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    Vintage Tapestries Cloak the Wings of Larysa Bernhardt’s Plush Moths

    
    Art
    Craft
    #insects
    #moths
    #sculpture
    #textilesJanuary 23, 2022Anna MarksAll images © Larysa Bernhardt, shared with permissionIn a cozy studio overlooking a garden in Blackwell, Missouri, artist Larysa Bernhardt creates colorful moth sculptures with a needle and thread. Her fabric creatures are embroidered with old tapestries, often portraying historical people, animals, and delicate botanical forms on their wings: one specimen with a rusty orange abdomen depicts a little bird taking flight, while another is blue with a Medieval woman looking at a flower.Able to stand on their own or hang from the wall, the handmade moths feature eyes made from Czech glass beads and bodies of cotton velvet and Belgian linen. Bernhardt also wires their wings, enabling people to shape them into their desired position.The artist initially began by collecting vintage textiles, including silk tapestries and wool, and was interesting in analyzing and unraveling their histories, taking an interest in how creatures, such as moths, often inhabit such materials. “I have some very old wool and silk tapestries, and I’m still trying to unravel the stories behind them,” she tells Colossal. “Those will never be cut, they’re treasures, and I’m constantly checking for moth larvae…and just like that, moths entered the chat! What I love and what I fear melded into my work, in what I believe is a magical, albeit slightly menacing way.”In addition to the material components, the moths are inspired by travel, television shows, books, and “even phrases someone drops in the grocery line to checkout,” Bernhardt says. “I will never tire of seeing how magically creative humans are,” Bernhardt explains.Some of her works are on view now at New Orleans’ Mortal Machine Gallery, and you can view more of her work on Instagram and shop available pieces on Etsy. (via Supersonic Art)
    #insects
    #moths
    #sculpture
    #textilesDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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    An Annual ‘Giant Letter’ Installation Displays a Heartfelt Note from a 100-Foot-Tall Boy Named Bobby

    
    Art
    #installation
    #letters
    #public art
    #street artJanuary 21, 2022Grace Ebert2020 in Austin. All images © Giant Letter, shared with permissionEvery year on December 12, a handwritten letter on oversized lined paper appears on a residential lawn in Chicago or Austin. The massive constructions, which stand between 8- and 12-feet high, are part of an ongoing project that shares heartfelt messages between an imaginary 100-foot-tall boy named Bobby and those who matter most in his life (aka his mother Lucinda, cat Mr. McFluffins, and Santa).Chicago-based artists Caro D’Offay and Laura Gilmore began Giant Letter back in 2012 as a way to connect with their community following the tragic killings at Sandy Hook Elementary. Marj Wormald joined the pair a few years later, and together, they’ve installed 10 iterations. “We’re trying to create an atmosphere,” D’Offay said in an interview. “The person standing there can in a way feel very small but also have big emotions. It can be transformative for someone, and they’re just walking their dog.”2021 in ChicagoDuring its decade-long run, Giant Letter displays have included microscopes and astronomy books, huge pencils and cups of tea, and of course, chocolate chip cookies and milk. Every piece also sets a “Bobby box” nearby that encourages visitors to drop in messages they’d like to share with the child. In the most recent version installed at the intersection of Glenwood and Albion avenues in Chicago’s Rogers Park neighborhood, a 35-foot tool stretches alongside a letter from Bobby’s mother detailing her cancer diagnosis. “I know this is a much bigger tape measure than you probably need but I want you to dream big and make giant magic!” it reads.Organizers say the 2021 installation will stay in its current spot indefinitely, although they’re hoping to transfer the project to a museum or gallery in the future. You can follow their progress on Instagram.2021 in Chicago2019 in Austin2016 in Austin2016 in Chicago2014 in Chicago2013 in Chicago2012 in Chicago2012 in Chicago
    #installation
    #letters
    #public art
    #street artDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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    Contemplative Works by Ali Cavanaugh Consider Vulnerability and the Sublime Through Watercolor

