Uncategorized

Subterms

    Latest story

    50 Shares101 Views

    James Reka – Floriana

    by

    James Reka’s latest show, Floriana, opens at Backwoods Gallery, Melbourne this week. The Australian artist returns to his hometown for the first time in six years for this body of work, completed partly at his studio in Malta, and in residence at the gallery.As part of the original Everfresh Crew, Reka initially made his mark in the laneways and train lines of Melbourne’s inner-suburbs where he spent over a decade developing his surrealist style. Working across bold colour palettes that are defined by their themes in each body of work, Reka’s nods to classical cubism are enhanced with technical layers and details that disclose the history of his urban canvases as much as they tell the stories of his characters.Reka’s work is both fastidious and expressive in its outcome, a duality his content contains too, sitting somewhere between the familiar and warm, and distantly observational in depth. The paradox extends further in tensions between graphic design and graffiti, and pop-simplicity and abstract geometry.Twisting together a mix of hedonism, still life in his neo-classic fine art, Reka’s studies are an examination of the human psyche, our habits, habitat, gaze, and lifestyles.‘A junction of humanity and natural forces, “Floriana” represents the intersection of my life with the innate forces of the Mediterranean – people and nature. A metaphor of my artistic journey and stylistic evolution, inspired by ancient customs and the barren natural elements of the region.’‘Using canvas and ceramic media, I have sought to reflect the inspiration of living on the ancient Mediterranean Sea – the cradle of civilisation – itself a symbol of energy, creativity and of the search for the meaning of life, for wisdom and the love of family.’‘This exhibition documents my personal journey of the last 3 years, relocating to the Maltese Islands. “Floriana” – Latin for blossoming and prosperous – is the region of Malta where I paint, inspired by core Mediterranean values, of groups congregating outdoors in piazza celebrating life, of family focused around seafood, bowls of marinated olives, wine & the ritual of basking next to the azure blue Mediterranean Sea. I have explored sun-drenched barren landscapes – massive limestone rocks, olive trees and prickly pear. The dominant theme is the saturation of colour from the omnipresent blue sky, the terracotta of the soil and the muted greens of succulents & cacti.’‘I have deliberately held a stronger focus on the abstraction of subject-matter, inspired by the geometric blocks and limestone megaliths of the Mediterranean with horizontal and vertical lines intersecting through the pieces – while the figurative content is inspired by the Venus-like statues of Fertility Goddesses, discovered in the ancient temples of Malta. The execution of my work in acrylic and spray paint, using canvas and ceramic urns, is designed to embrace the matte textures of the ancient, weathered limestone and granite of the region and the muted palette of the soil, rather than a bright and verdant backdrop.’– James RekaOpening Night : Friday April 19th 6~9 PMExhibition runs 19.04.24 ~ 05.05.24Backwoods Gallery, 25 Easey Street, Collingwood, VIC, Australiawww.backwoods.gallery/2024-james-rekawww.instagram.com/rekaone (adsbygoogle = window.adsbygoogle || []).push({}); More

    More stories

    • 113 Shares121 Views

      in Street Art

      “Scar” by David de la Mano in Salamanca, Spain

      by

      In a heartfelt homage to the enduring spirit of women, artist David de la Mano unveils his latest creation, the “Scar” mural, gracing the walls of The House of Women “Clara Campoamor” in Salamanca. Inspired by the moving verses of Louise Glück’s poem “Dress,” the mural stands as a tribute to the strength and beauty found within life’s challenges.Nestled in the heart of Salamanca, the mural serves as a visual testament to the journey of healing and self-discovery. With his distinct style marked by intricate linework and emotive symbolism, dela Mano breathes life into Glück’s evocative words, crafting a narrative that speaks to the resilience of the human spirit.My soul dried up.Like a soul thrown into the fire,but not completelynot until annihilation. Thirsty,went ahead. twitchy,not because of loneliness but because of mistrust,the result of violence.//.The spirit, invited to leave the body,to be exposed for a moment,trembling, like beforeof your surrender to the divine;The spirit was seduced, due to its loneliness,for the promise of grace.How are you going to trust againin the love of another being?//.My soul withered and shrank.The body became too much of a dress big for her.And when I regained hope,It was a completely different hope.“Dress”Louise Glück (1943-2023) USATake a look below for more photos of David de la Mano’s recent work. (adsbygoogle = window.adsbygoogle || []).push({}); More

