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  • 
    Art
    Craft

    #ceramics
    #sculpture

    May 28, 2021
    Grace Ebert

    “Paint Can 8” (2019), ceramic, glaze, glass fragments, 12 × 12 × 11 inches. All images © Brian Rochefort, by Marten Elder, courtesy of MASSIMODECARLO, shared with permission
    Bulging hunks of glaze and smooth, speckled drips flow from Brian Rochefort’s chunky ceramic sculptures. The Los Angeles-based artist continues his signature abstract style in a newer series of paint cans and oozing vessels, many of which resemble the crusty remnants of volcanic eruptions. Rochefort builds each piece from a combination of clay, glaze, and glass fragments through multiple rounds of firing in the kiln. The final assemblages are literally overflowing with speckles, gloopy lumps, and delicately cracked patches all layered in a kaleidoscope of color and texture.
    In a note to Colossal, the artist describes his process as multi-faceted with a diverse array of influences that range from visual to intellectual and historical. The most important, though, are from travel and experiences outside of his studio or gallery spaces. “My work is generated from numerous trips to remote areas in Latin America and Africa such as the Bolivian Amazon, Ecuador, Peru, and Colombia. I think of myself as an authentic abstract artist and place importance behind the criticality of experiencing these environments in person,” he says.
    Rochefort’s sculptures are on view at Blum & Poe in Los Angeles through June 26, and you can follow his drippy works on Instagram.

    “Paint Can 6” (2020), ceramic, glaze, glass fragments, 12 × 11 × 11 inches
    “Paint Can 7” (2020), ceramic, glaze, glass fragments, 12 × 13 × 11 inches
    Detail of “Fiery Dawn” (2020), ceramic, glaze, glass fragments, 22 × 20 × 22 inches
    “Rocksteady” (2020), ceramic, glaze, glass fragments, 24 × 23 × 21 inches
    Left: Right: “Paint Can 1” (2020), ceramic, glaze, glass fragments, 11 × 11 × 9 inches
    “Paint Can 3” (2020), ceramic, glaze, 12 × 11 × 11 inches
    Top left: “Rarity” (2020), ceramic, glaze, glass fragments, 21 × 21 × 22 inches. Top right: “Supervolcano” (2020), ceramic, glaze, glass fragments, 21 × 21 × 20 inches. Bottom left: “Fiery Dawn” (2020), ceramic, glaze, glass fragments, 22 × 20 × 22 inches. Bottom right: “Captain Planet” (2020), ceramic, glaze, glass fragments, 24 × 22 × 20 inches
    Detail of “Rocksteady” (2020), ceramic, glaze, glass fragments, 24 × 23 × 21 inches

    #ceramics
    #sculpture

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

     
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  •  All images © Sasha Unisex Based in St. Petersburg, artist Sasha Unisex often begins a bold tattoo concept by painting a prismatic wolf or a cherry blossom-speckled origami crane with watercolor. She fills arrangements of stark shapes and precise gradients with crimson, cerulean, and tangerine hues. When the tattooist recreates her inky animals and […] More

  • 
    Art

    #land art
    #nature
    #sand
    #stone

    November 19, 2021
    Grace Ebert

    All images © Jon Foreman, shared with permission
    The wildly prolific Wales-based artist Jon Foreman has spent much of 2021 on a new batch of mesmerizing land pieces. Expanding on the swirling, organic shapes he’s known for, many of his recent works take on minimal, geometric formations in diagonal stripes or colorful, concentric circles. Foreman created a 2022 calendar featuring some of the compositions shown here—ordering instructions are on his Instagram—and you can find prints of his ephemeral pieces in his shop.

