The First Major Solo Exhibition of Old Master Artemisia Gentileschi in London Has Gotten Rave Reviews—See Images Here

“Artemisia” at the National Gallery, London
Through January 24, 2021

What the museum says: “In 17th-century Europe, at a time when women artists were not easily accepted, Artemisia was exceptional. She challenged conventions and defied expectations to become a successful artist and one of the greatest storytellers of her time…

In this first major exhibition of Artemisia’s work in the UK, see her best-known paintings including two versions of her iconic and viscerally violent ; as well as her self portraits, heroines from history and the Bible, and recently discovered personal letters, seen in the UK for the first time.”

Why it’s worth a look: Artemisia Gentileschi is finally getting her due, after years languishing in the shadows while her male peers took the stage and set a standard for Old Master painters. Now, though, with an onslaught of scientific discoveries, extensive new research, and high-profile auction sales and museum acquisitions, the artist is at long last in the spotlight.

In the National Gallery’s survey, Gentileschi’s tumultuous life may be what draws viewers in—she is best known for her grisly depiction of the biblical story of Judith beheading Holofernes, which some critics have interpreted as a revenge fantasy alluding to her own rape—but her deftness as a portraitist and painter of baroque themes punctuated by strong women is what will keep them there.

What it looks like:

Artemisia Gentileschi, (ca. 1623-25) © The Detroit Institute of Arts.

Artemisia Gentileschi, (ca. 1636-38). © Toledo Museum of Art, Toledo, Ohio.

<img class="size-large wp-image-1917493" src="https://news.artnet.com/app/news-upload/2020/10/X10482-A5-767×1024.jpg" alt="Artemisia Gentileschi, Self Portrait as the Allegory of Painting (La Pittura) (ca. 1638-9). © Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019.” width=”767″ height=”1024″ srcset=”https://news.artnet.com/app/news-upload/2020/10/X10482-A5-767×1024.jpg 767w, https://news.artnet.com/app/news-upload/2020/10/X10482-A5-225×300.jpg 225w, https://news.artnet.com/app/news-upload/2020/10/X10482-A5-37×50.jpg 37w, https://news.artnet.com/app/news-upload/2020/10/X10482-A5-1438×1920.jpg 1438w” sizes=”(max-width: 767px) 100vw, 767px”>

Artemisia Gentileschi, (ca. 1638-9). © Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019.

Artemisia Gentileschi, (ca. 1628-30). © The Metropolitan Museum of Art, New York.

Artemisia Gentileschi, (ca. 1620-25). © Photo: Dominique Provost Art Photography – Bruges.

Artemsisia Gentileschi, (ca. 1615-17). © Gabinetto fotografico delle Gallerie degli Uffizi.

Artemisia Gentileschi, (ca. 1612-13). © ph. Luciano Romano / Museo e Real Bosco di Capodimonte 2016.

Artemisia Gentileschi, (ca. 1608). © Nasjonalgalleriet, Oslo / photo Børre Høstland.

Artemisia Gentileschi, (mid 1620s). © Photo courtesy of the owner.

Artemisia Gentileschi, (ca. 1636-7).© Columbus Museum of Art.

Artemisia Gentileschi, (1620). © Szépmüvészeti Múzeum / Museum of Fine Arts, Budapest.

Artmemisia Gentileschi, (ca. 1615-17). © Wadsworth Atheneum Museum of Art, Hartford, Connecticut.

Installation view, “Artemisia” at the National Gallery.

Installation view, “Artemisia” at the National Gallery.

Installation view, “Artemisia” at the National Gallery.

Installation view, “Artemisia” at the National Gallery.

Artemisia Gentileschi, (1622). © The Burghley House Collection.


Source: Exhibition - news.artnet.com


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