Oceans cover nearly three-quarters of our planet, containing a staggering 96.5 percent of its water. And despite our ever-advancing technologies and cartographic tools, we’ve still only mapped about a tenth of the earth’s oceans. There’s so much we have yet to see or understand, but our reliance on things like fossil fuels and single-use plastics continue to have an indelible impact on the health of marine wildlife and habitats.

Arch Enemy Arts’ forthcoming exhibition, Common Waters, brings these concerns to the fore. From the ethereal weirdness of jellyfish to the delicate branches of corals, the works not only touch on the incredible biodiversity below the surface, but also remind us of the ocean’s power and how human actions can have dire consequences. And while the show takes a playful approach, with an emphasis on beauty and even quirkiness, there is an undeniable aura of anxiety and even sadness—an undercurrent that carries an urgent message.

Many works in Common Waters are fantastical, such as Gerlanda di Francia’s coral-haired siren or Juliet Schreckinger’s octopus being conveyed over the waves by (hopefully) helpful birds. You’ll also find miniature paintings inside of a vintage compact by Shannon Taylor, a sculpted paper relief of a graceful sea turtle by Marisa Aragón Ware, and a matryoshka-like fish coming up for air by Veks Van Villik, plus many more.

The exhibition is presented in collaboration with PangeaSeed, a non-profit that bridges art and science to educate the public about—and advocate for—conserving our oceans. The exhibition brings together works by 60 artists from around the world, focusing predominantly on square-format pieces, all of which draw our attention to some aspect of marine life. A portion of sales proceeds will be donated to PangeaSeed to help with their mission to get people excited about protecting the planet.

Common Waters runs from June 5 to July 5 in Philadelphia. See more on Arch Enemy Arts’ Instagram.