As Beatlemania spread across the globe during the early 1960s, the Beatles found themselves in a whirlwind of flashing cameras and suddenly their faces were everywhere. Until now, however, we have relatively little idea of what the experience was like from their perspective. For the first time, Paul McCartney is showing the public over 250 photographs that he took between November 1963 to February 1964 in a show that has inaugurated the temporary exhibition galleries at the newly renovated National Portrait Gallery.
Most of the photographs are either of McCartney himself or his bandmates John Lennon, George Harrison, and Ringo Starr, and were taken at a time when the Beatles shot to fame in the United States. In one series, they are shown rehearsing for a pivotal TV appearance on the Ed Sullivan Show in February 1964 that was watched by an audience of 73 million. That same month, frenzied fans are caught on camera chasing the group’s car down West 58th Street in New York and McCartney also recorded a series of personal mementos from a beach holiday in Miami.
“Looking at these photos now, decades after they were taken, I find there’s a sort of innocence about them,” said McCartney in a press statement. “Everything was new to us at this point. But I like to think I wouldn’t take them any differently today. They now bring back so many stories, a flood of special memories, which is one of the many reasons I love them all, and know that they will always fire my imagination.”
Many of the photographs were recently printed for the first time, having been left as negatives in McCartney’s personal archive and only rediscovered by the musician in 2020. Presented alongside McCartney’s own reflections, they offer a fresh behind-the-scenes lens on the famous story of how four young men from Liverpool became global superstars and redefined the meaning of celebrity for the modern era.
“Paul McCartney Photographs 1963-64: Eyes of the Storm” runs through October 1 before traveling across the pond to the Chrysler Museum of Art in Norfolk, Virginia, where it will run from December 5, 2023, to April 7, 2024. A book of photographs paired with McCartney’s recollections from the period has also been published by Penguin Press in the U.K. and W.W. Norton in the U.S.
Check out images from the exhibition below.
Paul McCartney, George looking young, handsome and relaxed. Living the life. Miami Beach, February 1964 (1964). Photo: © 1964 Paul McCartney.
A visitor looks at photographs taken by Paul McCartney in Miami. Photo: © National Portrait Gallery, London.
Paul McCartney, John and George, Paris. 1964 Photo: © 1964 Paul McCartney.
A visitor looks at photographs taken by Paul McCartney while rehearsing for The Ed Sullivan Show. Photo: © National Portrait Gallery, London.
Paul McCartney, Self-portraits in a mirror, Paris, 1964 (1964). Photo: © 1964 Paul McCartney.
“Paul McCartney Photographs 1963-64: Eyes of the Storm” at the National Portrait Gallery. Photo: © National Portrait Gallery, London.
Paul McCartney, Photographers, Central Park, New York, February 1964 (1964). Photo: © 1964 Paul McCartney.
A visitor to the National Portrait Gallery looks at photographs taken by Paul McCartney in Paris, 1963-64. Photo: © National Portrait Gallery, London.
Paul McCartney, The crowds chasing us in A Hard Day’s Night were based on moments like this. Taken out of the back of our car on West Fifty-Eight, crossing the Avenue of the Americas. New York, February 1964 (1964). Photo: © 1964 Paul McCartney.
“Paul McCartney Photographs 1963-64: Eyes of the Storm” at the National Portrait Gallery. Photo: © National Portrait Gallery, London.
More Trending Stories:
What Opulence Lay Behind Marie Antoinette’s Secret Bedroom Door? The Palace of Versailles Has Just Reopened the Queen’s Hidden Chambers
An Ornate Viking-Era Relic Unearthed by a Metal Detectorist in the U.K. Could Fetch More Than $30,000 at Auction
A Rediscovered Portrait of Katherine Parr, Henry VIII’s Sixth Wife, Fetches Four Times Its High Estimate at Sotheby’s
Art Industry News: More Museums Distance Themselves From David Adjaye After Allegations + Other Stories
For Their First U.S. Museum Show, Artist Wynnie Mynerva Has Reimagined the Creation Myth as an Act of Rebellion Against the Patriarchy
An Israeli First-Grader Stumbled on a 3,500-Year-Old Egyptian Amulet on a School Trip
Why Hasn’t Atlanta’s Art Scene Flourished Like Other Cities in the South? A Tragic Tale May Hold the Answer
Source: Exhibition - news.artnet.com
