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    Drawings and Paintings by Pat Perry Reinterpret American Stories with Tender Absurdity

    
    Art

    #acrylic
    #drawing
    #narrative
    #painting
    #pen

    October 15, 2021
    Grace Ebert

    “Recital XII” (2021), acrylic on panel, framed, 26 x 48 inches. All images courtesy of Hashimoto Contemporary, shared with permission
    In Pat Perry’s Sensemaking, there’s no rubric for telling a story. In quiet scenes framed through roadside vantage points and performances of costumed figures and contemporary symbols, the Detroit-based artist (previously) considers the deeply American tendency to configure the world with single, flat narratives. Perry takes an opposing approach, though, and instead layers his pieces with contradiction, complexity, and unusual details that reflect the current moment.
    Rendered in subtle color palettes, his drawings and paintings pull from the visual lexicon of Midwestern life (i.e. children playing on pipe abandoned in a field or a lone figure sitting at a card table on the sidewalk), although they contain imaginative twists and nuanced social commentary: swimming pools sit below an underpass, banners display Craigslist ads, and fleeting social media trends are printed on large posters. “These paintings and drawings offer a joyful glimpse into an invented world; one that’s closely related to the one right in front of us; one that we so often struggle to see clearly and make sense of,” a statement about the series says.

    “” (2021), acrylic on panel, framed, 48 x 57 inches
    In a lengthy essay published by Juxtapoz back in August, Perry elaborates on the impetus for his latest works, which center around a broad theme of flawed logic. He revists his attempts to understand the world through the lens of his religious childhood in Michigan and later, the anarchic ideologies that guided his early adult years, and the two conflicting narratives profoundly impact the artist’s approach today. “Chapter Three of my life so far has had something to do with recognizing that truly lessening suffering maybe has less to do with understanding the world, or playing an oversized role in it. It may not be about constantly ‘using my voice,’” he writes.
    Sensemaking, which features dozens of new paintings, charcoal drawings, and works in acrylic and pen, is on view from October 6 through November 16 at Hashimoto Contemporary in New York, and you can follow Perry’s work on Instagram.

    “Recital XIII” (2021), acrylic on panel, framed, 48 x 54 inches
    “River Friends” (2021), acrylic on panel, framed, 49 x 64 inches
    “Black Square” (2021), acrylic on panel, framed, 42 x 48 inches
    “Video Wishing Well” (2021), acrylic on panel, framed, 20 x 20 inches
    “NPC Melek Taus” (2021), acrylic on panel, framed, 29 x 54 inches
    “Indexers 1” (2021), acrylic, pencil, and pen, framed, 22 x 30 inches
    “Glossary” (2021), acrylic, pencil, and pen, framed, 22 x 30 inches
    “Indexers 2” (2021), acrylic, pencil, and pen, framed, 22 x 30 inches

    #acrylic
    #drawing
    #narrative
    #painting
    #pen

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    Powerful and Emotive, Artist Patrick Onyekwere’s Hyperrealistic Portraits Are Rendered Meticulously in Ballpoint Pen

    
    Art

    #drawing
    #hyperrealism
    #pen
    #photorealism
    #portraits

    July 16, 2020
    Grace Ebert

    All images © Patrick Onyekwere, shared with permission
    Patrick Onyekwere imbues his photorealistic portraits with layers of emotion. Before sketching with blue, ballpoint pen, the Nigerian artist invites his subjects into a conversation about their lives, contemporary culture, and nature to establish the mood or story he’s hoping to convey. Their responses produce a collaborative endeavor that organically merges their perspectives and histories, which the artist translates to his artworks.
    Onyekwere collects a few snapshots of his subject for reference as he meticulously shades and crosshatches every inch of his hyperrealistic pieces. The artist sees his powerful renderings as “speaking for those who can’t speak for themselves” and finds the subjects’ eyes most interesting. “They mirror some of our deepest desires, fears, inhibitions, perceptions, thoughts, most of which we ourselves are consciously unaware of,” he says. “(The eyes have) the power to convey emotions and feelings and also communicate and connect to the viewer, inviting them to live in an untold story, in such a way they don’t see an already existing piece but take part in the creation of it.”
    To see Onyekwere’s portraits-in-progress and follow more of his expressive works, follow him on Instagram and YouTube.

    #drawing
    #hyperrealism
    #pen
    #photorealism
    #portraits

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