Dean Norton established his eponymous studio with the desire to have freedom in his design work. To have full creative expression and control, to design functional pieces that are artistic statements and stories, and to not be limited by a client brief or budget.
British-born and Melbourne-based, Dean studied graphic design and interior design at the University of the Arts London, after which he worked on retail and commercial projects, including custom furniture and fixtures for high-end clients. “I loved designing custom pieces because we didn’t have a limited budget and the brief was to stand out, so I could express myself creatively,” he says. He decided furniture design provided the creative freedom he was seeking and launched his own studio in 2017, debuting the Moodlum collection in 2018. “The idea of Moodlum was for each piece to merge with a space and complement the room’s style and atmosphere,” Dean says.
Moodlum established a minimalist language that is consistent throughout Dean’s work: well-resolved geometric shapes, continuous curves and no visible fixings. With this foundation, Dean focuses on form and experiments with materials, before considering construction and production. “It’s more freeing, because I’m not limiting myself creatively with the complexities of construction,” he explains.
The original Mood tables are powdercoated in white or black, with a tabletop in smoke-grey mirror or back-painted frosted glass. He has since expanded the range of finishes, imbuing the minimalist table and its environment with a different aesthetic, feeling and effect. The Mood coffee and side tables in zinc, for example, reflect the colours and tones of their surroundings, while the wood and resin finish emphasizes the table’s natural timber grain. Dean also develops custom pieces and finishes for interior design commissions, including a chrome side table for Aesop’s Karrinyup store.
Dean has designed several pieces as thematic responses to exhibitions, and emotive reactions to Melbourne lockdowns. Containa explores confinement and protection, featuring a wood-turned form encased within a frosted glass shell, while Daylight is a light therapy lamp intended to boost wellbeing and creative energy. He entered Daylight and the Float glass tables into the VIVID 2021 Emerging Designer Awards, for which he won the Judges’ Choice Award.
The National Gallery of Victoria’s acquisition of Dean’s graphic illusion Concave Convex Mirror in 2021 affirms his approach to design and creative expression: “[Having my design] in an art gallery is a dream come true as I see my work as artistic statements. They are creative pieces and I want them to have an ongoing creative story.”
deannorton.com.au
Source: Architecture - architectureau
