horry-County-6-2-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/32-Damien-Stamer-Horry-County-6-2-50×38.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Damien Stamer, (2018). Image: Ben Davis.

Jiha Moon, <em>Yellowave</em> (2019). Image: Ben Davis.” width=”1024″ height=”767″ srcset=”https://news.artnet.com/app/news-upload/2020/02/Joha-Moon-Yellowave-1024×767.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/Joha-Moon-Yellowave-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/Joha-Moon-Yellowave-50×37.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Jiha Moon, (2019). Image: Ben Davis.

Tim Portlock, <em>Escape</em> (2017). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/34-Tim-Portlock-Escape-1024×768.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/34-Tim-Portlock-Escape-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/34-Tim-Portlock-Escape-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Tim Portlock, (2017). Image: Ben Davis.

Janelle Esparza, <em>Dancer In An Unconscious Rhythm I</em> (2018) and multiple works by Kate Marie Budd. Image: Ben Davis.” width=”1024″ height=”683″ srcset=”https://news.artnet.com/app/news-upload/2020/02/36-kate-marie-budd-3-1024×683.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/36-kate-marie-budd-3-300×200.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/36-kate-marie-budd-3-50×33.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Janelle Esparza, (2018) and multiple works by Kate Marie Budd. Image: Ben Davis.

Works by Kate Marie Budd. Image: Ben Davis.

Works by Kate Marie Budd. Image: Ben Davis.

Mae Arthur, <em>The Guardeners</em> (2019). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/35-Mae-Arthur-The-Guardeners-1024×768.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/35-Mae-Arthur-The-Guardeners-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/35-Mae-Arthur-The-Guardeners-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Mae Arthur, (2019). Image: Ben Davis.

Rick Silva, <em>Western Fronts</em> (2018). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/38-IMG_6378-1024×768.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/38-IMG_6378-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/38-IMG_6378-50×38.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Rick Silva, (2018). Image: Ben Davis.

Cory Imig, <em>Linear Spaces</em> (2020). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/39-Cory-Imig-Linear-Spaces-1024×768.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/39-Cory-Imig-Linear-Spaces-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/39-Cory-Imig-Linear-Spaces-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Cory Imig, (2020). Image: Ben Davis.

Joey Fauerso, <em>Devotion Story</em> (2019). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/40-Joey-Fauerso-Devotion-Story-1024×768.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/40-Joey-Fauerso-Devotion-Story-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/40-Joey-Fauerso-Devotion-Story-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Joey Fauerso, (2019). Image: Ben Davis.

Sama Alshaibi, <em>The Cessation</em> (2019). Image: Ben Davis.” width=”1024″ height=”787″ srcset=”https://news.artnet.com/app/news-upload/2020/02/41-Sama-Alshaibi-The-Cassation-1024×787.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/41-Sama-Alshaibi-The-Cassation-300×231.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/41-Sama-Alshaibi-The-Cassation-50×38.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Sama Alshaibi, (2019). Image: Ben Davis.

Stacy Lynn Wadell, <em>Untitled (Two Girls and Love)</em> (2019). Image: Ben Davis.” width=”1024″ height=”683″ srcset=”https://news.artnet.com/app/news-upload/2020/02/42-Stacy-Lynn-Wadell-Untitled-Two-Girls-and-Love-1024×683.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/42-Stacy-Lynn-Wadell-Untitled-Two-Girls-and-Love-300×200.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/42-Stacy-Lynn-Wadell-Untitled-Two-Girls-and-Love-50×33.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Stacy Lynn Wadell, (2019). Image: Ben Davis.

Stacy Lynn Waddell, <em>Untitled (Dot and Leon 1972)</em> (2019). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/43-Stacy-Lynn-Waddell-Untitled-Two-Girls-and-Love-1024×768.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/43-Stacy-Lynn-Waddell-Untitled-Two-Girls-and-Love-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/43-Stacy-Lynn-Waddell-Untitled-Two-Girls-and-Love-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Stacy Lynn Waddell, (2019). Image: Ben Davis.

Elisa Harkins, <em>Wampum</em> (2019). Image: Ben Davis.” width=”1024″ height=”666″ srcset=”https://news.artnet.com/app/news-upload/2020/02/44-Elisa-Harkins-Wampum-2-1024×666.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/44-Elisa-Harkins-Wampum-2-300×195.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/44-Elisa-Harkins-Wampum-2-50×33.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Elisa Harkins, (2019). Image: Ben Davis.

Marcela Pardo Ariza, <em>Linda Lee and Dorsey Louis (1988, 2018)</em> (2018). Image: Ben Davis.” width=”1024″ height=”683″ srcset=”https://news.artnet.com/app/news-upload/2020/02/45-Marcela-Pardo-Ariza-Linda-Lee-and-Dorsey-Louis-1024×683.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/45-Marcela-Pardo-Ariza-Linda-Lee-and-Dorsey-Louis-300×200.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/45-Marcela-Pardo-Ariza-Linda-Lee-and-Dorsey-Louis-50×33.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Marcela Pardo Ariza, (2018). Image: Ben Davis.