    • 113 Shares149 Views

      in Street Art

      “Skin” by David de la Mano in Paris, France

      by

      In the heart of Paris, a thought-provoking mural titled “Skin” emerges as a testament to the complexities of human existence. Created by renowned artist David Dela Mano, this mural serves as the centerpiece of an exhibition organized by the Roaming Gallery, captivating audiences with its profound exploration of borders.Located at 47 Rue Barrault in the vibrant neighborhood of L’Île-de-France, “Skin” invites viewers to contemplate the multifaceted nature of borders beyond their physical manifestations. Delving into the depths of human experience, the mural portrays the struggles and triumphs faced by individuals as they navigate a world filled with uncertainties, fears, and hopes.Through the lens of “Skin,” visitors are transported into a realm where the boundaries between the physical and the symbolic blur, illuminating the shared elements of human experiences. As viewers engage with the mural, they are prompted to reflect on the profound impact of borders on individual lives and the timeless yet historical character of these abstract concepts. In this captivating display, Dela Mano captures the essence of human resilience and the enduring spirit that transcends the confines of space and time.Spanish artist David de la Mano is known for his large dystopian murals featuring human and animal silhouettes and minimalist style. He creates distinctive artworks which are symbolic reflections on humankind and reminiscent of dark fairytales.The single anthropomorphic figures of the artist gather together and unite in an eternal and recurring movement; the individuals become the mass and vice versa, and they are driven by their dreams, ambitions, fears, vices, hopes, and internal conflicts.Take a look below at more images of “Skin” and stay tuned for more street art updates from the around the globe. More

    • 150 Shares99 Views

      in Street Art

      Banksy in London: A Dead Tree and Vivid Hues in Finsbury Park

      by

      In an unexpected corner of London’s Finsbury Park, a new Banksy piece silently confronts passersby with a jarring juxtaposition of life and decay. Unannounced but unmistakably Banksy, the artwork features a lifeless tree standing in stark contrast to a backdrop of vibrant green splatters—created, in a twist of irony, with a fire extinguisher. This vivid use of color and medium not only captivates visually but also provokes a deep contemplation of the themes it presents.The stark imagery of a dead tree in a park, where life is expected to flourish, is immediately compelling. Behind it, the wall serves as a canvas for an explosion of bright green paint, applied with such force and volume that it suggests a wild, almost violent attempt to resurrect the greenery that should have been. This artificial canopy of leaves, rendered through the unconventional method of a fire extinguisher, speaks to a profound message of loss, resilience, and perhaps a critique of human attempts to control or mimic nature’s beauty. The contrast between the lifeless tree and the vibrant paint creates a visual and thematic dichotomy that is ripe for interpretation.Context and Significance: Beyond the SurfacePlacing this work in the context of Banksy’s oeuvre, it aligns with his penchant for addressing societal issues with poignancy and humor. Yet, this piece stands out for its direct engagement with environmental themes, using the visual medium to highlight the contrast between what is natural and what is artificial. The choice of Finsbury Park as the location adds layers to its interpretation, possibly reflecting on the park as a space of coexistence for nature and urbanity, and the ongoing struggles to balance the two.The Impact of Banksy’s Environmental CommentaryThis latest installation invites viewers to reflect on their relationship with nature and the environment. By juxtaposing the dead tree with the artificial vibrancy of the green paint, Banksy may be urging a reevaluation of how urban societies interact with the natural world. The use of a fire extinguisher to apply the paint also suggests a sense of urgency, a call to action that cannot be ignored.Conclusion: A Mirror to Our TimesBanksy’s unannounced work in Finsbury Park serves not only as a visual spectacle but as a profound commentary on the environmental challenges facing contemporary society. As with all his pieces, the true meaning may remain enigmatic, allowing interpretations to flourish and encouraging public discourse. This artwork, silent yet screaming, presents a poignant reflection on the state of our natural world and the artificial means by which we seek to preserve it.In the wake of this powerful statement, the conversation around environmental conservation and our role within it is invigorated. Banksy’s piece stands as a testament to the power of art to inspire, challenge, and provoke thought, leaving an indelible mark on the canvas of public consc (adsbygoogle = window.adsbygoogle || []).push({}); More

