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Historic Architecture Emerges from Stone in Matthew Simmonds Ethereal Sculptures


“Cathedral: Study” (2022), Carrara marble, 41 centimeters tall. All images courtesy of the artist, shared with permission

Historic Architecture Emerges from Stone in Matthew Simmonds Ethereal Sculptures

From unassuming hunks of Carrara marble and limestone, Matthew Simmonds carves realistic, miniature gothic cathedral arches, stairwells, and colonnades. Often based on architectural details of real places, such as cities around Tuscany and Germany’s Bamberg Cathedral, the sculptures portray intimate details of corners, vaulted ceilings, arcades, and stairwells that can sometimes be peeked through additional apertures. The artist’s meticulously carved marble and limestone forms reveal smooth, ornate interiors while highlighting the natural quality of the stone.

Lately, Simmonds has been working consistently on a range of commissions, and he’s taking advantage of a current quiet period to return to experimentation in the studio. He tells Colossal, “I am interested in clarifying what I want to say with various themes in the work, in particular the role space and light play and how this can express a sense of the sacred in the inner world of the sculpture.”

“Proscænium: Faxe” (2025), limestone, 39 x 39 x 45 centimeters
Detail of “Proscænium: Faxe”
“Remnant of Kings” (2025), limestone, 15 centimeters tall
“Cities of Tuscany: Pisa” (2025), Carrara marble, 37 centimeters tall
“A Light in Dark Places” (2025), limestone, 42 centimeters tall
“Reverse Plan: Bamberg Cathedral” (2024), limestone, 51 centimeters tall
“Gothic Passage with Sedilia” (2025), limestone, 17 x 15 x 20 centimeters
“Essay in Baroque Space IV” (2024), Carrara marble, 37.5 centimeters tall
“Windows 26” (2026), limestone, 50 x 10 x 50 centimeters
Detail of “Windows 26”

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Source: Art - thisiscolossal.com

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