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SpaceWalk: A Spectacular Rollercoaster-Esque Staircase Loops Through a South Korean Park
Art
Design
#public art
#sculpture
#stairs
#steelJanuary 27, 2022Grace EbertAll images © Heike Mutter and Ulrich GenthTowering 70-meters above ground at its highest point, “SpaceWalk” is the latest undulating sculpture by Hamburg-based artists Heike Mutter and Ulrich Genth. The monumental staircase winds in loops and elevations similar to that of a rollercoaster throughout Pedestrians enter the work at a central staircase, which breaks into two paths: one gently sloped walkway leads to a view of Yeongil Bay and the surrounding city, while the other is a steeper climb through a helix. Both are designed to mimic an otherworldly experience. “The title ‘SpaceWalk’ is taken from the terminology of outer space missions. It describes the act of exiting the space vehicle in the weightlessness of outer space. More literally, ‘SpaceWalk’ can be understood to mean ‘a walk through space,’” they say.For more of the duo’s architectural projects, head to their site. (via This Isn’t Happiness)
#public art
#sculpture
#stairs
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Inscribed Lace Patterns Defy Expectations in Cal Lane’s Plasma-Cut Steel Tools and Industrial Objects
Art
#cars
#lace
#sculpture
#steel
#submarines
#toolsJanuary 18, 2022Grace EbertAll images courtesy of Cal Lane and C24 Gallery, shared with permissionUsing car hoods, shovels, and oil drums as her base, Canadian artist Cal Lane cuts generic lace motifs found on the shelves of mass-market retailers. Her quotidian designs adorn tools and commodities typically associated with masculinity, warping both assumptions about gender and the limits of construction and craft. “I am more interested in the dialog between the object and the image, not so much the lace pattern specifically. I didn’t want the work to necessarily be decorative but to be about decoration and the relationship we have with it,” she shares.A former welder, Lane is broadly interested in the possibilities of materials, and it’s “the industrial, man-made structure, masculine, modernist quality of steel that I am attracted to. I see steel as a metaphor for confrontation, a thing that represents the walls put up by the society I was born into,” she shares. Her body of work, which includes a series of Industrial Doilies, is steeped in contradiction and an ability to defy expectations, which manifest as delicate filigree inscribed in sturdy hunks of metal. “Steel feels like the perfect material to carve into to create the contrasts and conflicts that I myself struggle with,” the artist says.Many of the plasma-cut sculptures shown here are part of In Her Space, which is on view through March 3 at C24 Gallery in New York. The exhibition includes some of Lane’s more recent pieces, including the collection of shovels and “Astute Class.” A miniature marine vessel, the submarine features a pattern Lane designed that’s comprised of thale cress flowers, a species that “had been bioengineered by Canada and The Netherlands as a bomb-sniffing flower…the flowers grow, but if there is a landmine beneath, the color of the flower changes,” she says. “I thought it was so beautiful, brilliant, and poetic.”In addition to In Her Space, Lane will show a new series of paintings on queen mattresses this fall at Art Mûr in Montreal. Until then, head to Instagram to see more of her process.“Astute Class” (2021), plasma cut steel, 27 x 138 x 38 inches“Hood” (2015), plasma cut steel, 37 x 63 x 3.5 inches“Untitled (Shovel)” (2022), plasma cut steel and wood, 54 x 8 x 5.5 inches“Untitled (Shovel)” (2016), plasma cut steel and wood, 56 x 8.25 x 5 inches“Hood” (2015), plasma cut steel, 37 x 63 x 3.5 inches“Sweet Spill” (2010), plasma cut steel, 22.5 x 69 x 23 inches“Doily Dumbbells” (2020), plasma cut steel, large dumbbells 14.5 x 48 x 14.5 inches, small dumbbells 10 x 14 x 10 inches
#cars
#lace
#sculpture
#steel
#submarines
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Complex Networks of Metallic Branches Shape Animal Sculptures by Kang Dong Hyun
Art
#animals
#metal
#sculpture
#steelJanuary 6, 2022Grace Ebert“Forest of Coexistence” (2019), stainless steel and urethane paint, 300 x 160 x 120 centimeters. All images © Kang Dong Hyun, shared with permissionWhat eventually becomes a stately stag or majestically posed lion in Kang Dong Hyun’s Forest of Coexistence starts with countless metallic branches that splay in every direction. The Korean artist (previously) welds spindly shoots and sprawling root-like shapes into facial features and bodies that are then finished with urethane paint. Creating a cohesive display of flora and fauna, each hollow, stainless steel sculpture considers the relationship between species and the idea that “all life on Earth may lead to an invisible string,” Kang says. For more of the artist’s intricately formed animals, visit Instagram.“Forest of Coexistence” (2020), stainless steel and urethane paint, 73 x 46 x 11 centimeters“Forest of Coexistence” (2021), stainless steel and urethane paint, 150 x 120 x 50 centimeters“Forest of Coexistence” (2021), stainless steel and urethane paint, 64 x 36 x 114 centimeters“Forest of Coexistence” (2021), stainless steel and urethane paint, 68 x 80 x 20 centimeters“Forest of Coexistence” (2018), stainless steel and urethane paint, 130 x 45 x 85 centimeters“Forest of Coexistence” (2020), stainless steel and urethane paint, 51 x 80 x 39 centimeters