    
    Art
    #painting
    #portraits
    #watercolorJanuary 20, 2022Grace Ebert“Steep” (2017), 16 x 20 inches. All images © Ali Cavanaugh, shared with permissionThrough delicate washes of peach, aqua, and smoky gray, St. Louis-based artist Ali Cavanaugh (previously) renders watercolor portraits that lay her subjects’ spirits bare. “I’m continually searching for something complex in human expression,” she tells Colossal. “Curiosity, sadness, wonder, hesitation, peace, and acceptance all in one glance.”Cavanaugh paints her dreamlike works on wet clay panels, allowing the bright backdrops to illuminate the translucent pigments. The resulting works are introspective and intimate while simultaneously harnessing the universal experience of the sublime. “I want the viewer to look at one of my portraits and say, ‘What are they thinking?,’ and also at the same time say, ‘This is so familiar and is exactly how my loved one looks at me when they are vulnerable,’” she says.If you’re in New York, you can see Cavanaugh’s portraits through January 28 at Salmagundi Club. Otherwise, shop available originals on her site, and keep an eye out for future print releases on Instagram. She also shares videos chronicling her process and tutorials on some of her techniques on Patreon.“Above,” 12 x 12 inches“Smolder” (2017), 12 x 12 inches“Only Once” (2015), 18 x 18 inches“Confidante” (2017), 12 x 16 inches“One to Listen and One to Love”“Rest on Water” (2017), 12 x 12 inches
    #painting
    #portraits
    #watercolorDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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    Sculptural Kinetic Lifeforms by Choe U-Ram Sway and Flutter in Hypnotic Motion

    
    Art
    #kinetic
    #LED lights
    #metal
    #sculpture
    #videoJanuary 20, 2022Grace Ebert[embedded content]With assistance from embedded CPU motors, Seoul-based artist Choe U-Ram (previously) mimics the lithe movements of animals and plants with his mesmerizing kinetic sculptures. The large-scale pieces are often suspended from the ceiling and illuminated by LED lights that cast glimmering reflections on the metallic components.Included in his most recent works is the frayed, Tyvek-coated sculpture titled “One,” which imitates the lifecycle of a flower as it opens to a bright, full bloom before retreating to a smaller, darker form associated with decay. “Orbis” and “Song of the Sun” conjure more animalistic motions that evoke long fins gliding through the water and flapping wings, respectively, although the latter’s petal-like elements produce shadows that fill the gallery space with silhouettes of thick foliage.Watch more of the artist’s sculptural creatures in action on his site and YouTube.
    #kinetic
    #LED lights
    #metal
    #sculpture
    #videoDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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    Tender Embroidered Portraits by Ruth Miller Are Tinged with Expressive Colors

    
    Art
    #embroidery
    #portraits
    #tapestryJanuary 20, 2022Grace Ebert“Congregants,” 20 x 35 inches. All images © Ruth Miller, shared with permissionBeginning with a line drawing in pencil, U.S.-based artist Ruth Miller renders hand-embroidered portraits based on photos. Her wool tapestries and thread drawings layer stitches in yarns of both realistic and fanciful colors, creating expressive depictions that use the material’s texture to enhance light and shadow. “Coupled with realistic drawing, that tiny amount of physical depth brings the images closer, giving them a more immediate sense of presence… In the months that they’re still in my studio, the stories they tell become more concrete and nuanced in my mind, just as they would in a steadily lengthening conversation,” the artist writes.Miller’s works are often life-sized and take months to complete, a process she details on her site. “At work, I spend a good deal of time simply looking; first seeing, then wondering,” she shares. “Each of the pieces you see on this page changed me as the narratives within them took form within me.” (via Women’s Art)“The Impossible Dream is the Gateway to Self-Love”Left: “Teacup Fishing,” hand-embroidered wool on fabric, 58 x 31 inches. Right: “Our Lady of Unassailable Well-being,” hand-embroidered wool on fabric, 19 x 21 inchesDetail of “Teacup Fishing,” hand-embroidered wool on fabric, 58 x 31 inches“Duafe”Sketches for “Congregants”Detail of “Unspoken Truths”Photo by Ann Madden
    #embroidery
    #portraits
    #tapestryDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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    Diminutive Figures Traverse Vibrant, Post-Climate Disaster Environments by Seonna Hong

