Through large-scale tapestries of fringed strips of fabric, Abdoulaye Konaté explores the contemporary relevance of ancient signs and symbols. The Malian artist began working with textiles in the 1990s, when it became clear to him how prevalent they are in our everyday lives, from clothing and home goods to tools and more. This early interest began what’s become a research-driven artistic practice, and today, he layers long, stitched pieces of Bazin and Kente fabrics into dynamic, largely abstract works.

Konaté and his team create each monumental tapestry entirely by hand, from the dyeing process to cutting and stitching. The final layout typically occurs on the studio floor after the artist sketches in marker and digitally refines this preliminary drawing to determine the exact composition.

Most works incorporate gradients that begin with lighter colors on the bottom before reaching deep navys, reds, and blacks up top. Patterns and various motifs often emerge from the gathered strips as a way to invoke the artist’s broad research interests from “Malian craftsmanship, Tibetan art, Tunisian ceramics, Berber textiles, etc,” says a statement from Templon.

“Motif du Mandé et Calao Sénoufo,” for example, features a geometric mark derived from the Manding people of West Africa. “I took this symbol and deconstructed it, breaking it down into a central element, and then I tried to rework it from both sides,” the artist shares in a video interview. This enormous piece—which stretches upwards of 17 feet long—also features small Kalao birds, which, for the Bambara tribe, represent wisdom and protection. They’re also thought to facilitate communication between our realm and the spiritual.

Despite his commitment to textiles, the artist likens his work to painting and the ways it allows for self-expression. “The material changes, but I think of it as painting,” he adds.

If you’re in Paris, you can see Konaté’s most recent exhibition, Le tissu du réel, or The fabric of reality, on view at Templon through December 31.