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  • 
    Art

    #bronze
    #sculptures

    September 30, 2021
    Grace Ebert

    “Rock my Heart” (2018), bronze, 23 3/4 × 11 × 7 3/4 inches
    Bisecting torsos with spirals or extending fringed ribbons from a figure’s side, Spanish artist Isabel Miramontes (previously) embeds motion within the bodies of her anonymous subjects. She casts fleeting gestures and poses in bronze, appearing to capture the twirl of a child’s dress or a deep forward bend. Each work, most of which stand between 20 and 30 inches high, contrasts the full, supple bodies of the figures with the emptiness created by the artist’s coiled interventions.
    Miramontes is currently represented by Canfin Gallery in New York, where she currently has a few pieces available, and you can find a larger collection of works on Artsy.

    “Tango” (2021), bronze, 30 7/10 × 23 3/5 × 7 1/10 inches
    “Edge of the World-Standing” (2017), bronze, 27 1/2 × 9 7/8 × 5 7/8 inches
    “Amor” (2017), bronze, 24 3/8 × 15 3/4 × 4 3/4 inches
    “Angel Passes” (2021), bronze, 24 2/5 × 10 1/5 × 8 3/10 inches
    “Glissade,” 20 x 20 x 6 inches
    “Come On” (2021), bronze, 26 3/4 x 24 3/8 x 11 1/8 inches

    #bronze
    #sculptures

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  • 
    Art

    #aliens
    #drawing
    #graphite
    #science fiction
    #technology

    September 21, 2021
    Grace Ebert

    “Engineering Consciousness.” All images James Lipnickas, shared with permission
    New Haven, Connecticut-based artist James Lipnickas conjures towering sci-fi structures filled with futuristic labs, clashes with aliens, and massive laser beams shooting from rooftops. Working in graphite, Lipnickas uses heavy shading to shroud his architectural renderings in mystery and unfamiliarity as tentacled creatures crack through the walls and humans become science experiments. “This series really grew out of my interest in advanced technologies integrating with humans and how it shapes us moving forward,” he says.
    Amidst the machines and eerie contraptions, the artist interrupts each building with a level containing a garden bed or an illuminated tree grove. “The future holds many unknowns (technology and lifeforms).  We can’t forget the natural world while we move further from it,” he says.
    Before the end of the year, Lipnickas will show some of his works at Chicago’s Vertical Gallery and in a few virtual exhibitions with WOW x WOW. You can find more of his drawings, and keep an eye out for an expansion of the series shown here, on his Instagram. (via Jeroen Apers)

    “Through Different Identities” (2021)
    “Way of the Future” (2021)
    “Intelligent Machines” (2021)
    “More than Human” (2021)
    “A Simulated Reality”
    “Techno Human” (2021)

    #aliens
    #drawing
    #graphite
    #science fiction
    #technology

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

     
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  • 
    Art
    Food

    #installation
    #plastic
    #satire
    #stores

    July 7, 2021
    Grace Ebert

    Photo by Tony Lewis. All images courtesy of UCLA’s Center for the Art of Performance, shared with permission
    Wander into a new pop-up grocery store in Downtown Los Angeles, and you’ll find all of the typical options with an unusual twist: freezers stocked with tubs of “Bag & Jerry’s,” a robust produce section with bananas and tomatoes printed with advertisements, and mysteriously gray “polluted sausage” stuck to styrofoam trays.
    Dubbed “The Plastic Bag Store,” the witty and satirical installation is the project of Robin Frohardt, who repurposed scores of bottle caps, packaging, and other single-use materials into a full-fledged grocery. Each of the non-edible items—many of which have undergone clever rebrands, meaning you’ll find family-sized boxes of Yucky Shards cereal, cases of Bagorade bottles, and clamshells of Earthbag Farms non-organic spring mix in the aisles—is made entirely with discarded waste that the Brooklyn-based artist, puppet-maker, and designer collected from garbage bins and trash sites.