    • 100 Shares129 Views

      in Street Art

      “Cherry Mouse” by Bordalo II in Lisboa, Portugal

      by

      Portuguese artist Artur Bordalo, known as Bordalo II, is renowned for his transformative street art creations. His latest work, the Cherry Mouse, unveiled at the Cor de Chelas Festival  festival, is a testament to his unique approach to art. Situated in Lisbon’s Estrada de Chelas neighborhood, the installation breathes new life into the urban landscape, bringing color and creativity to the community.Born in Lisbon in 1987, Bordalo II’s artistic journey began at an early age, inspired by his grandfather’s passion for painting. Drawing from his background in painting and sculpture, Bordalo II developed his signature style of creating sculptures from discarded materials found throughout the city. The Cherry Mouse exemplifies his commitment to using art as a platform for social and environmental commentary.Using street garbage such as scrap metal and plastic items, Bordalo II meticulously constructs intricate animal sculptures that serve as poignant reminders of the environmental impact of consumerism and pollution. Through his installations, Bordalo II seeks to raise awareness about the urgent need for sustainability, inviting viewers to reflect on their relationship with the natural world. As Bordalo II continues to push boundaries with his “trash art,” his work serves as a powerful reminder of the transformative potential of art in addressing pressing environmental issues. More

    • 138 Shares119 Views

      in Street Art

      “LA JOTA” Urban Postcards G085 by Giulio Vesprini in Zaragoza, Spain

      by

      Renowned street artist Giulio Vesprini has recently unveiled a captivating mural as part of the Asalto Festival in Zaragoza. Nestled in the enchanting “La Jota” neighborhood, this masterpiece finds its canvas amidst a place rich in history and architectural charm. La Jota, with its roots dating back to an ambitious 1947 housing project, was envisioned as a garden city, where modest-sized homes would be complemented by communal gardens or orchards.The visionary project aimed to provide affordable housing for local workers, with meticulous planning by architects José Beltrán and Fausto García Marco. The neighborhood’s name pays homage to the construction company, “Obras y Construcciones Damán,” situated on Avenida Castaluña.Giulio Vesprini’s contribution to this historic locale transcends traditional boundaries, adding a contemporary layer to La Jota’s narrative. Through vibrant strokes and imaginative design, the mural not only revitalizes the neighborhood’s aesthetic but also serves as a tribute to the visionary spirit of its post-war architects. As spectators traverse the streets of La Jota, they are greeted by a visual feast that seamlessly intertwines the old and the new, a testament to the enduring impact of art on community and urban landscapes. The Asalto Festival has once again become a platform for artistic expression, bringing together history, architecture, and modern creativity in the heart of Zaragoza.Photo credit: Marcos Cebrian More

