light

Subterms

    Latest story

    213 Shares65 Views

    A Pulsating Light Room of Multi-Layered Glass by Claudia Bueno to Premiere at Meow Wolf Las Vegas

    by

    
    Art

    #drawing
    #glass
    #installation
    #light
    #nature
    #plants
    #sound

    January 8, 2021
    Grace Ebert

    Step into Claudia Bueno’s aquarium-style installation at Meow Wolf’s new space in Las Vegas and experience the slow, oscillating movements of natural life. “Pulse” is comprised of countless white line drawings that are meticulously intertwined and superimposed on 60 glass panels. When illuminated, they mimic scores of nautilus spirals, coral, vines, and botanics that sway and throb in glowing masses.
    “This is what ‘Pulse’ is, a way of creating animated volumes using layers of drawings that build up. I have been refining this technique for the last six years, understanding how these forms can also have a moving quality when the light system is applied,” the Venezuela-born artist says, noting that the idea for the project grew out of a visit to Yellowstone National Park.

    [embedded content]
    During the course of eight months, a team of women painstakingly painted the glass panels at Bueno’s Idaho studio. “The repetitive/meditative quality of the work lent itself to provide a very special healing space for us as we drew fine lines for hours and openly shared and supported each other,” she says. No matter the scale of the project, Bueno begins with a single dot that she duplicates, expands into lines, and eventually into intricately developed patterns, which she explains:
    It seems like it doesn’t matter what size, materials, and tools I am working with, the same kinds of patterns manage to manifest themselves over and over, building on each other, gaining both complexity and simplicity at the same time… It has been an interesting brain challenge to visualize a stack of 2D drawings that then become 3D and move. It’s my own version of a non-digital, hand-drawn time-lapse or animation.
    Although much of the installation’s work is complete, Bueno shares that she’s creating smaller sculptures, jewelry, and other works to coincide with the larger project. “Pulse” is set to premiere at Meow Wolf’s satirical sendup of consumerism, Omega Mart, which the Santa Fe-based arts group (previously) will open within Area 15 in early 2021. Until then, find more of Bueno’s light-based works on her site and Instagram.

    #drawing
    #glass
    #installation
    #light
    #nature
    #plants
    #sound

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

     
    Share this story
      More

    More stories

    • 175 Shares166 Views

      in Art

      A Small Scottish Town Delegates the Annual Christmas Light Display to Its Youngest Residents

      by

      
      Art

      #holidays
      #kids
      #light
      #public art
      #Scotland
      #street art

      December 22, 2020
      Grace Ebert

      All images via Poppy McKenzie Smith, shared with permission
      In a delightful holiday tradition, the small town of Newburgh in southern Scotland tasks its youngest residents with creating the glowing Christmas decorations that adorn the streets. Now in its 19th year, the annual event begins with school-age kids submitting their quirky designs to a competition. Once a winner is chosen, the artwork is sent to Blachere Illumination to be translated into LED before it’s unveiled at a ceremony held at Lampost 15, where the new work is hung each year. The winning artist gets the honor of turning on the light, illuminating their crooked gingerbread figure or beaming reindeer for the 2,000-plus residents to enjoy. In a similarly charming practice, the runner-up’s art is featured on the town’s Christmas card. (via It’s Nice That)

      #holidays
      #kids
      #light
      #public art
      #Scotland
      #street art

      Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

       
      Share this story
        More

    • 125 Shares169 Views

      in Art

      Illuminated Figures Consider the Relationship Between the Body and Soul

      by

      
      Art

      #anatomy
      #light
      #metal
      #sculpture

      November 17, 2020
      Grace Ebert

      “Vessel of the Universe (Sisidlan ng Kalawakan)” (2020), soldered metal, glass, LED strips, and electrical fittings, 64.5 x 47 x 12 inches. All images © Joshua Limon Palisoc, shared with permission
      Joshua Limon Palisoc draws on the tenets of Filipino Psychology to inform his life-sized figures that radiate from the inside. Using mesh-like forms of soldered metal, the artist conveys the idea that the physical body is simply a vessel for the soul. LED lights nestled within the anatomical sculptures emit a warm glow through the seams, blurring the boundary between inner and outer selves.
      The illuminated forms shown here are part of Ephemeral Vessels, Palisoc’s first solo show on view through November 29 at Pinto Art Museum in Antipolo, Philippines. Composed of upright and seated figures, the collection focuses on personality and conscience (loob), the body (labas), and reason (lalim), ideas that the artist gleans from the particular branch of psychology originally helmed by Virgilio Enriquez.
      Palisco, who shares insight into his techniques on Instagram, describes his process as ritualistic, noting that each artwork he solders together holds a part of himself that asks viewers to avoid “existing in this world passively.” Instead, he writes, “we should stir and affect others through our own genuine ways.”