    Photo by Bailey Holiver
    Paired with a performative component that envisions how future generations will interpret the inordinate amount of waste produced in today’s world, the installation literally displays the longevity of the items many of us use on a daily basis. According to recent estimations, the amount of plastic in the ocean is predicted to exceed the volume of fish by 2050, an ongoing crisis Frohardt wants to make more apparent. “’The Plastic Bag Store’ is a visually rich and humorous experience that hopefully encourages a different way of thinking about the foreverness of plastic, the permanence of the disposable and that there is no ‘away’ when we throw something out,” she says.
    The grocery, which debuted in Times Square last fall with the tagline “Fake Food, Real Garbage,” is open at UCLA’s Center for the Art of Performance through July 11. You can find more of Frohardt’s projects, many of which critique mass consumerism and capitalism through a humorous lens, on her site and Instagram. (via Hyperallergic)

    Photo by Bailey Holiver
    Photo by Bailey Holiver
    Photo by Maria Baranova
    Photo by Tony Lewis
    Photos by Maria Baranova
    Photo by Maria Baranova
    Photo courtesy of Rundle Mall

    #installation
    #plastic
    #satire
    #stores

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

     
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  • 
    Art
    Illustration

    #animals
    #art history
    #cross-stitch
    #landscapes
    #nature
    #tattoos

    May 3, 2021
    Grace Ebert

    All images © Havva Karabudak, shared with permission
    Havva Karabudak, who works as Eva Krbdk, thrives on inking minuscule details. Focusing on innumerable lines and dot work, the Turkish tattoo artist (previously) illustrates textured florals in cross-stitch, realistic portraits of animals, and micro-paintings in the likes of van Gogh, Magritte, and Fornasetti. Many of the vivid renderings are small enough to fit into a perfectly round circle or a skinny stretch of a client’s upper arm.
    Karabudak’s background coalesces in her tattoos, including her formal education at the Fine Arts Academy of Ankara in Turkey and her love of textiles. “It’s pretty customary for young women to learn (embroidery) from their grandmothers in Turkey,” a statement about her work says. “As a result, tiny cross-stitch patterns were among the first tattooing styles that Eva embraced.”
    Karabudak just opened her studio Atelier Eva in Brooklyn, and although she’s currently booked, you can watch for openings on Instagram.

    #animals
    #art history
    #cross-stitch
    #landscapes
    #nature
    #tattoos

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

     
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  • 
    Art

    #installation
    #plastic
    #sustainability

    July 19, 2020
    Grace Ebert

    “Floating MAiZE.” All images © Jean Shin and Ryan Muir, shared with permission
    In her installation “Floating MAiZE,” artist Jean Shin employs more than 7,000 plastic bottles to create a stunning suspension above an atrium at Brookfield Place. The window-lined space allows light to refract through the translucent tendrils, which are hung in a staggered, circular shape. Layered with sustainable practices, the latest installation reuses the green, plastic bottles from the 2017 project, “MAiZE,” which utilized Mountain Dew that was consumed and collected in Iowa, the nation’s leader in corn production. Living and working in Brooklyn, Shin also sourced some pieces from Sure We Can, a nonprofit recycling center in her neighborhood.
    The recycled piece falls at the intersection of environmental consciousness and commentary on food consumption in the United States. “Following the food chain from industrial-scale agricultural practice producing corn in America that ends up being consumed as high fructose corn syrup in soda and other processed foods, served up in plastics that become harmful pollutants in our oceans,” the artist writes on Instagram.
    Shin tells Colossal that her works help to expose “the interdependency of their consumer habits to the larger ecosystem,” which she elaborates on by saying:
    I use everyday objects and detritus that are often overlooked or obsolete to transform them into large scale installations. The lifecycle and accumulation of these consumer objects have a huge environmental impact. I am interested in where these materials come from, where they end up and who engages with them.
    Along with her sweeping piece “The Last Straw,” “Floating MAiZE” will be on view through August 30 at Winter Garden at Brookfield Place. (via Hyperallergic)

    #installation
    #plastic
    #sustainability

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Photography

  • Unmasked emotion – the photographer who saw beneath the surface

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  • The contemporary photographers who are completely obsessed with the passing of time

