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Art#public art
#puppets
#refugees
#social justiceOctober 12, 2020
Grace EbertPhotograph by Bevan Roos. All images shared with permission
To draw attention to the ongoing refugee crisis, an oversized puppet will traverse 8,000 kilometers on a route starting at the Turkey-Syria border. From April to July 2021, “Little Amal” will travel across Greece, Italy, Switzerland, Germany, Belgium, and France on a search “to find her mother. To get back to school. To start a new life.” The international journey will end in the United Kingdom, with a celebration at Manchester International Festival. Good Chance Theatre, a London-based organization dedicated to humanitarian and social justice efforts, is helming the public project “embodying the urgent message, ‘Don’t forget about us.’”
The 3.5-meter tall character, which was created by Handspring Puppet Company, will stop in 70 cities across Europe to meet with locals and participate in celebrations and education programs. “At this time of unprecedented global change, The Walk is an artistic response: a cultural odyssey transcending borders, politics, and language to tell a new story of shared humanity – and to ensure the world doesn’t forget the millions of displaced children, each with their own story,” Good Chance writes in a statement.
Check out the official map of Amal’s international journey and planned events on the project’s site, and follow along with updates on her progress on Instagram and YouTube. (via It’s Nice That)Photograph by Bevan Roos
Photograph by Bevan Roos
Photograph by Bevan Roos
Photograph by Bevan Roos
Photograph by Bevan Roos
Photograph by Bevan Roos
Photograph by Nick Wall#public art
#puppets
#refugees
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Art
Nature#animals
#extinction
#glass
#Kelly O’Dell
#nature
#oceans
#sculptureJanuary 27, 2024
Jackie Andres More
“EQUILIBRIUM” (2023), hand-burnt lines, indigo-dyed reed, and wire on paper, 30 1/4 x 44 inches. All images © Katrina Hildebrandt, shared with permission
Katrine Hildebrandt Embraces Symmetry in Paper, Wire, and Reed
September 4, 2024
Art
Kate Mothes
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Katrine Hildebrandt is captivated by geometry and symmetry, drawing on mathematical or scientific diagrams as a starting point for her precise mixed-media compositions. “At the same time, I find beauty in imperfect, non-tangible, and fleeting moments,” she says. “I think my work blends the relationship between the controlled and wild.”
The Boston-based artist employs natural materials like indigo dye, rattan, and pigmented fabrics. She also uses a wood-burning tool that sears lines into the surface, referencing the duality of permanence and impermanence. The work is “symmetrical yet not perfect,” she says.
“REFLECTED RIPPLES” (2023), hand-burnt lines, reed, and wire on indigo-dyed paper,30 1/4 x 44 inches
Hildebrandt creates color from natural sources, and while the dyes are as lightfast as possible, she embraces the inevitable changes due to time and the elements. “Nothing is permanent, nothing is perfect” she says, “life and the work is in constant flux.”
Beginning each piece by loosely sketching compositions on paper, Hildebrandt intuitively selects the materials based on the color or texture she’d like to achieve. “I always leave room for play and interpretation throughout the entire process,” she says. With meticulous and methodical attention to detail, the artist starts in the center of the paper and works outward to map the composition, using repetition to create a sense of visual rhythm and harmony.
With the help of her studio assistant, artist Ciara Scales, Hildebrandt is working toward a number of projects, including an exhibition with Uprise Art scheduled to open in June next year and SCOPE Art Fair in Miami this December with Soapbox Arts. If you’re in New York, you can also find her work presented by Uprise Art at Art on Paper this weekend.
Find more on the artist’s website and Instagram.
“MIRRORED RIPPLE” (2023), hand-burnt lines, reed, and wire on paper, 21 x 30 1/4 inches
Detail of “MIRRORED RIPPLE”
“DISTORT” (2023), hand-burnt lines and indigo ink on paper, 12 x 10 inches
Detail of “EQUILIBRIUM”
“DOUBLE VISION” (2023), hand-burnt lines, indigo ink, reed, and wire on paper, 12 x 10 inches
Detail of “REFLECTED RIPPLES”
“MIRROR” (2023), hand-burnt lines, indigo ink, reed, wire, and oak on paper, 10 x 12 inches
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