in

Flowers Entwine Porcelain Animals and Objects in Lizzie Gill’s Surreal Tablescapes

“Pair of Covered Vases” (2024), acrylic, image transfer and marble dust emulsion on canvas, 56 x 62 inches. All photos by Jenny Gorman, courtesy of Hesse Flatow, shared with permission

Flowers Entwine Porcelain Animals and Objects in Lizzie Gill’s Surreal Tablescapes

“To have something be uncanny, you must first introduce the familiar,” says Lizzie Gill. Likening her compositions to a dining table’s place settings, the artist paints elaborate still lifes that explore the matriarchal lineages and how objects passed down shift in meaning over time.

The vivid works feature flat backdrops met by boldly striped or floral linens and a menagerie of animals seized by fresh blooms. A marble and dust emulsion, which Gill layers on the acrylic-painted panel with a baker’s piping tool, adds a life-like texture to the petals. She also utilizes an image-transfer process to translate various pieces from her mother’s porcelain collection, further enmeshing her works in domestic traditions.

“Wedgwood (Nightlines) II” (2025), acrylic, image transfer and marble dust emulsion on panel, 30 x 24 inches

The still life, Gill says, is her preferred platform for exploring the tenets of Surrealism and what it means to be a steward. In “Lunar Still Life (Avec L’hippopotame),” for example, long stems coil around an animated porcelain seal and hippo rendered in delicate blue and white. “Still Life With Four Cerulean Vessels” is similarly lively as a miniature fox with a vine wrapped around its torso wanders across the tablescape.

Decorating the vases are unlikely scenes depicting volcanic eruptions, rocket launches, and even a menacing twister ripping across the terrain. Embellishing antique forms with contemporary imagery, the works juxtapose the calm propriety associated with domestic spaces and world-changing, explosive actions generated by both humans and nature.

Based in Sharon, Connecticut, Gill is currently researching historic textiles for upcoming works, and those shown here are on view in her solo exhibition Paraphernalia through April 26 at Hesse Flatow. Follow the latest on Instagram.

“Lunar Still Life (Avec L’hippopotame)” (2025), acrylic, image transfer and marble dust emulsion on panel, 30 x 40 inches
Detail of “Wedgwood (Nightlines) II” (2025), acrylic, image transfer and marble dust emulsion on panel, 30 x 24 inches
“Still Life With Four Cerulean Vessels” (2025), acrylic, image transfer and marble dust emulsion on canvas, 48 x 40 inches
“Tea For Two (Avec Le Caniche)” (2025), acrylic, image transfer and marble dust emulsion on canvas, 40 x 48 inches
“Wedgwood (Nightlines) III” (2025), acrylic, image transfer and marble dust emulsion on panel, 30 x 24 inches
“Lunar Still Life (Avec le Elephant)” (2025), acrylic, image transfer and marble dust emulsion on canvas, 60 x 80 inches
“Wedgwood (Nightlines)” (2025), acrylic, image transfer and marble dust emulsion on panel, 30 x 24 inches

Related articles

  • In London, an Enormous Exhibition of 500+ Works Roots Out the Creative Seeds of Flowers
  • Ornate Ceramic Vessels Encased in Porcelain Flowers by Artist Vanessa Hogge
  • Bathroom Fixtures at Alcatraz Transformed into Porcelain Floral Bouquets by Ai Weiwei
  • A 17th-Century Stanchi Painting Reveals the Rapid Change in Watermelons through Selective Breeding [Updated]
  • ‘Remake’ Reimagines Master Works of Art
  • Delicate Spikes and Lush Petals Bloom from Avital Avital’s Voluptuous Porcelain Vessels


Source: Art - thisiscolossal.com


Tagcloud:

A Years-Long Collaboration Sees a Traditional Tlingit Tribal House Return to Glacier Bay

A 240-metre Melbourne skyscraper lodged for planning approval