in

A New Book Chronicling the Artist-Designed Billboard Project For Freedoms Poses a Critical Question

JR, “Migrants, Mayra, Picnic across the border, Tecate, Mexico—U.S.A.” (2017). Salome, Arizona. Photo by Josh Haunschild

A New Book Chronicling the Artist-Designed Billboard Project For Freedoms Poses a Critical Question

Where do we go from here? At a point in history that feels so turbulent and unpredictable, this unresolved question sits at the forefront of many minds. For Freedoms, an artist-led organization channeling its efforts toward creative civic engagement and direct action, is set to release its first-ever monograph, fittingly named after the query.

For Freedoms: Where Do We Go From Here? is a comprehensive 340-page collection of more than 550 artist-designed billboards from the last seven years. You might notice some familiar names involved in the project, such as Hank Willis Thomas, JR, and Nari Ward. Whether it be a pair of eyes staring straight forward, an impactful question directed toward the viewer, or the simplicity of the word “human being” in Arabic, each design leaves its audience to reflect on the issue at hand.

Marilyn Minter, “If Not Now When?” (2020). Boring, Oregon. Photo by Lincoln Barbour

Popping up in different corners of the United States from rural areas to urban centers, the works tackle a multitude of societal challenges and humanitarian crises that require urgency and advocacy.

In contrast to a billboard’s usual profit-driven, commercial function, the large-scale structures instead become poignant messages in line with For Freedoms’ overall mission. By spotlighting short but compelling phrases, powerful imagery, and clever placement, the public installations act as a force for widespread movement.

For Freedoms: Where Do We Go From Here? is slated for release on October 15, just before the 2024 election. Pre-order yours on Bookshop, and learn more on the organization’s website.

Christine Sun Kim, “Words Shape Reality” (2018). Jefferson City, Missouri. Photo by Notley Hawkins
Nari Ward, “Mass Action” (2016). Lexington, Kentucky. Photo by Wyatt GalleryS
Ross McDonnell, “DREAM” (2023). Los Angeles, California. Photo by Taisuke Yamada
Hank Willis Thomas, “Who Taught You To Love?” (2020). Des Moines, Iowa. Photo by Jeff Scroggins
Robinson and the Visiting Room Project, “I’ve Been Here All My Life” (2022). Detroit, Michigan. Photo by Jason Keen
Christine Wong Yap, “Hopes for Chinatown (YY)” (2021). Atlanta, Georgia. Photo by Connie Huang and Jonathan Fan
Hank Willis Thomas, Emily Shur, Eric Gottesman, and Wyatt Gallery, “Let Love Quiet Fear” (2020). Atlanta, Georgia. Photo by Matthew Odom
Emily Hanako Momohara, “Family Incarceration: Never Again is Now” (2018). Nampa, Idaho. Photo by Chad Jackson
Jamila El Sahili, “Human Being” (2018). Lansing, Michigan. Photo by Jeremy Rafter
Justin Brice Guariglia, “We Are The Asteroid” (2018). Oklahoma City, Oklahoma. Photo by David McNeese
Hank Willis Thomas, “All Lives Matter” (2018). St. Louis, Missouri. Photo by Jessica Baran

Related articles

  • Thousands of Classic Films, Books, and Illustrations Just Entered the Public Domain
  • A Monograph Gathers Dozens of Jolly, Anxious, and Relatable Characters by Artist Jean Jullien
  • Evoking Historical Struggles, Hank Willis Thomas Examines the Intersection of Art and Activism
  • Polish Tram Shelter’s Walls Become a Gallery for Dried Flower Designs
  • JR’s ‘TEHACHAPI’ Goes Behind-the-Scenes of His Monumental Collective Portrait of Incarcerated Men in California
  • New Book Collects ROA’s Black-and-White Creatures in Photographs from Around the World


Source: Art - thisiscolossal.com


Tagcloud:

Australian projects shortlisted for Frame Awards 2024

Narsiso Martinez Exalts the Individuality of America’s Farmworkers in ‘Joyfully Grown’