    • 50 Shares129 Views

      in Street Art

      Artist Retrospective: Tristan Eaton

      by

      In the vibrant tapestry of contemporary street art, Tristan Eaton stands as a luminary, celebrated for his awe-inspiring large-scale murals that grace urban landscapes worldwide. Born in Hollywood in 1978 and seasoned by a nomadic upbringing, Eaton’s journey from London to Detroit and finally to the bustling streets of New York at the age of 20 has indelibly shaped his artistic narrative. Eaton’s canvas, expansive city walls, bears witness to a synthesis of techniques, materials, and ideas – a harmonious marriage of the traditional and the avant-garde.Pow! Wow! Long Beach Festival, 2015Eaton’s artistic roots delve deep into the rebellious spirit of graffiti culture, evident in the freehand execution of his sprawling murals. From billboards to dumpsters, his troubled teenage years marked the canvas of the urban environment. Art, for Eaton, became a transformative force, steering him away from a tumultuous path. His journey led him to the world of designer toys, where, at the age of 18, he designed his first toy for Fisher Price, laying the foundation for his iconic status in the designer toy realm.Beyond the realm of street art, Eaton’s influence extends into the commercial world, consulting with global brands like Hasbro, Pepsi, and Nike. His role as a creative leader is further exemplified by his contribution to the renowned Dunny figure, a 3-inch tall Roto-Cast Soft Vinyl creation. Eaton’s artistic vision transcends geographical boundaries, with his murals adorning cityscapes not only across the USA but also in France, Denmark, Germany, Sweden, and Mexico.Explore further below to see a curated collection featuring Tristan Eaton’s most exceptional works.Dallas, Texas, 2021Having taken on a sizable project, Tristan utilized an expansive 8,500 square foot canvas to paint a mural concept that paid homage to Deep Ellum’s roots and future. The inspiration behind this empowering mural was drawn from Dallas’ first Black architect, William Sidney, the dynamic music scene, the native fashion icon Jerry Hall, and the distinctive Texas armadillo. Tristan’s vision, inspired by these diverse elements, created a mural that honored the rich cultural history of Deep Ellum, capturing both its historical legacy and forward-looking spirit.New York, USA, 2020Collaborating with Montefiore Health System and Alto NY, artist Tristan Eaton crafted an iconic masterpiece commemorating the heroic endeavors of nurses and medical staff during the COVID-19 pandemic. This striking tribute extends to healthcare workers globally. For those in the vicinity, the expansive mural can be found in Manhattan at 34th Street and 8th Avenue, serving as a testament visible to all in New York and beyond.Manhattan, New York, 2018In the mural above, Tristan Eaton made a return to NYC, leaving his mark on the iconic Bowery Wall in Manhattan’s Lower East Side. Joining the ranks of esteemed street artists like Keith Haring, Banksy, and Shepard Fairey, Tristan, known for his striking collage style, seamlessly blended a vast color palette paying homage to NYC influences such as Haze and Seen. The mural, titled “Intermission,” captures the essence of Eaton’s artistry. Witness Tristan in action and marvel at the jaw-dropping final piece in the photos below.Detroit, Michigan, 2014In this project, Tristan Eaton was in Detroit, Michigan, having received an invitation from the Library Street Collective Gallery to create a new mural. Titled “Crime Fighter,” the American street artist swiftly crafted his trademark patchwork masterpiece, drawing inspiration from a 1960s portrait of his mother.New York City, 2015Eaton also actively participates in numerous festivals, both locally and internationally. In 2015, he immersed himself in Sweden for the 2015 installment of the No Limit Boras Street Art Festival. Taking to the streets of Boras, the Los Angeles-based artist efficiently brought to life this stunning new piece titled “Out Of Sight.” True to his style, Tristan crafted his signature patchwork imagery, incorporating a myriad of diverse images and intricate details.Last 2016, Our coverage of POW! WOW! Hawaii included Tristan Eaton. Titled “Aloha Dreamland,” the painting showcased Eaton’s distinctive patchwork style, with a subject matter rooted in the local context this time. The piece draws inspiration from the romantic allure that Hawaii holds for people, embodying a vortex of love and enchantment.Tristan Eaton’s prominence in contemporary street art is marked by expansive murals gracing global urban landscapes. Beyond street art, Eaton collaborates with global brands and leaves an indelible mark on cityscapes worldwide.Check out our #Tristan Eaton page for more stunning works from talented muralist! More

