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Art
Design#architecture
#bricks
#Jan van Schaik
#Lego
#sculptureJanuary 5, 2023
Grace Ebert More
Art#art history
#oil painting
#paintingOctober 18, 2021
Grace EbertAll images © Andrew McIntosh, shared with permission
In abandoned sheds, tiny campers, and imposing, hilltop castles, Scottish artist Andrew McIntosh (previously) nestles glowing entryways to mysterious new worlds. The illuminated portals are central to the artist’s ongoing interest in exploration, curiosity, and a never-ending desire to uncover the unknown, and they offer a tiny window into what lies beyond the immediate landscapes. Each of the compositions exudes a ghostly air, with fog or storm clouds hanging above the once-occupied spaces.
Whether the focus of the work or tucked in an enclave, art historical references proliferate many of McIntosh’s oil-based paintings. He positions the renowned works often preserved in institution halls within the context of outdoor settings or dilapidated travel trailers, a subversion that establishes his conceptual framework. In his most recent series, the artist reimagines the “Tower of Babel” as a rugged termite hill and places the catacombs of the Colisseum into a paint-chipped caravan, a vehicle he sees as “the perfect symbol of human hardiness and the intrepid desire to explore, an instinct that exists no matter how small or humble the being.”
Some of the paintings shown here are part of McIntosh’s solo show God Shaped Holes, which is up through October 30 at London’s James Freeman Gallery, and you can explore a larger collection of his works on his site and Instagram.#art history
#oil painting
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More“The Prophet” (2025), oil on canvas, 48 x 30 inches. All images courtesy of the artist and albertz benda, New York and Los Angeles, shared with permission
Robert Peterson Summons Black Resilience and Tenderness in Vibrant Portraits
March 20, 2025
Art
Kate Mothes
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In characteristically glistening blue hues, Robert Peterson’s striking portraits invite us into emotionally complex inner worlds.
Peterson centers the Black body in paintings that challenge dominant narratives surrounding Black lives, celebrating beauty, compassion, and resilience. Tender portraits reveal the essential humanity of vulnerability and individuality with an emphasis on themes of empathy and togetherness.
“Protect Those Tears” (2025), oil on canvas, 14 x 11 inches
Peterson’s choice of oils, a traditional portrait medium, embeds his work in the continuum of Western painting. However, instead of highly stylized scenes or elaborate ornamentation, his figures are often set against bold, flat backgrounds and they appear half-dressed or in casual clothes, unguarded and relaxed.
In his forthcoming solo exhibition, We Are Forever at albertz benda, Peterson examines familial connections, paying homage to the strength and dedication inherent in the relationships between siblings and parents and their children.
“At the core of this new body of work is a profound sense of intimacy, offering a thoughtful reflection on presence and the enduring significance of his subjects’ stories,” the gallery says.
We Are Forever runs from March 27 to May 3 in New York. Find more on the artist’s website and Instagram.
“Untitled (Purple)” (2025), oil on canvas, 18 x 14 inches
“Water Me” (2025), oil on canvas, 24 x 20 inches
“Hamsa Tattoo” (2025, oil on canvas, 28 x 22 inches
“Untitled (Black)” (2025), oil on canvas, 18 x 14 inches
Installation view of works at the Dallas Art Fair
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All images courtesy of Kobra, shared with permission
Temporary Interventions by Kobra Convey the Critical Impacts of Increasing Wildfires
October 8, 2024
ArtClimate
Kate Mothes
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Around the world, rising temperatures and ecosystem imbalances due the climate crisis have spurred an increasing number of wildfires annually. Brazil, for example, has seen more than 180,000 hot spots this year as of mid-September, the most since 2010. As deforestation reduces rainfall, a catastrophic cycle of drought and wildfires has only strengthened.
For Eduardo Kobra, the unprecedented number of uncontrolled blazes spurred a new series of artworks drawing attention to this troubling reality. As fires impacted rural and urban areas alike, including the city of Araçariguama—a little more than 30 miles from São Paulo—the artist chose a local area scorched by flames to document a collection of temporary interventions.
Drawing attention to the wildlife and habitats being destroyed, Kobra portrays birds, monkeys, anteaters, and other creatures surrounded by burned forest. In one piece, a firefighter assists a baby jaguar, and in another—a sign of hope—a child waters a sprouting plant.
Kobra is known for his large-scale murals on buildings around the world, which emphasize vibrant portraits and nods to pop culture through characteristically bright, geometric patterns. Using biodegradable materials, his new series of cutout panels uses a relatively smaller scale to address an enormously critical issue.
See more on his website and Instagram.
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Art
Craft#ceramics
#Juz Kitson
#nature
#plants
#porcelain
#sculptureMarch 16, 2023
Grace Ebert More
Art
Design#architecture
#bricks
#Jan van Schaik
#Lego
#sculptureJanuary 5, 2023
Grace Ebert More
Art#art history
#oil painting
#paintingOctober 18, 2021
Grace EbertAll images © Andrew McIntosh, shared with permission
In abandoned sheds, tiny campers, and imposing, hilltop castles, Scottish artist Andrew McIntosh (previously) nestles glowing entryways to mysterious new worlds. The illuminated portals are central to the artist’s ongoing interest in exploration, curiosity, and a never-ending desire to uncover the unknown, and they offer a tiny window into what lies beyond the immediate landscapes. Each of the compositions exudes a ghostly air, with fog or storm clouds hanging above the once-occupied spaces.
Whether the focus of the work or tucked in an enclave, art historical references proliferate many of McIntosh’s oil-based paintings. He positions the renowned works often preserved in institution halls within the context of outdoor settings or dilapidated travel trailers, a subversion that establishes his conceptual framework. In his most recent series, the artist reimagines the “Tower of Babel” as a rugged termite hill and places the catacombs of the Colisseum into a paint-chipped caravan, a vehicle he sees as “the perfect symbol of human hardiness and the intrepid desire to explore, an instinct that exists no matter how small or humble the being.”
Some of the paintings shown here are part of McIntosh’s solo show God Shaped Holes, which is up through October 30 at London’s James Freeman Gallery, and you can explore a larger collection of his works on his site and Instagram.#art history
#oil painting
#paintingDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!
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