‘Wonder Women’ Celebrates the Dazzling Figurative Work of Asian Diasporic Artists
Dominique Fung, “Bone Holding Fan” (2021). All images courtesy of the artists and Rizzoli, shared with permission
‘Wonder Women’ Celebrates the Dazzling Figurative Work of Asian Diasporic Artists
May 15, 2025
ArtBooksSocial Issues
Kate Mothes
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In February 2020, curator and gallery director Kathy Huang met artist Dominique Fung—a month before the COVID-19 pandemic shut everything down. Their conversations, which continued throughout quarantine, served as an impetus for what would become Huang’s Wonder Women exhibitions at Jeffrey Deitch.
During their chats, Huang and Fung lamented “the uptick in violence against Asian American communities, particularly against women and the elderly,” Huang says in the introduction to her forthcoming book, Wonder Women: Art of the Asian Diaspora.
Mai Ta, “mirror image” (2022)
The two also found it difficult to pinpoint when the last major exhibition had been staged that thoughtfully presented Asian artists, and neither could think of an instance where women and nonbinary artists had been the focus. Both of Huang’s exhibitions and her new book are the fruit of that desire to highlight the remarkable spectrum of figurative work being produced within the Asian diasporic community today.
A response to racism against Asians exacerbated by the COVID-19 pandemic, Huang conceived of the shows that went on view in 2022 in New York and Los Angeles as a means to highlight the incredible, groundbreaking work made especially by women and nonbinary artists.
Forthcoming from Rizzoli, Wonder Women shares a similar title to a poem by Genny Lim, which follows experiences of Asian women through the lens of a narrator who observes their everyday routines and considers how their lives relate to hers.
Huang expands on this view in her approach to showcasing the work of forty artists, each represented through at least four pieces and a personal statement. These artists “subvert stereotypes and assert their identities in places where they have historically been marginalized,” Rizzoli says.
Sally J. Han, “At Lupe’s” (2022)
Artists like Sasha Gordon or Nadia Waheed explore identity through sometimes fantastical self-portraiture, while others highlight family, community, and colonial or patriarchal systems in the West. Some address Asian myths, legends, and visual culture, like Fung’s exploration of antique objects or Shyama Golden’s otherworldly scenes in which hybrid human-animals interact with nature or urban spaces.
Wonder Women will be released on May 20. Order your copy from the Colossal Shop.
Shyama Golden, “The Passage” (2022)
Chelsea Ryoko Wong, “It’s Mah Jong Time!” (2022)
Nadia Waheed, “Bolides/ 852” (2022)
Cover featuring a painting by Sasha Gordon
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