      “Vessel of the Universe (Sisidlan ng Kalawakan)” (2020), soldered metal, glass, LED strips, and electrical fittings, 64.5 x 47 x 12 inches
      “Conversations with the Flame (Pakikipagtalastasan sa Ningas)” (2020), soldered metal, LED bulb, and electrical fittings, 64.5 x 60 x 14 inches
      “Conversations with the Flame (Pakikipagtalastasan sa Ningas)” (2020), soldered metal, LED bulb, and electrical fittings, 64.5 x 60 x 14 inches
      “Whisper from a Spark (Bulong ng Alipato)” (2020), soldered metal, LED bulb and electrical fitting, 64.5 x 33 x 10 inches
      “Accepting Transcendence (Pagtanggap sa Lagablab)” (2020), soldered metal, LED bulb, and electrical fittings, 60.5 x 46 x 19 inches
      “The Soul’s Journey (Paglalayag ng Kalooban)” (2020), soldered metal and glass, 71 x 64 x 72 inches

      #anatomy
      #light
      #metal
      #sculpture

      Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

       
      Share this story
        More

    • 150 Shares169 Views

      in Art

      Cloaked in Neon, Tate Britain Celebrates Diwali Through an Eclectic Technicolor Installation

      by

      
      Art

      #installation
      #light
      #London
      #neon
      #pop culture
      #public art
      #religion

      November 16, 2020
      Grace Ebert

      “Remembering a Brave New World.” All images © Chila Kumari Singh Burman, courtesy of Tate Britain
      A new installation by artist Chila Kumari Singh Burman masks the stately columns and ornate flourishes of Tate Britain’s facade, enveloping the London museum in a blanket of neon. In “Remembering a Brave New World,” technicolor symbols, pop culture references, and religious iconography transform the neoclassical structure into an illuminated space for celebration. The public artwork was revealed on December 14 to coincide with the start of Diwali, the five-day Indian festival of lights, and casts a kaleidoscopic glow on the surrounding area.
      The eclectic collection draws on Punjabi Liverpudlian artist’s own life and family history, which manifests in pieces like the multi-colored ice cream truck. After moving to England, her father purchased one of the vehicles, an experience that imprinted her childhood.

      Other elements focus on the United Kingdom’s history of imperialism: the Britannia figure at the building’s apex, for example, is camouflaged with Kali, the Hindu goddess of liberation and power, while the lower region features Rani of Jhansi, the warrior and leader of the Indian resistance against the British in 1857. “It’s important to critique buildings like this because they’re very Eurocentric,” Burman said in an interview with Dezeen. “So, I just thought: why not do something that captures what we’re all going through right now? I felt like it needed a blast of joy and light. And Diwali is about good over evil, about hope, unity and the light at the end of the tunnel.”
      Glowing Hindu deities sprawl across the windows and arches, as well, including Lakshmi, the goddess of wealth and purity, and Ganesh, the god of prosperity. The religious figures juxtapose the more playful elements, like a life-sized tiger, peacock, and pair of lips.
      “Remembering a Brave New World” is the fourth annual winter commission by Tate Britain. The public artwork will be on display through the end of January, even while the inner halls of the museum are closed to visitors due to the ongoing pandemic. Follow Burman’s projects that explore questions of power and identity on Instagram.

      #installation
      #light
      #London
      #neon
      #pop culture
      #public art
      #religion

      Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

       
      Share this story
        More

    • 163 Shares159 Views

      in Art

      A Plant Overruns an Incredibly Intricate Cardboard Universe for Robots by Greg Olijnyk

      by

      
      Art
      Craft

      #cardboard
      #light
      #plants
      #robots
      #science fiction
      #sculpture

      September 18, 2020
      Grace Ebert

      All images © Greg Olijnyk, by Griffin Simm, shared with permission
      Until now, Greg Olijnyk’s cardboard robots have been poised for adventure, whether perched on a speed bike or sailing an undulating sea. His meticulously crafted universe, though, has taken an eerie and slightly dystopic turn. The Melbourne-based artist presents fully articulate robots lying on an operating table and attempting to wrangle an aloe plant bound to a cage. Complete with LED lights and glass where necessary, the latest iteration even features an illustrated danger sign, warning that the plant will soon breach its enclosure.
      To follow the latest sculptures in Olijnyk’s science-fiction inspired reality, head to Instagram, where he shares process shots and videos of the robots in action.