Hannah McBloom, <em> Woodpile</em> (2019). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/46-Hannah-McBloom-Woodpile-1024×768.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/46-Hannah-McBloom-Woodpile-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/46-Hannah-McBloom-Woodpile-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Hannah McBloom, (2019). Image: Ben Davis.

Photos by L. Kasimu Harris. Image: Ben Davis.

Photos by L. Kasimu Harris. Image: Ben Davis.

Photos by Frank Blazquez. Image: Ben Davis.

Photos by Frank Blazquez. Image: Ben Davis.

Ronald Jackson, <em>In a Day She Became The Master of Her House</em> (2019). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/49-Ronald-Jackson-In-a-Day-She-Became-The-Master-of-Her-House-1024×768.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/49-Ronald-Jackson-In-a-Day-She-Became-The-Master-of-Her-House-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/49-Ronald-Jackson-In-a-Day-She-Became-The-Master-of-Her-House-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Ronald Jackson, (2019). Image: Ben Davis.

Cristina Molina, <em>Matrilineal Portrait: From the Matriarchs Series</em> (2016-2017). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/50-Cristina-Molia-Matrillineal-Portrait-From-the-Matriachs-Series-1024×768.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/50-Cristina-Molia-Matrillineal-Portrait-From-the-Matriachs-Series-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/50-Cristina-Molia-Matrillineal-Portrait-From-the-Matriachs-Series-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Cristina Molina, (2016-2017). Image: Ben Davis.

Mari Hernandez, <em>Los Hermanos</em> (2018). Image: Ben Davis.” width=”1024″ height=”701″ srcset=”https://news.artnet.com/app/news-upload/2020/02/51-Mari-Hernandez-Los-Hermanos-1024×701.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/51-Mari-Hernandez-Los-Hermanos-300×205.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/51-Mari-Hernandez-Los-Hermanos-50×34.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Mari Hernandez, (2018). Image: Ben Davis.

Alex Bradley Cohen, <em>Keon and Kamau</em>. Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/52-Alex-Bradley-Cohen-Keon-and-Kamau-1024×768.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/52-Alex-Bradley-Cohen-Keon-and-Kamau-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/52-Alex-Bradley-Cohen-Keon-and-Kamau-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Alex Bradley Cohen, . Image: Ben Davis.

Scott Hocking, <em>Arkansas Traveler</em> (2019-2020). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/53-Scott-Hocking-Arkansas-Traveler-1024×768.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/53-Scott-Hocking-Arkansas-Traveler-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/53-Scott-Hocking-Arkansas-Traveler-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Scott Hocking, (2019-2020). Image: Ben Davis.

Installation view of "State of the Art" at Crystal Bridges.

Installation view of one of the galleries of “State of the Art” at Crystal Bridges.

Jova Lynne, <em>Beautiful Sun, Sea, Beaches, Flowers and Hotels from Visions of Paradise</em> (2018). Image: Ben Davis.” width=”768″ height=”1024″ srcset=”https://news.artnet.com/app/news-upload/2020/02/55-Jova-Lynne-Beautiful-Sun-Sea-Beaches-Flowers-and-Hotels-from-Visions-of-Paradise-768×1024.jpeg 768w, https://news.artnet.com/app/news-upload/2020/02/55-Jova-Lynne-Beautiful-Sun-Sea-Beaches-Flowers-and-Hotels-from-Visions-of-Paradise-225×300.jpeg 225w, https://news.artnet.com/app/news-upload/2020/02/55-Jova-Lynne-Beautiful-Sun-Sea-Beaches-Flowers-and-Hotels-from-Visions-of-Paradise-38×50.jpeg 38w, https://news.artnet.com/app/news-upload/2020/02/55-Jova-Lynne-Beautiful-Sun-Sea-Beaches-Flowers-and-Hotels-from-Visions-of-Paradise-1440×1920.jpeg 1440w” sizes=”(max-width: 768px) 100vw, 768px” /></p><p class=Jova Lynne, (2018). Image: Ben Davis.

Su Su, <em>Darwin</em> (2018). Image: Ben Davis.” width=”1024″ height=”740″ srcset=”https://news.artnet.com/app/news-upload/2020/02/56-Su-Su-Darwin-1024×740.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/56-Su-Su-Darwin-300×217.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/56-Su-Su-Darwin-50×36.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Su Su, (2018). Image: Ben Davis.

Lori Kella, <em>Slip into the Fog and Vanish (Painter Turtle)</em> (2019) and <em>Euclid's Mirror</em> (2019). Image: Ben Davis.” width=”1024″ height=”785″ srcset=”https://news.artnet.com/app/news-upload/2020/02/57-Lori-Kella-1-1024×785.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/57-Lori-Kella-1-300×230.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/57-Lori-Kella-1-50×38.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Lori Kella, (2019) and (2019). Image: Ben Davis.

