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    Diminutive Figures Traverse Vibrant, Post-Climate Disaster Environments by Seonna Hong

    
    Art
    #acrylic
    #climate crisis
    #identity
    #oil painting
    #painting
    #pastelJanuary 19, 2022Grace Ebert“Kid World” (2021). All images © Seonna Hong, courtesy of Hashimoto Contemporary, shared with permissionIn Late Bloomer, Los Angeles-based artist Seonna Hong wades into landscapes filled with amorphous swatches of color and marred by climate disaster. Her acrylic, oil, and pastel works are on view through February 5 at Hashimoto Contemporary in Los Angeles in an introspective solo show that considers her place in an ever-evolving world. Set against abstract, blurred backdrops, Hong’s distinctly rendered animals and anonymous subjects navigate distorted terrains of once-familiar architecture and natural landmarks.Many of the stylized compositions evoke traditional Korean landscapes from the Joseon period—these are known for their asymmetrical forms, vibrant brushstrokes, and skewed perspectives—that contemplate the human-nature relationship by placing miniature figures among formidable environments. “I’m a second-generation Korean American that is surprised to be making identity-based work but realizing I’ve been making it all along. I’ve spent my entire life between the push and pull of being Korean and American, never feeling quite Korean enough or American enough,” Hong writes on Instagram. “I’ve realized the inherent connection between my work and my history, a belated but cherished revelation.”“Granny Square” (2021)“In The Joseon Period” (2021)“The View From the Studio” (2021)“Sunset Stone” (2021)“Gumball Dystopia” (2021)“Like Minded” (2021)
    #acrylic
    #climate crisis
    #identity
    #oil painting
    #painting
    #pastelDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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    Dramatic Light Illuminates Crosscut Melons, Citrus, and Other Juicy Produce Rendered by Dennis Wojtkiewicz

    
    Art
    Food
    #apples
    #fruit
    #light
    #pastelJanuary 3, 2022Grace Ebert“Citrus Series #33.” All images © Dennis Wojtkiewicz, shared with permissionArtist Dennis Wojtkiewicz (previously) finds creative nourishment in succulent slices of melons, lemons, and apples that appear to glow under studio lighting. Rendered in pastels with slightly blurred lines, his works focus on the seeds, fibrous veins cradling pockets of juice, and thick rinds visible only through clean crosscuts of the edible subject matter. Prints and originals of the luminous fruits are available on his site, and you can follow his latest pieces on Instagram.“Rosette Series #35”“Kiwi Series #8”“Peach Series #10”“Lemon Series #18”“Melon Series #47”“Horn Melon Series #6”“Citrus Series #32”“Apple Series #3”“Melon Series #49”“Melon Series #18”
    #apples
    #fruit
    #light
    #pastelDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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    “Lḗthē” by Pastel in Lisbon, Portugal

    Argentinian painter Pastel recently worked on a new wall with Underdogs Gallery. The mural entitled “Lḗthē” (Greek term for forgetfulness or hiding) was developed to raise awareness about climate change and environmental sustainability.The project was based on the survey of the flora in extinction in Portugal, as part of the Public Art Program of Underdogs Gallery in association with the Museum of Natural History of Lisbon and the Botanical Garden of Lisbon. Curated by Vhils and Pauline Foessel.Francisco Diaz Scotto is a painter and architect (UBA). Far from conventional architecture, he understands public space work as urban acupuncture. Most of the mural contexts are the “non-places”. Those who are relegated from the irregular and non-inclusive urban designs. Many of his works are located in facades that operate as a canvas for his paintings. The main and most complex search is oriented towards creating a dialogue that is natural and respectful of the environment, since the limits of the work are understood between the painted space and its surroundings. The flora he uses as a reference in his paintings is that which grows in the cracks of sidewalks and facades. These cracks generated by a deficient construction process are reflection of the human need to control space for a rational and autarkic use. Taking these small plants and glorifying them with their change of scale can be a mechanism to question the modern methods we have as a society.Check out below for more photos of Pastel’s stunning work.Arte UrbanaArte Urbana More

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    “Cocina” by Pastel in Buenos Aires, Argentina

    Argentinean muralist Pastel recently finished a new work located in Villa Ballester, Buenos Aires. It is entitled “Cocina” and was painted on Plaza Roca water tower, that was built on 1950’s. The mural features floral designs and motifs that are visually integrated into the vegetation of the square.

    b-sm = 300×250; sm > none;

    This large-scale project is part of the celebrations for the 131st anniversary of Villa Ballester, together with the integral maintenance of the square. In addition, #BallesterCiudadCultural has an ongoing schedule of artistic activities.

    Francisco Díaz aka Pastel is an artist and architect based in Buenos Aires. Pastel sees painting as a way of counteracting social gentrification. Similarly, his use of floral imagery ties into ideas of human nature and greater awareness toward our surroundings.
    Check out below more closeup and overview images of “Cocina”. More

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    Minimalist Ceramics by Amy Victoria Marsh Exude Positivity and Playfulness

     “Happy Poo,” stoneware clay, underglaze, and transparent glaze, extra large 7 x 7 centimeters, large 5 x 5, regular 4 x 3.5, small 3 x 3. All images © Amy Victoria Marsh Relying on a simple color palette, Amy Victoria Marsh crafts minimalist ceramics meant to inspire positivity and humor. The Manchester-based artist creates […] More