How can we think about art at a time like this? The artist Jacolby Satterwhite, who has survived cancer and lost his mother three years ago, might ask instead, how can we not?
The multidisciplinary artist’s practice has long been informed by his most personal experiences, including confronting his own mortality. In an exclusive interview with Art21 filmed in February, ahead of his solo show at Pioneer Works in Brooklyn, Satterwhite explained that video games like were escapes for him while he underwent cancer treatments as a child.
“I can see that as my natural lexicon as a creator,” he says in the episode of Art21’s series “Maybe I’ve been skeptical of my own mortality my whole life.”
Production still from the Art21 “New York Close Up” film, “The Incredulity of Jacolby Satterwhite.” © Art21, Inc. 2020.
As macabre as it might sound, that understanding has helped make Satterwhite more dedicated to his work, to “make myself witness these objects and say that I’m still here.”
In addition to using his late mother’s artworks as raw material for techno music videos, Satterwhite borrows from religious iconography often, returning to the themes of “regeneration, healing, and resurrection” and leaning into the rituals that are ingrained in belief systems.
In a current virtual exhibition, titled “How Can We Think of Art at a Time Like This,” artists are reacting in real time to our current times by submitting their work to the online archive. On view there is Satterwhite’s piece , featuring videos based on the Nigerian Yoruba folklore rituals that combine dance, sculpture, costume, and durational performance to honor the matriarch.
For Satterwhite, world-building is a form of self-care. Speaking to Art21 back in February, his words ring true today, “Art became a form of escapism for me to reroute my personal traumas. And now I think I’m trying to pursue something more present.”
New York Close Up
Source: Exhibition - news.artnet.com