Francisco Souto, <em>Long Food Line</em> (2016). Image: Ben Davis.” width=”1024″ height=”453″ srcset=”https://news.artnet.com/app/news-upload/2020/02/58-FRancisco-Souto-Long-Food-Line-1024×453.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/58-FRancisco-Souto-Long-Food-Line-300×133.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/58-FRancisco-Souto-Long-Food-Line-50×22.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Francisco Souto, (2016). Image: Ben Davis.

Art Miller, <em>AT&T Cellular Tower First Church of the Nazarene Springdale, Arkansas</em> (2019). Image: Ben Davis. ” width=”1024″ height=”807″ srcset=”https://news.artnet.com/app/news-upload/2020/02/59-Art-Miller-ATT-Cellular-Tower-First-Church-of-the-Nazarene-Springdale-Arkansas-1024×807.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/59-Art-Miller-ATT-Cellular-Tower-First-Church-of-the-Nazarene-Springdale-Arkansas-300×237.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/59-Art-Miller-ATT-Cellular-Tower-First-Church-of-the-Nazarene-Springdale-Arkansas-50×39.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Art Miller, (2019). Image: Ben Davis.

Amy Casey, <em>Highground</em> (2019). Image: Ben Davis.” width=”1024″ height=”521″ srcset=”https://news.artnet.com/app/news-upload/2020/02/60-Amy-Casey-A-Forest-of-Uncertain-Things-1024×521.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/60-Amy-Casey-A-Forest-of-Uncertain-Things-300×153.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/60-Amy-Casey-A-Forest-of-Uncertain-Things-50×25.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Amy Casey, (2019). Image: Ben Davis.

Various works by Letitia Huckaby (all 2017). Image: Ben Davis.

Various works by Letitia Huckaby (all 2017). Image: Ben Davis.

Larry Walker, <em>Tweet, Tweet… Look Who's Here… or Aliens, Wall Spirits and Other Manifestations</em> (2017). Image: Ben Davis.” width=”1024″ height=”906″ srcset=”https://news.artnet.com/app/news-upload/2020/02/62-Larry-Walker-Tweet-Tweet-Look-Whos-Here-or-Aliens-Wall-Spirits-and-Other-Manifestations-1024×906.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/62-Larry-Walker-Tweet-Tweet-Look-Whos-Here-or-Aliens-Wall-Spirits-and-Other-Manifestations-300×265.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/62-Larry-Walker-Tweet-Tweet-Look-Whos-Here-or-Aliens-Wall-Spirits-and-Other-Manifestations-50×44.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Larry Walker, (2017). Image: Ben Davis.

Tabitha Nikolai, <em>Ineffable Glossolalia</em> (2017). Image: Ben Davis.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/63-Tabitha-Nikolai-Ineffable-Glossolalia-1024×768.jpeg 1024w, https://news.artnet.com/app/news-upload/2020/02/63-Tabitha-Nikolai-Ineffable-Glossolalia-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2020/02/63-Tabitha-Nikolai-Ineffable-Glossolalia-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=The terminal for Tabitha Nikolai’s videogame (2017). Image: Ben Davis.

Paul Stephen Benjamin, <em>Daily Meditations</em> (2020). Image: Ben Davis.” width=”768″ height=”1024″ srcset=”https://news.artnet.com/app/news-upload/2020/02/Paul-Stephen-Benjamin-Daily-Meditations-768×1024.jpg 768w, https://news.artnet.com/app/news-upload/2020/02/Paul-Stephen-Benjamin-Daily-Meditations-225×300.jpg 225w, https://news.artnet.com/app/news-upload/2020/02/Paul-Stephen-Benjamin-Daily-Meditations-38×50.jpg 38w, https://news.artnet.com/app/news-upload/2020/02/Paul-Stephen-Benjamin-Daily-Meditations-1440×1920.jpg 1440w” sizes=”(max-width: 768px) 100vw, 768px” /></p><p class=Paul Stephen Benjamin, (2020). Image: Ben Davis.

Domingo Castillo, <em>Tropical Malaise: Prologue</em> (2016), as installed in Frank Lloyd Wright's Bachman-Wilson House at Crystal Bridges. Image: Ben Davis. ” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2020/02/65-Domingo-Castillo-Tropical-Malaise-Prologue-1024×768.jpg 1024w, https://news.artnet.com/app/news-upload/2020/02/65-Domingo-Castillo-Tropical-Malaise-Prologue-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2020/02/65-Domingo-Castillo-Tropical-Malaise-Prologue-50×38.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px” /></p><p class=Domingo Castillo, (2016), as installed in Frank Lloyd Wright’s Bachman-Wilson House at Crystal Bridges. Image: Ben Davis.


Source: Exhibition - news.artnet.com

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