    • 163 Shares169 Views

      in Street Art

      “Graffiti Art in Prison” by Martha Cooper & David Mesguich in Florence, Italy

      by

      In the early days of 2021, a personal encounter with the prison system opened doors to a unique opportunity. Gabriella Cianciolo, a professor at the University of Cologne, extended an invitation to become a speaker in the interdisciplinary “Graffiti Art in Prison” project, aptly named GAP. Eagerly embracing the chance, our protagonist proposed taking the initiative a step further by organizing a workshop within the confines of Florence Sollicciano jail.Sollicciano prison, like many correctional facilities worldwide, exists in a shadowy space on the periphery between two municipalities – Florence and Scandicci. Isolated from the city, it becomes a place forgotten, much like those left behind its imposing walls. During this period, a serendipitous encounter with the renowned New York-based photographer Martha Cooper occurred in a train yard while our protagonist was engaged in graffiti work. seizing the opportunity, Martha was invited to document the entire transformative process within the jail from 2022 to 2023.Our idea was to place art at the center of a dialogue between the past and the present, between often-forgotten individuals and the possibilities of redemption through artistic expression, says David Mesguich.An intriguing aspect of the project is the involvement not only of inmates but also of prison guards. Thus, the project becomes a true social experiment that aimed to break down mental and cultural barriers.We saw surprising human connections emerge between guards and inmatesduring an experience that transcended simple artistic creation, says a representative from the prison administration involved in the project.Teaming up with Martha for an entire year, the project aimed to fulfill promises made to the participants. In collaboration with workshop attendees, 3D scans of volunteer inmates were created, with the intention of using these scans for later sculpting. Surprisingly, a respectful relationship between some guards and inmates emerged, leading to the inclusion of a few guards in the scanning process. After extensive negotiations with jail authorities, permission was granted to create two large-scale installations on the jail fence at different times during the year.Choosing to portray the two most discreet participants – a police woman and an inmate – without disclosing their identities, our protagonist highlighted the shared humanity within this unusual place. Despite relentless attempts by the jail’s police commander to thwart the installations, the team persevered, successfully setting them up on time. The second phase involved the creation of murals – three by inmates with complete artistic freedom, followed by nine more by our protagonist. The murals featured portraits and sentences from both guards and inmates, deliberately obscured to challenge preconceptions.This immersive journey unfolded as a beautiful human adventure, marked by workshops and murals conducted by Martha, inmates, and students from the GAP project. The enclosed photographs by Martha Cooper serve as the sole remnants of this monumental yet ephemeral project. Their significance lies in being witnesses to a moment when fences were crossed, and differences were temporarily erased – a testament to the power of art to transcend boundaries and create connections in unexpected placesCheck out below for more photos of the project. Photo Credits: Martha Cooper, David Mesguich More

    • 50 Shares149 Views

      in Street Art

      Saype in Hatay, Turkey

      by

      Saype has gained international recognition for his massive, environmentally conscious art installations that transcend the boundaries of traditional street art. His approach to art is never about ego or self-promotion, instead, he aimed to use his art as a means to convey messages of unity, peace, and sustainability. He describes his work as a “positive gesture” that aims to inspire and bring people together. Here’s the latest giant eco responsible landart painting from the “Beyond Walls” project in Hatay, Turkey. Created into Defne (750m2) this artwork was created using natural pigments made out of charcoal and chalk. This global project aims to links more than 30 cities over the world to promote messages of togetherness.What sets Saype apart is his commitment to eco-friendly materials. Instead of using harmful paints and chemicals, he opts for biodegradable, eco-friendly paints made from natural pigments, water, and milk proteins. This dedication to sustainability aligns perfectly with his message of environmental responsibility and respect for nature. Saype’s art has not only captivated the art world but has also garnered the attention of people from all walks of life. His messages of unity and sustainability have struck a chord with audiences worldwide. His massive art installations have graced locations from the Eiffel Tower in Paris to the peaks of the Swiss Alps, from the Egyptian pyramids to the shores of Lake Geneva. His massive, eco-friendly art installations not only awe viewers with their sheer scale but also inspire them with meaningful messages of unity, diversity, and environmental responsibility. Take a look at more images below and check back with us soon for more updates. More