drawing

Subterms

    Latest story

    200 Shares91 Views

    Around the Block: David Zinn’s Quirky Chalk Cartoons Spring to Life in a New Short Film

    by

    
    Animation
    Art
    Illustration

    #chalk
    #drawing
    #public art
    #short film
    #street art
    #video

    January 15, 2021
    Grace Ebert

    
    If you’ve walked the streets of Ann Arbor, Michigan, in the last few decades, you’ve probably spotted the wide-eyed monsters and mischievous dragons of David Zinn (previously). Since 1987, the artist has been drawing chalk-and-charcoal creatures in site-specific works that wash away with the rain. Drain pipes become robotic dogs, a pillar morphs into a giant pencil, and a green monster pops out of a brick walkway.
    A new short film directed by Jonnie Lewis dives into Zinn’s practice by animating his signature cartoon cast that greets the artist as he walks around the city. Watch “Around the Block” on Lewis’s Vimeo, and check out more of Zinn’s eccentric creatures on Instagram.  (via Laughing Squid)

    #chalk
    #drawing
    #public art
    #short film
    #street art
    #video

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

     
    Share this story
      More

    More stories

    • 175 Shares85 Views

      in Art

      More Than 90 Artists Create Original Works on Vintage Envelopes for ‘Couriers of Hope’

      by

      
      Art
      Illustration

      #animals
      #drawing
      #envelopes
      #found objects
      #mail art
      #watercolor

      January 14, 2021
      Grace Ebert

      By Andrew Hem
      What brings you hope? That’s the central question behind a new group exhibition presented by Port City Creative Guild. Couriers of Hope boasts more than 120 original pieces from more than 90 artists—the list includes Rosanne Kang Jovanovski, Andrew Hem (previously), Sean Chao (previously), and Yoskay Yamamoto—all rendered on vintage envelopes. Prompted by the mail art movement of the 1960s, the exhibition features an eclectic array of watercolor, pencil, and mixed-media illustrations that transform the miniature canvases into the artists’ vision for the future, whether through relaxed otters, peaches, or vivid portraits. Many of the works prominently display original postmarks and stamps and serve as a reminder that communication doesn’t have to be digital.
      Students from Long Beach Unified School District have the opportunity to acquire one of the envelopes by trading their own response to the artists’ same prompt, with the guild providing art supplies for participants to ensure that everyone has access to the initiative. The show was curated collectively by a Long Beach Museum of Art, Creative Arts Coalition to Transform Urban Space, Flatline, Inspired LBC, The Icehouse x Ink and Drink Long Beach, Arts Council Long Beach, Carolyn Campagna Kleefeld Contemporary Art Museum, Pacific Island Ethnic Art Museum, Compound LBC, and the Creative Class Collective.
      Couriers of Hope will be on display in the windows of the Psychic Temple of the Holy Kiss in downtown Long Beach and on the guild’s site for virtual viewing from January 19 to February 28, 2021.

      By Sean Chao
      By Megan Boterenbrood
      By Adam Harrison
      By Bodeck Luna
      By Christine Yoon
      By Hilary Norcliffe
      By Judy Kepes
      Left: By Jonathan Martinez. Right: By Kelly Yamagishi
      By Narsiso Martinez
      By Rosanne Kang Jovanovski
      By Sean Chao

      #animals
      #drawing
      #envelopes
      #found objects
      #mail art
      #watercolor

      Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

       
      Share this story
        More

    • 213 Shares95 Views

      in Art

      A Pulsating Light Room of Multi-Layered Glass by Claudia Bueno to Premiere at Meow Wolf Las Vegas

      by

      
      Art

      #drawing
      #glass
      #installation
      #light
      #nature
      #plants
      #sound

      January 8, 2021
      Grace Ebert

      Step into Claudia Bueno’s aquarium-style installation at Meow Wolf’s new space in Las Vegas and experience the slow, oscillating movements of natural life. “Pulse” is comprised of countless white line drawings that are meticulously intertwined and superimposed on 60 glass panels. When illuminated, they mimic scores of nautilus spirals, coral, vines, and botanics that sway and throb in glowing masses.
      “This is what ‘Pulse’ is, a way of creating animated volumes using layers of drawings that build up. I have been refining this technique for the last six years, understanding how these forms can also have a moving quality when the light system is applied,” the Venezuela-born artist says, noting that the idea for the project grew out of a visit to Yellowstone National Park.

