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    Reality and Imagined Meditative States Converge in Tomás Sánchez’s Tranquil Landscapes

    
    Art

    #acrylic
    #graphite
    #landscapes
    #nature
    #painting
    #trees
    #water

    November 16, 2021
    Grace Ebert

    “Light: Outside, Inside” (2021), acrylic on linen, 100 x 80 centimeters. All images © Tomás Sánchez, shared with permission
    Through serene, idyllic landscapes, Tomás Sánchez visualizes his long-harbored fascination with meditation. The practice, the Cuban painter says, is “where I find many of the answers to questions that transcend from the personal to the universal. Meditation is not always a fleeting time. Meditation is not a punctual exercise; it is a constant practice.”
    Rather than conceptualize the exercise as a temporary state, Sánchez views mediation as a lens to interpret the world, a recurring theme that has foregrounded much of his work during the last few decades. His acrylic paintings and hazy graphite drawings, which take months if not years to complete, highlight the immensity and awe-inspiring qualities of a forest thick with vegetation or a nearby waterfall and offer perspective through a lone, nondescript figure often found amongst the trees. Distinct and heavily detailed, the realistic landscapes aren’t based on a specific place but rather are imagined spaces available only through a ruminative state.
    If you’re in New York, stop by Marlborough Gallery to see Sánchez’s solo show, which is on view from November 18 to January 22. Titled Inner Landscape, the exhibition encompasses multiple pieces never shown before, including the pristine scenes shown here. Until then, explore more of his works on Instagram.

    “Inner Lagoon…Thought-Cloud” (2016), acrylic on canvas, 200 x 199.3 centimeters
    “La batalla” (2015), acrylic on linen, 200 x 250 centimeters
    “El río va” (2020), acrylic on linen, 121.3 x 99.1 centimeters
    “Aislado” (2015), acrylic on canvas, 199.7 x 249.9 centimeters
    “Diagonales” (2018), conté crayon on paper, 30.5 x 40.6 centimeters

    #acrylic
    #graphite
    #landscapes
    #nature
    #painting
    #trees
    #water

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    Mystery and Fantasy Veil Black-and-White Illustrations by Artist David Álvarez

    
    Art
    Illustration

    #black and white
    #drawing
    #graphite
    #surreal

    November 1, 2021
    Grace Ebert

    “Pinoccio.” All images © David Álvarez, shared with permission
    Continually fascinated by the potential of the human figure, Mexico-based artist David Álvarez (previously) illustrates richly textured scenes with a dose of fantasy and surrealism: a bird’s perch transfixes a character who’s sprouted a branch nose, a man writhes on the ground as he grows from a gnarled stump, and a Cheshire cat lifts a blanket to unveil a moon hidden beneath. Underlying many of his works is “the expressive force and the gesture of the human body,” Álvarez tells Colossal, themes that are rendered through highlights and dense markings in graphite that add intrigue and mystery to the monochromatic depictions.
    The illustrations shown here are a mix of personal projects and commissions, and “Cage” is slated for the cover of Álvarez’s forthcoming book about overcoming prejudices and stereotypes called Bird Woman. You can follow his black-and-white works on Instagram, and shop sketches, prints, and originals.

    “Monkeys”
    “Metamorpho”
    “Agony”
    Left: “Cage.” Right: “The Collector”
    “Awareness”
    “Cheshire”
    “Mice”

    #black and white
    #drawing
    #graphite
    #surreal

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

     
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