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    “Everything is Relative” by PEJAC in Madrid, Spain

    If ever there were an artist capable of switching seamlessly between indoor and outdoor practice, Pejac would instantly spring to mind. Following his much-acclaimed fourth solo show in Berlin at the end of 2021, he kicked off 2022 working on the streets of Madrid. When working in the urban space, one of the elements that most distinguishes Pejac is his ability to find poetry where there is none and this is the essence of his latest intervention in the Carabanchel neighborhood in Madrid, literally. Located in the south of the city, this traditionally working-class neighborhood is one of the most diverse areas of the capital. Paying homage to the local residents, Pejac has created a minimalist artwork charged with surrealism, a piece that spreads over the side wall of the new VETA Gallery – a symbol of the cultural and artistic transformation that the neighborhood has undergone in recent times. With his intervention, the artist not only resists restoring that which appears to lack value, but also carefully enhances the imperfections of the wall. With the goal of focussing attention on what already exists, Pejac deemed it sufficient to add discreet touches to the existing texture of the wall. Next to the areas of the wall where the paint has fallen off, the artist has depicted tiny groups of people who, in a collective and organized way, carry these “empty spaces” as if they were valuable objects.With this artistic intervention, Pejac invites the residents of Carabanchel to look at these patches of broken paintwork with pride and a fresh perspective. Perhaps it is his way of singing the praises of the history of the neighborhood and its residents, of what is authentic.The artwork can be found at:Calle de Antoñita Jiménez 39, Madrid 28019, Spain More

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    “Tierra” by SpY in Madrid, Spain

    In “Tierra”, SpY presents an artistic project made up of a luminous red sphere caged inside a cube-shaped structure, constructed with the type of scaffolding normally used on building sites. These 2 simple geometric elements (sphere and cube) form a large-scale construction which stands almost 25 metres high and has been installed in Plaza de Colón in Madrid.This powerful visual statement is accompanied by a bright red light emanating from inside the sphere, from which one can almost feel the heat transmitted by the concept of the work.In this work, SpY asks us to reflect on the way in which our home makes up a whole of which we form part, and in which everything is connected as if it were a living creature. There have always been changing climate conditions and the Earth has always been constantly evolving. However, as a consequence of human activity, these changes are happening over a very short period of time and have resulted in worrying alterations.Unfortunately, this rapid change has created an impact which could become irreversible. We need to propose dialogue and actions that will contribute to improved collective awareness through a value system which can turn this situation around. The challenge we all face is to take small individual steps to improve and contribute to our sense of shared responsibility.Through this artistic offering, SpY invites the audience to reflect and enjoy this urban installation, where visitors will be surprised by the scale and the contrasting light set against the city background.In “DATA” pictured above, SpY offers a reflection on the rapid and widespread inclusion of algorithms in numerous aspects of our lives.  In this audio-visual work, digital abstraction is used to explore and interpret how predictive tools operated through algorithms and artificial intelligence are highly beneficial in terms of aspects such as communication, research and medicine, but can also lead us to lose some of our freedoms if they are not used ethically.SpY is an urban artist whose first endeavors date back to the mid-eighties. Shortly after, already a national reference as a graffiti artist, he started to explore other forms of artistic communication in the street. His work involves the appropiation urban elements through transformation or replication, commentary on urban reality, and the interference in its communicative codes.Check out below for more photos os SpY’s work. More

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    “Byte the Candy” by Jorge Rodríguez-Gerada in Madrid, Spain

    Muralist Jorge Rodríguez-Gerada recenlty worked on a new mural entitled “Byte the Candy” for Urvanity 2021 in Madrid, Spain. In this mural, the artist speaks out about our relationship with social media. It’s the first piece created by Gerada which brings his terrestrial land art style to the wall, creating a perfect union of the two aesthetics.In 1984, Neil Postman gave a talk about how we are “Amusing Ourselves to Death”. He criticised how the news we see on television is entertainment, there only to maintain our attention in order to sell advertisement time instead of trying to make us think.Today, we are living something beyond what Neil Postman was warning us about, social media platforms, with a system of algorithms that have no conscience or mercy. These algorithms work incessantly to keep our constant attention to see advertising and propaganda, and in that way become more efficient with the use of personal data, achieving the ability to target advertising that coincides exactly with the profile of interests of each user.Orwell, Huxley and Postman are rolling in their graves, raising their voices from the past when all of this was just a macabre idea, while the artists of the 21st century are complicit, do not denounce or give alternatives.In this portrait I incorporate the “on” button symbol that is ubiquitous in our technological reality, on the portrait of young beauty, to create a visual dialogue and invite contemplation about the possible narratives that the piece may have and how the spectators might see themselves reflected within it.Rodriguez-Gerada’s portraits, performed as murals or as terrestrial interventions that can be seen from space, more than the artist’s mark, reflect other people’s imprints. They are part of a memory that refuses to solely be a passing signal.Although it has always been based in cities, urban art hasn’t always belonged to the citizens. Jorge Rodriguez-Gerada has changed this and has given it a new condition. He has achieved this because his work is not made solely for “urbanites.” Above all, it is truly aimed at the citizenship that is forced to live, and above all, forced to transform the beast that is the City in the 21st century. Photo credits: all pics by Fer Alcalá More

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    “It can’t rain all the time” by Pejac in Madrid, Spain

    Hard times for street artists because of Covid-19? Maybe it’s true for outdoor interventions, but the creativity of our favorite talents around the world continues to express itself in different forms that have not been explored so far. This is the case of the Spanish artist Pejac, who continues to amaze us even from his […] More

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    “Run Away” by D*Face in Madrid

    British artist Dean Stockton, aka D*Face, recently finished working on a large new piece in the streets of Madrid. The piece features some of D*Face’s signature imagery in form of a young winged-lady accompanied by her beau. D*Face has grabbed contemporary art scene by the throat. With his inexhaustible mind full of ideas and endless creativity, […] More

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    Jorge Rodríguez-Gerada Creates 2 New Murals in Madrid For The UN Climate Conference

    These 2 new murals focus on climate crisis and the fight of indigeneous people to save their lands and have been curated by Stephen Donofrio for Greenpoint Innovations. Jorge Rodríguez-Gerada chose again to speak out for social issues and minorities. At the center of the eye is Planet Earth, with the Amazon as the pupil and Chile […] More