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    “Lḗthē” by Pastel in Lisbon, Portugal

    Argentinian painter Pastel recently worked on a new wall with Underdogs Gallery. The mural entitled “Lḗthē” (Greek term for forgetfulness or hiding) was developed to raise awareness about climate change and environmental sustainability.The project was based on the survey of the flora in extinction in Portugal, as part of the Public Art Program of Underdogs Gallery in association with the Museum of Natural History of Lisbon and the Botanical Garden of Lisbon. Curated by Vhils and Pauline Foessel.Francisco Diaz Scotto is a painter and architect (UBA). Far from conventional architecture, he understands public space work as urban acupuncture. Most of the mural contexts are the “non-places”. Those who are relegated from the irregular and non-inclusive urban designs. Many of his works are located in facades that operate as a canvas for his paintings. The main and most complex search is oriented towards creating a dialogue that is natural and respectful of the environment, since the limits of the work are understood between the painted space and its surroundings. The flora he uses as a reference in his paintings is that which grows in the cracks of sidewalks and facades. These cracks generated by a deficient construction process are reflection of the human need to control space for a rational and autarkic use. Taking these small plants and glorifying them with their change of scale can be a mechanism to question the modern methods we have as a society.Check out below for more photos of Pastel’s stunning work.Arte UrbanaArte Urbana More

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    “Shirt Mask SOW03” by Nuno Viegas in Lisbon, Portugal

    Portuguese artist Nuno Viegas have recently created a mural for Muro Festival in Lisbon. Muro Festiva is an  event by Galeria De Arte Urbana which added a huge amount of new giant murals to the capital of Portugal in the area of Parque das Nações.For this wall measuring 36 x 7 meters, Nuno Viegas experimented playing with the throwies in the background to give it another pop to his work.Nuno Viegas, also known as Metis, is a Portuguese artist and founder of the Policromia Crew art collective, who began his artistic journey with graffiti in 1999. His work presents us with a contrast between the visually aggressive and sometimes dirty reality of traditional graffiti, and his own peaceful and clean representation of that same reality. The approach to this theme stands as a continuous tribute to all those who dedicate part of their lives to this art form: graffiti writers who keep tradition alive in a time where the definition of graffiti tends to be blurred and mixed with street art. Since 2016 he has been a constant presence in the international urban art scene, working on a variety of projects and showing his work on walls and in art galleries across the globe.Take a look below for more photos of “Shirt Mask SOW03” More

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    Mural by Thiago Mazza in Lisbon, Portugal

    Urban artist Thiago Mazza was invited to paint at the MURO LX festival in Lisbon. The mural measuring 24 X 9 meters showcases a mix of foliage and flora with interesting shades and forms. The explosion of cores and shapes were enhanced by the beautiful yellow light of late afternoon in Portugal.Of all the plants chosen, one is the main star, a wild thorny artichoke, also known as Cardo. The plant is represented at the beginning and end of the mural, in two stages of her life. This plant also makes a lot of sense with the history the artist have with Lisbon.“Tradition has it that your flower is burned during the Midsummer Solstice, as once immersed in cold water it will bloom again. From ashes to ashes, the artichoke manifests in itself the eternal return, the denial of death, the resurrection.”“There I got in touch with the nature of the region, climbed mountains and went down to the sea cataloging all the plants that I found interesting, that aroused my attention due to their color or shape. I soon realized the challenge that would lie ahead: instead of the predominant green with vivid colours interspersing present on the tropical flora, in Portugal I found something different, the colours were much more contrasting, the fields were filled with yellow, purple dots, reds … as I got closer, the amount of detail increased. I was used to painting dense foliage, rigid and large flowers, I was lost in the amount of petals, thorns and lights that formed in a single flower in the field.” said Thiago.Thiago Mazza is known in the contemporary urban art scene for his mastery in the representation of fauna and flora. His current subject of studies are tropical plants, their exuberant structure and dense foliage. Thiago has participations in festivals all over the world such as Artscape (Sweden), Vukovart (Croatia), UpFest (UK), Stenograffia (Russia), IPAF (México) and CURA (Brazil). His work dialogues with classical painting, street art and contemporary art. Thiago Mazza brings nature within him, the ingenuity to transmute it and the art of taking us to it. More

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    “CALDENSE” by Add Fuel in Caldas da Rainha, Portugal

    Add Fuel just recently finished his addition to FALU Urban Art Festival in Caldas da Rainha, Portugal. The mural entitled CALDENSE was inspired by the enormous Bordallo Pinheiro, the richness of natural elements represented in his collections and the genius shapes of his objects, Add Fuel’s intention was to reinterpret the legacy of traditional Caldas ceramics and offer the inhabitants of the city this tribute.

    “From the blue of secular tiles to the green of Bordallo cabbages, from the shape of artichokes to the one of decorative pots, from the master’s realistic fauna and flora to my own imaginary creatures, this wall that is now part of the city wants to be as Caldense as each one of its inhabitants.” the artist mentioned.

    Portuguese visual artist Diogo Machado alias Add Fuel has always been fascinated with the aesthetic possibilities of symmetrical patterning and tessellations. His focus towards working with and reinterpreting the language of traditional tile design, and that of the Portuguese tin-glazed ceramic azulejo in particular. Effortlessly blending these two seemingly-irreconcilable visual idioms, his current practice seeks to combine traditional decorative elements with contemporary visual referents into new forms that reveal an impressive complexity and a masterful attention to detail.
    Take a look below to see more of Add Fuel’s masterpiece.

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