in

Michael McGrath Summons Symbolism and a Folk Art Style in Expressive Paintings

“Unearthing Buried Gods.” All images courtesy of Michael McGrath, shared with permission

Michael McGrath Summons Symbolism and a Folk Art Style in Expressive Paintings

From fanged cats and all-seeing ravens to anthropomorphized botanicals and disembodied faces, Michael McGrath’s uncanny works nod to the symbol-rich, flat compositions of folk art or “naïve” painting. His mixed-media works combine materials like graphite, oil paint and oil stick, ink, and acrylic on a variety of surfaces, including wood, canvas, and burlap.

Inspired by the expansive scenes of contemporary artists Peter Doig and Mamma Andersson, and self-taught artists Henry Darger (1892-1973) and William Hawkins (1895-1990), McGrath harnessed a narrative approach in his own practice. “I decided to experiment with figures and storytelling in my painting,” he tells Colossal. He also counts Jim Henson among his influences.

“Threats and competition for tiny vampires” (2023), graphite, colored pencil, and India ink on wood panel, 14 x 11 inches

Populated with an array of characters, from trees with alarmed expressions to tiny, fairy-like black critters with bulbous wings and long legs, McGrath delves into mysterious, emotional tales with plots as enigmatic as they are supernatural.

The artist’s interest in painting evolved from an early fascination with design, especially album covers and advertising in magazines like Spin and Thrasher. “I never had the patience to develop classical skills, so I focused on dimensional and collage work for a while, until I eventually decided to invest more time in painting,” he says.

McGrath’s work will be part of an online group show with MePaintsMe, Slight of Hand, which opens on November 12. In February, he will also have pieces on view in a group show at Court Tree Collective in Brooklyn. Find more on his website and Instagram.

“Monster control, future systems No. 3,” (2024), acrylic, oil stick, and oil on canvas, 78 x 120 inches
“Night float, threat window” (2024), oil and oil stick on canvas, 60 x 48 inches
“Hunting songs” (2024), oil, oil stick, and grease pencil on linen, 30 x 24 inches
“Muppet moon nightmare choir” (2024), acrylic, acrylic yarn, embroidery thread, painted canvas, and burlap on burlap, 40 x 30 inches
“Moon float” (2024), acrylic, watercolor crayon, enamel, and oil pastel on canvas, 60 x 48 inches
“Stories to frighten your children with and dangerous literature” (2023), oil, oil pastel, and acrylic on linen, 30 x 40 inches
“Cat song, moon riot, No. 2” (2024), oil on canvas, 48 x 36 inches

Related articles

  • ‘Remake’ Reimagines Master Works of Art
  • Art Historical Masterworks Come Alive at Annual Halloween Parade in Kawasaki, Japan
  • Watch a Conservator Delicately Remove Murky Varnish and a Warped Wooden Panel From an Aging Painting
  • Secret Fore-Edge Paintings Revealed in Early 19th Century Books at the University of Iowa
  • New Mixed Media Landscapes and Still Lifes That Merge Photography and Impressionism by Stev’nn Hall
  • Great Women Painters: An Enormous Volume Surveys the Work of 300 Artists Across 500 Years


Source: Art - thisiscolossal.com


Tagcloud:

Color and Repetition Form Optical Rhythms in Daniel Mullen’s Geometric Paintings

Picasso’s Art Meets Classical Music at This New Symphony Experience