      #cardboard
      #light
      #plants
      #robots
      #science fiction
      #sculpture

      Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

       
      Share this story
        More

    • 188 Shares159 Views

      in Art

      Suspended Orbs, Webs, and Air Plants Imagine an Alternative Ecological Future by Artist Tomás Saraceno

      by

      
      Art

      #air
      #balloons
      #climate change
      #glass
      #installation
      #light
      #mirrors
      #plants

      September 1, 2020
      Grace Ebert

      “Thermodynamic Constellation.” All images © Tomás Saraceno, courtesy of Palazzo Strozzi by Ela Bialkowska, OKNO Studio, shared with permission
      Three reflective spheres hover above the courtyard of Florence’s Palazzo Strozzi in Tomás Saraceno’s immersive installation.  The metallic orbs mirror the historic Renaissance architecture in addition to visitors who pass by, while marking the entrance to the imagined space that explores life beyond anthropocentrism. As its name suggests, Aria is concerned with air, encompassing human travel, its ability to foster growth, and how it’s entwined with every living organism.
      The Argentinian artist (previously) is known for his large-scale works that fall at the intersection of science and art and consider the human toll on the natural world. Throughout Aria are various experiences dealing with contemporary environmental issues: Glass forms hang from the ceiling and house Tillandsia plants, which need only air to survive, while “A Thermodynamic Imaginary” considers the immensity of the sun and its unused potential.
      Each of the works also references one of Saraceno’s 33 arachnomancy cards that explore ecological interconnectivity. References to arachnids manifest in the complex systems that hold Weaire–Phelan structures in “Connectome” or in the stark “Aerographies,” a series of clear balloons and framed networks that explore how “the movements of people, heat, animals, and spider/webs affect and are affected by the air,” a statement from Saraceno says.
      Ecosystems have to be thought of as webs of interactions, within which each living being’s ecology co‐evolves, together with those of others. By focusing less on individuals and more on reciprocal relationships, we might think beyond what means are necessary to control our environments and more on the shared formation of our quotidian.
      If you’re in Florence, stop by the Palazzo Strozzi to see Saraceno’s work before it closes on November 1, 2020. Otherwise, find out more about what he has planned for the rest of the year, which includes a new solar-powered balloon, on his site and Instagram. (via This Isn’t Happiness)

      “Thermodynamic Constellation”
      “Flying Gardens,” (2020), Tillandsia plants and hand-blown glass
      “Thermodynamic Constellation”
      “Thermodynamic Constellation”
      “Aerographies,” by Studio Tomás Saraceno
      “Connectome”
      “A Thermodynamic Imaginary”

      #air
      #balloons
      #climate change
      #glass
      #installation
      #light
      #mirrors
      #plants

      Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

       
      Share this story
        More

    • 150 Shares169 Views

      in Art

      Illuminated Wire Sculptures Nest Inside Larger Kinetic Works by Artist Spenser Little

      by

      
      Art

      #kinetic
      #light
      #sculpture
      #wire

      August 14, 2020
      Grace Ebert

      All images © Spenser Little, shared with permission
      Known for his figurative wire pieces attached to light posts and other public fixtures around the world, Spenser Little’s recent artworks venture into the personal. Illumination Devices is comprised of the artist’s bent portraits and totems of merging faces, in addition to a series of irradiated kinetic sculptures. Evoking the nesting doll, these abstract figures contain spacious chest cavities that open up to reveal similar, smaller forms hidden inside.
      For each lamp, Little carves a wooden structure of the main character’s head, welds a metal body, and overlays the components with thin paper “skin,” repeating the process for subsequent pieces. He also seats wooden figures in the deepest caverns. The relationship between the inner and outer sculptures explores the tension between the conscious and subconscious, which the artist explains:
      I heard the analogy long ago the we, our active, controlled conscious, are merely riders on a large beast. We think our conscious minds are controlling the subconscious beast, but in reality, the beast goes where it wants revealing our unpolished motives. The outer self wants to project control and precision. The inner self is just trying to keep things working. The lamps are shells around motors.
      By physically brightening the artworks, Little uncovers the link between the two sometimes disparate selves. “Art to me is the wordless conversation between us and our inner beast. To communicate with our unenlightened animal impulses is very illuminating to our true selves,” he shares with Colossal.
      Little’s nestled sculptures are on view through September 20 at MOAH: CEDAR in California. Take a virtual tour of the show, and check out exactly how the articulate artworks function on the artist’s Instagram. (via Supersonic)