      [embedded content]
      During the course of eight months, a team of women painstakingly painted the glass panels at Bueno’s Idaho studio. “The repetitive/meditative quality of the work lent itself to provide a very special healing space for us as we drew fine lines for hours and openly shared and supported each other,” she says. No matter the scale of the project, Bueno begins with a single dot that she duplicates, expands into lines, and eventually into intricately developed patterns, which she explains:
      It seems like it doesn’t matter what size, materials, and tools I am working with, the same kinds of patterns manage to manifest themselves over and over, building on each other, gaining both complexity and simplicity at the same time… It has been an interesting brain challenge to visualize a stack of 2D drawings that then become 3D and move. It’s my own version of a non-digital, hand-drawn time-lapse or animation.
      Although much of the installation’s work is complete, Bueno shares that she’s creating smaller sculptures, jewelry, and other works to coincide with the larger project. “Pulse” is set to premiere at Meow Wolf’s satirical sendup of consumerism, Omega Mart, which the Santa Fe-based arts group (previously) will open within Area 15 in early 2021. Until then, find more of Bueno’s light-based works on her site and Instagram.

      #drawing
      #glass
      #installation
      #light
      #nature
      #plants
      #sound

      Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

       
      Share this story
        More

    • 138 Shares139 Views

      in Art

      Gemstones, Delicate Filigree, and Mechanical Gears Encase Steeven Salvat’s Insect Specimens

      by

      
      Art
      Illustration

      #beetles
      #butterflies
      #drawing
      #gears
      #insects
      #watercolor

      November 18, 2020
      Grace Ebert

      All images © Steeven Salvat, shared with permission
      Steeven Salvat (previously) evokes the glass-covered entomological studies of rare butterflies, beetles, and moths with an additional layer of protection. The French artist armors the singular insects with precious gemstones, silver and gold filigree, and rotational gears. Even elements of luxury watches, like Breguet’s Reine de Naple and an intricate dial from Vacheron Constantin, cloak the critters’ outer shells.
      In a note to Colossal, Salvat writes that the growing collection of drawings is an “allegory for the preciosity of biological systems. A way to drive attention to our smallest neighbors on this planet—we need to preserve them because they are worth much more than all the gold and jewels I dressed them with.” Each intricate drawing is rendered with China black ink and watercolor and takes at least 50 hours to complete.
      Pick up a limited-edition giclée print of an encrusted creature in Salvat’s shop, and follow his latest projects merging nature, history, and science on Behance and Instagram.

      #beetles
      #butterflies
      #drawing
      #gears
      #insects
      #watercolor

      Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

       
      Share this story
        More

    • 163 Shares139 Views

      in Art

      Monochromatic Illustrations Personify the Power of the Sun and Moon through Fictional Deities

      by

      
      Art
      Illustration

      #drawing
      #portraits

      October 18, 2020
      Grace Ebert

      All images © Sara Golish, shared with permission
      In her ethereal portraits, Toronto-based artist Sara Golish (previously) renders lavishly adorned goddesses and gods that exude a sense of power and wisdom. The charcoal, conté, and ink drawings are part of two ongoing collections, titled Sundust and Moondust, that imagine a series of fictional deities. Each figure belongs to one of the celestial bodies, a correlation that the artist visualizes through the paper’s color, with a warmer beige for the sun and a cool gray for the moon. “I chose to keep them monochromatic so they could be imagined in any skin tone to each individual viewer’s liking—an ease to envision themselves,” the artist says.
      In recent months, Golish has been working on commissions and new bodies of work across mediums, which you can follow on Instagram. To add one of the mythical portraits to your collection, see what’s available in her shop.

      #drawing
      #portraits

      Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

       
      Share this story
        More

    • 163 Shares199 Views

      in Art

      Surrounded by Feathers, Birds Clutch Their Bleeding Hearts in Christina Mrozik’s Monochromatic Illustrations

      by

      
      Art
      Illustration

      #birds
      #drawing
      #heart
      #nature

      August 10, 2020
      Grace Ebert

      “Safekeeping,” graphite on paper, 15 x 19 inches. All images © Christina Mrozik, shared with permission
      Just as they’d carry a seed to a new location, the birds in Portland-based artist Christina Mrozik’s latest series tightly grasp pulsing hearts in their talons. The graphite illustrations intertwine masses of feathers and avian body parts with the still bleeding organs, suggesting that they recently were ripped from the chests to cause their descent.
      Coraticum—cor means heart in Latin—is an exploration of reconstruction, one that’s defined by bringing the heart outside the body. “It represents the beginning place from which feelings unfold, the center, the seed. I see this as the place before the stem or the root, before the flower or the honey,” they say. As a whole, the series considers the difficult emotions necessary for transformation. Mrozik (previously) tells Colossal the project was born out of personal upheaval in their life, which they explain:
      I had been undergoing a major rearrangement in my relationship, rewiring my brain’s response to chronic pain and learning about the history of trauma on my nervous system. The way I moved internally was under massive rearrangement and self-scrutiny, and I was doing my best to find where to put things. Then quarantine hit and it felt like the work of rearrangement was happening externally on a global level.
      Each monochromatic illustration is connected to a specific step of the reconstruction process: “The Eye of Recollection” to memory, “Safekeeping” to self-preservation, “The Ten Intuitions” to desire and instinct, “Colliding in Reverse” to letting go, and “Untethering Permissions” to questions about authority.
      Coraticum is currently on view at Portland’s Antler Gallery, which will be sharing virtual tours of the solo show in the coming weeks. You can find prints, pins, and books of Mrozik’s surreal compositions in their shop, and follow their work on Instagram. (via Supersonic Art)