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  • The photographers who have got up close and very personal

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  • Seeing modern Madagascar through the eyes of its greatest photographer

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STREET ART

  • in Street Art

    New Work by Saype in Ibri, Oman

    15 March 2023, 11:35

  • in Street Art

    “Explosion” and “Pressure” by Julien Boudet at Art Dubai, UAE

    6 March 2023, 13:54

  • in Street Art

    A New Wall by Sebas Velasco in Sarajevo, Bosnia

    22 February 2023, 14:07

  • in Street Art

    A New Mural by Shepard Fairey in Santa Monica

    3 February 2023, 08:58

  • in Street Art

    “Our Feelings” OKOKUME x CASETiFY

    11 January 2023, 08:55

  • in Street Art

    WILDSIDE Yohji Yamamoto x CASETiFY

    23 December 2022, 07:10

  • in Street Art

    Tania Marmolejo “Owning My Symbols” Limited Edition Print – Available December 29th

    23 December 2022, 07:06

  • in Street Art

    “Pointman – River Warrior” sculpters by Futura set to be unveiled in Singapore and Bali, Indonesia

    20 December 2022, 06:49

  • in Street Art

    Osona Artimur Festival in Barcelona, Spain

    19 December 2022, 09:56

ART

  • in Art

    Otherwordly Ceramic Forms by Janny Baek Evoke Growth and Transformation

    27 March 2023, 18:00

  • in Art

    Explore Hundreds of Thousands of Japanese Woodblock Prints in a Ukiyo-e Archive

    27 March 2023, 15:10

  • in Art

    Blackened Plywood Shards Rupture Inside Yorkshire Sculpture Park’s Chapel in a Leonardo Drew’s New Installation

    24 March 2023, 17:00

  • in Art

    Interview: Christoph Niemann On Wit, Distilling an Idea, and How the Internet Has Made Us Better Readers

    24 March 2023, 13:50

  • in Art

    In His Largest LEGO Work Yet, Ai Weiwei Recreates One of Claude Monet’s Most Famous Paintings

    23 March 2023, 17:42

  • in Art

    Aman Khanna’s Clever Clay Characters Exude Universal Expressions of Tenderness and Emotion

    23 March 2023, 13:00

  • in Art

    Order and Chaos Converge in Yool Kim’s Emotionally Charged Works

    23 March 2023, 09:00

  • in Art

    Unease Emanates from Alexander Harrison’s Painted Portals to an Uncanny World

    22 March 2023, 17:00

  • in Art

    Kaci Smith Weaves Colorful Patterns into Miniature Looms Fashioned from Wishbones and Branches

    22 March 2023, 12:55

Architecture

  • Commercial tower approved for Perth City Link precinct

  • Hotel proposed for historic The Rocks precinct

  • UTAS vice-chancellor calls on architects to be more ambitious in combatting climate change

  • City of Melbourne to introduce design competition guidelines

  • JCB-designed student housing tower approved

  • Paralympic Centre of Excellence proposed for Brisbane

  • Australia to host ‘ghostly’ exhibition at 2023 Venice Architecture Biennale

Exhibition

  • In Pictures: See Inside the Museum of Failure, a Touring Exhibition of Historical Product Flops and Tech Misfires

  • Politician Jeremy Corbyn and Others Attended the Opening of a Radical Exhibition Supporting WikiLeaks and Julian Assange

  • Ai Weiwei Has Recreated Claude Monet’s Iconic ‘Water Lilies’ Using 650,000 Multi-Colored Lego Bricks

  • New Analysis Reveals That the Famed ‘Ugly Duchess’ Renaissance Painting May Not Depict a Woman After All

  • In Pictures: See Inside a Gargantuan Graffiti and Street Art Exhibition in Hong Kong, Stacked With Works by Basquiat, Kaws, Futura, Lady Pink, and More

  • How Can You Make an English Manor Filled With Old Masters Feel Contemporary? At Chatsworth House, the Answer Is Cutting-Edge Design

  • The Republic of Benin Is Getting Its First-Ever National Pavilion at the 2024 Venice Biennale

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