      “Large Orange Lamp” (2020), steel, paper, glue, red heartwood, gears, electric motors, sprockets, bicycle chain link, 40 × 80 × 40 inches
      “Inner Defense Mechanism Lamp” (2020), steel, paper, glue, red heart & figurative maple wood, gears, electric motor, carbon-chain link, 30 × 30 × 26 inches
      “Identity Roulette, Red Lamp” (2020), steel, paper, glue, purple and red heartwood, electric motor, gears, carbon-chain link, 13 × 28 × 13 inches
      “Yellow Glass Urn” (2020), steel, glass, 15 × 13 inches
      Left: “Mini Totem Cluster” (2020), one continuous 22 gauge steel wire, 26 × 8 inches. Right: “Birth and Death Deity” (2020), one continuous16 gauge steel wire, 61 × 33
      “Copper Multi-Face Design” (2020), one continuous 12 gauge copper wire, 36 × 33 inches

      #kinetic
      #light
      #sculpture
      #wire

      Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

       
      Share this story
        More

    • 163 Shares149 Views

      in Art

      Inflatable Heads, Fantastical Paintings, and Bulbous Sculptures Comprise a Surreal Dreamland by OSGEMEOS

      by

      
      Art

      #installation
      #light
      #painting
      #sculpture

      August 6, 2020
      Grace Ebert

      All images courtesy of Hyundai Card, Hyundai Capital News Room, shared with permission
      Wedged between two buildings in Itaewon, Seoul, is a huge, inflatable head marking the entrance to OSGEMEOS’s latest exhibition. With a shaggy mohawk and thin mustache, the yellow character resembles a band of glowing figures that populate the inside Brazilian twins Gustavo and Otavio Pandolfo’s immersive installation.
      Comprised of lit sculptures, large-scale paintings, and collages in the same cartoonish style as their previous projects, OSGEMEOS: You Are My Guest is a surreal dreamland. It asks visitors to swerve around a series of bulbous sculptures that jut upward from the floor. A lime green wall houses an eclectic display of framed portraits, repurposed door frames, and sculptural figures, while a patchwork of worn album covers hangs from another. The title of the exhibition is derived from a 2016 painting (shown below) that channels the geometric shapes and bright colors traditional in Brazilian culture, in addition to more modern, energetic artforms like hip-hop and breakdance, two of the artists’ primary forms of inspiration.
      Simultaneously arresting and hypnotic, OSGEMEOS: You Are My Guest is the brothers’ first solo show in Seoul and will be on view at Hyundai Card through October 11, 2020. Those unable to see the exhibition in person should head to Instagram, where the duo shares the latest on their multi-media projects. (via Juxtapoz)

      “You Are My Guest” (2016), 126 x 206 inches

      Courtesy the artists and Lehmann Maupin, New York, Hong Kong, and Seoul

      #installation
      #light
      #painting
      #sculpture

      Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, apply for our annual grant, and get exclusive access to interviews, partner discounts, and event tickets.

       
      Share this story
        More

    • 163 Shares159 Views

      in Art

      A 70-Meter-Wide Installation by Artist Yang Yongliang Immerses Viewers in a Galactic Cityscape

      by

      
      Art

      #black and white
      #installation
      #landscapes
      #light
      #stars
      #video

      July 24, 2020
      Grace Ebert

      
      Artist Yang Yongliang (previously) harmonizes human-generated light and naturally glowing stars in a celestial, 4K video installation. Set to an eerie, technological soundtrack, “Journey to the Dark II” winds through a mountainous city that spans 70 meters across. Movement in the immersive piece is confined mostly to the cars traveling across bridges and down streets, and the lights emit a constant glow among the modern architecture and landforms.
      Residing in Shanghai and New York, Yang often juxtaposes modern, industrial life and organic elements to produce dystopian environments that question human progress. “Ancient Chinese people painted landscapes to praise the greatness of nature; Yang’s works, on the other hand, lead towards a critical re-thinking of contemporary reality,” said a statement about a similarly foreboding project.
      To explore more of the artist’s digital work and follow his upcoming projects, check out his Instagram and Vimeo.

      “Journey to the Dark II” (2019), video installation, 12 × 70 meters, 12,600 × 2,160 pixels. All images © Yongliang Yang, shared with permission

      #black and white
      #installation
      #landscapes
      #light
      #stars
      #video

      Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, apply for our annual grant, and get exclusive access to interviews, partner discounts, and event tickets.

       
      Share this story
        More