“In Two Canoe” (2022). All images courtesy of the artist and Gladstone Gallery, by David Regen, shared with permission
Storm King Art Center is situated on the ancestral homelands of the Lenape, a reference point that Kenyan-American artist Wangechi Mutu returns to for a new exhibition at the outdoor museum in Hudson Valley. Comprised of her signature sculptures of immense hybrid figures, the largely bronze body of work addresses settler-colonialism and the inextricable tie between people and the land.
Perpetually evoking nature and mythology to address historical issues of contemporary relevance, Mutu positions women as the most powerful, revering their physical form and highlighting their innate connection to ecology. The artist’s latest work, “In Two Canoe,” features a pair of figures with branch-like appendages momentarily straddling a skinny vessel, their faces wrapped in mangrove leaves. “This plant has moved everywhere, has made journeys like those who were kidnapped from Africa and taken to the Americas. The water seals this unified story we’ve created for ourselves. We are all connected on this sphere of Earth and the water is how we go and find each other,” Mutu says in an interview.
Also on the Museum Hill site is the regal “Crocodylus,” a sleek reptilian creature that faces an opening in the trees. The scaly form corresponds with the massive coiled snake that occupies “Nyoka,” one of five sculptural baskets spread across the meadow. Inside the center are smaller earthen works constructed with natural materials like bone and soil gathered near her Nairobi studio.
Mutu’s sculptures are on view at Storm King through November 7, and she’s hosting a film screening at the museum on September 3. To follow her practice, head to Instagram.
“Crocodylus” (2020)
“In Two Canoe” (2022)
“Shavasana II” (2019)
Detail of “Nyoka” (2022)
“Crocodylus” (2020)
Detail of “Shavasana II” (2019)
“Nyoka” (2022)
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Source: Art - thisiscolossal.com