#animals
#metal
#sculpture
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A Spectacular Staircase by Alex Chinneck Uncoils as It Scales a 25-Meter Building in Brighton
Art
#architecture
#public art
#sculpture
#stairs
#steelDecember 23, 2021Grace EbertAll images © Alex Chinneck, by Marc Wilmont, shared with permissionPart functional walkway and part dramatic sculpture, an outdoor staircase by Alex Chinneck unfurls into individual metallic ribbons as it climbs a brick building in Brighton. The latest work by the British artist, titled “A Spring in Your Step,” is made of galvanized steel and features a base with slatted rungs that gradually unwind into a trio of strips splaying outward over Circus Square.Chinneck is known for his surreal architectural interventions—these include melting facades, a condemned building that unzips, and twisting red post boxes—that upend ubiquitous designs in favor of bizarre counterparts. He shares about the new piece: “’A Spring in Your Step’ took three years to complete, weighs four tonnes, is 25 meters tall, and follows a non-repeating, expanding, and contracting helical form, making it my most complex sculpture to date.”Head to the artist’s Instagram to see the three-year process behind the spectacular sculpture and to explore a larger collection of his works.
#architecture
#public art
#sculpture
#stairs
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A ‘Staircase to Heaven’ Installation Ascends into the Sky as a Trippy Optical Illusion
Art#installation
#public art
#sculpture
#site-specific
#stairs
#steel
#videoNovember 12, 2021
Grace EbertAll images © Strijdom van der Merwe, shared with permission
South African artist Strijdom van der Merwe’s deceptive “Staircase to Heaven” sculpture is designed to make you wonder. When viewed straight on, the towering optical illusion appears to ascend into the sky at an incline, although the 4.5-meter-tall work actually lies on a flat plane. Van der Merwe partnered with Taiwanese artist Chou Sheng-hsien to create the trippy sculpture for the Nanhui Art Project in Taiwan, which commissioned 14 public works to be installed throughout Taitung County.
Built with steel square tubing that weighs about 240 kilograms, “Staircase to Heaven” is modeled after van der Merwe’s 2016 project, “Sculptures on the Cliff.” For more of the artist’s site-specific works and sprawling land art, check out his site. (via Laughing Squid)[embedded content]
#installation
#public art
#sculpture
#site-specific
#stairs
#steel
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Fragmented Garments and Body Parts Drift Away From Steel Sculptures by Regardt Van Der Meulen
Art#body
#sculpture
#steelJanuary 28, 2021
Grace Ebert“Untitled” (2018), mild steel, 1900 x 1850 x 900 millimeters. All images © Regardt Van Der Meulen, shared with permission
Regardt Van Der Meulen is concerned with the ephemerality of human life, a fascination that manifests in his sweeping steel sculptures. Fragmented and oversized, the works juxtapose the unyielding material with the movement inherent in the figures’ poses and the shapes of their garments. Each of their bodies is incomplete, whether through a bisected limb or torso gaping with negative space.
Based in Johannesburg, Van Der Meulen shares that much of his work exposes the vulnerability of the body and how both minute and drastic changes alter its presentation. Branches, geometric pieces, and erosion interrupt the nondescript figures, serving as a metaphor for their mental and physical instability, as well as the precarious state of the natural world and civilization. The artist writes:
I am fascinated by human mortality and the fleeting moments we spend here. One often forgets how fragile life and our environment is. We think we are part of a binary relationship with nature when in fact we are one. Sudden changes in our environment or experiences can instantly shift our perspective on how we view life and our role in it.
Find more of Van Der Meulen’s fractured sculptures on Instagram. (via Cross Connect Magazine)“Twigs” (2017), mild steel, 2,300 x 1,600 x 1,200 millimeters
Detail o f“Twigs” (2017), mild steel, 2,300 x 1,600 x 1,200 millimeters
Detail of “Shadow,” steel, 2.8 x 1 meter
“Shadow,” steel, 2.8 x 1 meter
“Unravel,” steel, 2,200 x 1,600 x 600 milimeters
Detail of “”Untitled” (2018), mild steel, 1900 x 1850 x 900 millimeters
Detail of “Deteriorated” (2020), steel, 2,020 x 520 x 520 milimeters
“Dematerialising” (2020), steel, 2050 milimeters#body
#sculpture
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