    
    Art
    #acrylic
    #climate crisis
    #identity
    #oil painting
    #painting
    #pastelJanuary 19, 2022Grace Ebert“Kid World” (2021). All images © Seonna Hong, courtesy of Hashimoto Contemporary, shared with permissionIn Late Bloomer, Los Angeles-based artist Seonna Hong wades into landscapes filled with amorphous swatches of color and marred by climate disaster. Her acrylic, oil, and pastel works are on view through February 5 at Hashimoto Contemporary in Los Angeles in an introspective solo show that considers her place in an ever-evolving world. Set against abstract, blurred backdrops, Hong’s distinctly rendered animals and anonymous subjects navigate distorted terrains of once-familiar architecture and natural landmarks.Many of the stylized compositions evoke traditional Korean landscapes from the Joseon period—these are known for their asymmetrical forms, vibrant brushstrokes, and skewed perspectives—that contemplate the human-nature relationship by placing miniature figures among formidable environments. “I’m a second-generation Korean American that is surprised to be making identity-based work but realizing I’ve been making it all along. I’ve spent my entire life between the push and pull of being Korean and American, never feeling quite Korean enough or American enough,” Hong writes on Instagram. “I’ve realized the inherent connection between my work and my history, a belated but cherished revelation.”“Granny Square” (2021)“In The Joseon Period” (2021)“The View From the Studio” (2021)“Sunset Stone” (2021)“Gumball Dystopia” (2021)“Like Minded” (2021)
    #acrylic
    #climate crisis
    #identity
    #oil painting
    #painting
    #pastelDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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    Inscribed Lace Patterns Defy Expectations in Cal Lane’s Plasma-Cut Steel Tools and Industrial Objects

    
    Art
    #cars
    #lace
    #sculpture
    #steel
    #submarines
    #toolsJanuary 18, 2022Grace EbertAll images courtesy of Cal Lane and C24 Gallery, shared with permissionUsing car hoods, shovels, and oil drums as her base, Canadian artist Cal Lane cuts generic lace motifs found on the shelves of mass-market retailers. Her quotidian designs adorn tools and commodities typically associated with masculinity, warping both assumptions about gender and the limits of construction and craft. “I am more interested in the dialog between the object and the image, not so much the lace pattern specifically. I didn’t want the work to necessarily be decorative but to be about decoration and the relationship we have with it,” she shares.A former welder, Lane is broadly interested in the possibilities of materials, and it’s “the industrial, man-made structure, masculine, modernist quality of steel that I am attracted to. I see steel as a metaphor for confrontation, a thing that represents the walls put up by the society I was born into,” she shares. Her body of work, which includes a series of Industrial Doilies, is steeped in contradiction and an ability to defy expectations, which manifest as delicate filigree inscribed in sturdy hunks of metal. “Steel feels like the perfect material to carve into to create the contrasts and conflicts that I myself struggle with,” the artist says.Many of the plasma-cut sculptures shown here are part of In Her Space, which is on view through March 3 at C24 Gallery in New York. The exhibition includes some of Lane’s more recent pieces, including the collection of shovels and “Astute Class.” A miniature marine vessel, the submarine features a pattern Lane designed that’s comprised of thale cress flowers, a species that “had been bioengineered by Canada and The Netherlands as a bomb-sniffing flower…the flowers grow, but if there is a landmine beneath, the color of the flower changes,” she says. “I thought it was so beautiful, brilliant, and poetic.”In addition to In Her Space, Lane will show a new series of paintings on queen mattresses this fall at Art Mûr in Montreal. Until then, head to Instagram to see more of her process.“Astute Class” (2021), plasma cut steel, 27 x 138 x 38 inches“Hood” (2015), plasma cut steel, 37 x 63 x 3.5 inches“Untitled (Shovel)” (2022), plasma cut steel and wood, 54 x 8 x 5.5 inches“Untitled (Shovel)” (2016), plasma cut steel and wood, 56 x 8.25 x 5 inches“Hood” (2015), plasma cut steel, 37 x 63 x 3.5 inches“Sweet Spill” (2010), plasma cut steel, 22.5 x 69 x 23 inches“Doily Dumbbells” (2020), plasma cut steel, large dumbbells 14.5 x 48 x 14.5 inches, small dumbbells 10 x 14 x 10 inches
    #cars
    #lace
    #sculpture
    #steel
    #submarines
    #toolsDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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    Shipping Containers and Intersecting Lines Clutter Landscapes in Mary Iverson’s Paintings on Globalization