    #land art
    #nature
    #sand
    #stone

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

     
    Share this story
      More

  • 
    Art
    Nature

    #ENESS
    #immersive
    #installation
    #light
    #public art
    #rocks
    #sound

    June 24, 2024

    Jackie Andres More

  • 
    Art

    #kinetic sculpture
    #sculpture
    #William Darrell

    October 31, 2023

    Grace Ebert More

Photography

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  • The contemporary photographers who are completely obsessed with the passing of time

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  • The photographers who have got up close and very personal

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STREET ART

  • in Street Art

    David de la Mano’s ‘Sea Skin’ Connects Women, the Sea, and Time in Salerno

    11 November 2025, 07:37

  • in Street Art

    Roberto Carlos Treviño Rodriguez Explores the Fragility and Strength of the Mind with “Al Borde”

    14 October 2025, 11:53

  • in Street Art

    JOTALO Unveils a Poetic Tribute to Growth and Fragility in Villa del Río

    14 October 2025, 09:55

  • in Street Art

    Illuminating the Ordinary: David Speed’s Neon Goose Installation

    9 October 2025, 08:47

  • in Street Art

    Ettore and Andromaca Bring Ancient Myth to the Streets of Comacchio

    9 October 2025, 07:56

  • in Street Art

    Maurizio Cattelan and Avant Arte launch a global scavenger hunt with We Are the Revolution

    29 September 2025, 09:47

  • in Street Art

    MATRIZ — SpY orders the void with a suspended geometry in an old Hungarian power plant

    29 September 2025, 06:37

  • in Street Art

    British Courts Service Destroys Banksy Mural Depicting Attack by Judge

    10 September 2025, 15:40

  • in Street Art

    “S H A R E” by Giulio Vesprini in Italy

    18 June 2025, 12:10

ART

  • in Art

    Simon Laveuve’s Scaled-Down Tableaux Reveal Post-Apocalyptic Lifestyles

    20 November 2025, 14:37

  • in Art

    Pastoral Landscapes Brim with Patterns in Luminous Paintings by David Brian Smith

    19 November 2025, 19:03

  • in Art

    Memory and Novelty Converge for Manuela Solano, Who Adopted a New Process After Losing Her Sight

    19 November 2025, 16:01

  • in Art

    Vibrant, Beaded Portraits by Felandus Thames Honor Memories and the Black Diaspora

    18 November 2025, 19:30

  • in Art

    Tomislav Topić Meticulously Layers Hundreds of Panels into Prismatic Mesh Installations

    18 November 2025, 14:54

  • in Art

    The Spanish Quarantine Island Residency Where Artists Disconnect—and Phones Are Banned

    17 November 2025, 20:11

  • in Art

    In ‘Dripping Earth,’ Cannupa Hanska Luger Ushers the Past into a Speculative Future

    17 November 2025, 17:00

  • in Art

    Domestic Life Dissolves into Blooming Gardens in Sarah Ann Weber’s Works

    17 November 2025, 14:21

  • in Art

    Layers Upon Layers Root in History in Li Songsong’s Impasto Paintings

    14 November 2025, 15:49

Architecture

  • Historic zoo and pub recognised in 2025 WA Heritage Awards

  • Open for entries: Galang Residency 2026

  • Plans lodged for $340 million mixed-use precinct at former drive-in cinema

  • Winners announced: 2025 Architeam Awards

  • WA government declares 10 station precincts for fast-tracked housing

  • 2025 Victorian Honours

  • Australian studio reimagines asbestos as a renewed building material at Lisbon Architecture Triennale

Exhibition

  • Guitarist Ronnie Wood’s New Paintings Celebrate His 50th Year With the Rolling Stones

  • Musician Jewel Will Make Her Solo Debut in Venice, Just in Time for the Biennale

  • 5 Latinx Artists Transforming Everyday Materials, From Cobijas to Piñatas, Into Statements on Identity

  • The Metropolitan Museum Unveils 2026 Costume Institute Theme

  • A Myth-Busting Samurai Exhibition Is Landing at the British Museum

  • David Hockney’s Paintings Brought to Life in Dazzling Drone Show Over U.K. Skies

  • How Fiber Artist Gary Tyler’s Powerful Quilts Reframe a Life Stolen by Injustice

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