Art

#installation
#site-specific
#textiles

March 1, 2021
Grace Ebert

“Solo se escuchaba el aire (Only The Air Was Heard)” (2020), tulle, wood, metal, 125 x 120 x 258 inches. Installation at the Château de la Napoule, La Napoule Art Foundation, France. Photo by Sebastian Collett. All images © Ana María  Hernando, shared with permission
Fueled with a sense of rebellion, yards of colorful tulle cascade from windows and down staircases in site-specific installations by Ana María Hernando. The soft, pliable material breaches existing architecture and entwines trees in swaths of mesh, creating works that are both visually striking and subversive.
Evocative of ballgowns and garments that are traditionally worn by women, the tulle explodes into a flood of fabric as a way to break with social constructions surrounding feminity. “As a Latina, I explore how the feminine comes forward in strength and flexibility, in beauty and in (an) unstoppable abundance of generosity,” the Argentinian artist says.
Though she’s worked with a range of materials, Hernando shares that she always incorporates a textile element, which seems “to be an expansive conduit for my work” and references her childhood in Buenos Aires, where she observed the women in her family sewing, crocheting, and embroidering together every day. She explains:
The things they made from fabric and thread were expressions of their spirit. All the beauty—the hours of work, the washing and ironing—was made invisible once the table was laid and stained with food. I explore the unacknowledged feminine force of work as a prayer that I have known my whole life.
Hernando mainly works from Boulder, although she’s spent much of the year so far in a forest in Tennessee’s South Cumberland Plateau. If you’re in Colorado, view the artist’s multidisciplinary projects in the coming months as part of Present Box at the Boulder Museum of Contemporary Art and in a September solo show at Denver Botanic Gardens. In 2022, you can find her at the Sun Valley Museum of Art and Denver’s Robischon Gallery. Until then, explore an archive of her tufted, textile-based projects on her site and Instagram. (via Cross Connect Magazine)

“Waterfall” (2020), a temporary tulle installation at the Château de la Napoule, La Napoule Art Foundation, France. Photo by Rachel Berkowitz
“Waterfall” (2020), a temporary tulle installation at the Château de la Napoule, La Napoule Art Foundation, France. Photo by Rachel Berkowitz
“Flood (Déferlante)” (2020), tulle, installation at the Château de la Napoule, La Napoule Art Foundation, France
“Lantern” (2020), tulle, wire, and wood. Château de la Napoule, La Napoule Art Foundation, France
“Unmoored from the Familiar Expectations” (2020), performative installation at the Château de la Napoule, La Napoule Art Foundation, France, featuring Christopher Kojzar and Alessandro Sciaraffa. Photo by Rachel Berkowtiz
Photo by Sebastian Collett

#installation
#site-specific
#textiles

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Art

#animals
#Bordalo II
#mosaics
#neon
#public art
#sculpture
#trash

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#animals
#birds
#found objects
#Matt Wilson
#metal
#sculpture

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Art

#animals
#metal
#metalwork
#sculpture
#steel
#welding

August 27, 2020
Christopher Jobson

Zenith & Nadir, 2020. All images by Andrew J Bourke, © Georgie Seccull, shared with permission.
Australian sculptor and installation artist Georgie Seccull creates large-scale stainless steel sculptures of animals and other creatures seemingly locked in motion. Comprised of numerous pieces cut from metal sheets, the materials lend themselves to organic forms like feathers, scales, wings, or the armaments of crustaceans. Seccull’s work scales up dramatically in her installation practice where she’s filled entire rooms and atriums with suspended pieces.
“We are born out of chaos in darkness and come into the light—my process is much the same: I begin with a thousand pieces scattered on the ground, then working almost like a jigsaw puzzle, I pick them up one by one and allow each piece to come together organically and dictate the outcome,” the artist shares in a statement.
One of Seccull’s most recent sculptures has been nominated for a Beautiful Bizarre People’s Choice art prize, and she has an upcoming solo show at the Gasworks Art Park near Melbourne. You can see more of her work on Instagram.

The Beyond
Cancer Rising
Dancing in the Dark
The Gatekeepers, detail
Through the Dark
Resistance, 2019
Return to the Source
Artist Georgie Seccull in her studio.

#animals
#metal
#metalwork
#sculpture
#steel
#welding

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