    
    Art
    #acrylic
    #found photographs
    #ink
    #landscapes
    #oil painting
    #paintingJanuary 18, 2022Grace Ebert“Calamity at Cairo,” acrylic and found photograph on panel, 12 x 12 inches. All images © Mary Iverson, shared with permissionLatticed lines and brightly colored boxes overlay the chaotically transformed landscapes by Mary Iverson (previously). Based in Seattle, the artist uses a combination of oil and acrylic paints, ink, and found photographs to render shockingly prescient scenes blighted by globalization and environmental disaster: barges and shipping containers float in the sea and haphazardly occupy beaches, with their contents sometimes spilling out onto the surrounding area.The largely natural scenes and the clean, angled lines and geometric forms clash in Iverson’s superimposed works in a manner that evokes the competition of industry. In a note to Colossal, she shares that given the dramatic changes the world has undergone in the last few years, her “paintings are no longer theoretical.” She explains:Because at the same time as the pandemic was unfolding, the super mega-ships were entering the trade system. Everyone was stuck at home and ordering stuff at an unprecedented pace, the demand for goods got very high, the workforce shrank, and everything got backed up, creating “supply chain issues.” We now have actual real sea-level rise, huge apocalyptic fires, and shipping disasters unfolding before our very eyes. We are at the precipice of an apocalypse. The question is, how are we going to deal with it?Often rendered on images of historically and culturally significant sites like Machu Picchu, the Colosseum, and the pyramids of Cairo, Iverson’s works indicate the evolution of human society with a bleak, discouraging perspective. “I look at photos of lost civilizations and think about their hopes, dreams, and ideals, and I wonder what the end will look like for us,” she says.Iverson shares glimpses into her process and works-in-progress on Instagram, and prints of “Calamity at Cairo” are available in the Juxtapoz shop through January 19.“Sunk 2,” acrylic, ink, and found photograph on panel, 12 x 12 inches“Calamity at Crater Lake,” acrylic, ink, and found photograph on panel, 12 x 12 inches“Lost Shipment,” acrylic, ink, and found photograph on panel, 12 x 12 inches“Calamity at Machu Picchu,” acrylic, ink, and found photograph on panel, 12 x 12 inches“Calamity at the Colosseum,” acrylic, ink, and found photograph on panel, 12 x 12 inches“Point Reyes Lighthouse,” acrylic, ink, and found photograph on panel, 12 x 12 inches“Calamity at Summit Lake (Mount Rainier),” oil on canvas, 16 x 20 inches“Rube Beach with Containers,” oil on canvas“Fleet,” acrylic, ink, and found photograph on panel, 12 x 12 inches
    #acrylic
    #found photographs
    #ink
    #landscapes
    #oil painting
    #paintingDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More