      “Colliding in Reverse,” graphite on paper, 15 x 19 inches
      “Untethering Permissions,” graphite on paper, 15 x 19 inches
      “The Ten Intuitions,” graphite on paper, 15 x 19 inches
      “The Eye of Recollection,” graphite on paper, 15 x 17, graphite on paper
      “Good Morning Moon,” 14 x 21 inches

      #birds
      #drawing
      #heart
      #nature

      Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

       
      Share this story
        More

    • 138 Shares189 Views

      in Art

      Lyrical Illustrations by Käthe Butcher Explore Femininity, Emotion, and Human Intimacy

      by

      
      Art
      Illustration

      #drawing
      #flowers

      August 7, 2020
      Grace Ebert

      “A Hug In The Garden.” All images © Käthe Butcher, shared with permission
      As widespread lockdowns swept the globe earlier this year in response to the threat of COVID-19, intimacy became fraught. For artist Käthe Butcher, the loss of an embrace or casual peck on the cheek was incredibly difficult. “The pandemic affected everyone differently. I always thought I am not that kind of person getting scared or/and paranoid easily, but in March I did. I panicked and felt very alone, which was one reason why I left London at the end of March to go back to my family. It was definitely the right decision,” she tells Colossal.
      This desire for connection culminated in “A Hug In The Garden,” an emotional rendering of two women holding each other. Their botanical garments swaddle their individual bodies, and singular stems poke out from their sleeves, adding a bit of whimsy. Similar to her other drawings—explore a larger collection of Butcher’s work (NSFW) on Instagram—this illustration visualizes emotional depth and intimacy.
      Replete with floral motifs and delicate lines, Butcher’s pieces generally focus on one or two figures, who are simultaneously confident, carefree, and elusive. Rendered in thin, inky lines, the women portray a range of experiences, moods, and personalities. “Femininity can be everything and nothing. It’s individual. For me personally, it is something elegant yet strong,” she shares with Colossal.
      Currently, Butcher is in the process of leaving London permanently for her hometown of Leipzig, Germany, and has been reflecting on the role of artistic practices in the current moment. “As for a lot of artists, this situation was and is still blocking a lot of creativity. It’s draining. Like wading through mud. But at the same time, it feels like the beginning of something new, bigger,” she says.
      To purchase a print of the artist’s tender renderings, peruse what’s available in her shop.

      “Hey Girl”
      “Dreaming About Another World”
      “T.S. Girl (Sleep Well)”
      “Grass As Soft As Cotton Candy”
      “Setsuna”

      #drawing
      #flowers

      Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, apply for our annual grant, and get exclusive access to interviews, partner discounts, and event tickets.

       
      Share this story
        More

    • 175 Shares169 Views

      in Art

      Powerful and Emotive, Artist Patrick Onyekwere’s Hyperrealistic Portraits Are Rendered Meticulously in Ballpoint Pen

      by

      
      Art

      #drawing
      #hyperrealism
      #pen
      #photorealism
      #portraits

      July 16, 2020
      Grace Ebert

      All images © Patrick Onyekwere, shared with permission
      Patrick Onyekwere imbues his photorealistic portraits with layers of emotion. Before sketching with blue, ballpoint pen, the Nigerian artist invites his subjects into a conversation about their lives, contemporary culture, and nature to establish the mood or story he’s hoping to convey. Their responses produce a collaborative endeavor that organically merges their perspectives and histories, which the artist translates to his artworks.
      Onyekwere collects a few snapshots of his subject for reference as he meticulously shades and crosshatches every inch of his hyperrealistic pieces. The artist sees his powerful renderings as “speaking for those who can’t speak for themselves” and finds the subjects’ eyes most interesting. “They mirror some of our deepest desires, fears, inhibitions, perceptions, thoughts, most of which we ourselves are consciously unaware of,” he says. “(The eyes have) the power to convey emotions and feelings and also communicate and connect to the viewer, inviting them to live in an untold story, in such a way they don’t see an already existing piece but take part in the creation of it.”
      To see Onyekwere’s portraits-in-progress and follow more of his expressive works, follow him on Instagram and YouTube.

      #drawing
      #hyperrealism
      #pen
      #photorealism
      #portraits

      Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, apply for our annual grant, and get exclusive access to interviews, partner discounts, and event tickets.

       
      Share this story
        More

    • 150 Shares199 Views

      in Art

      Sinuous Snakes, Insects, and Florals Intertwine in Graphite Illustrations by Zoe Keller

      by

      “Where We Once Lived II,” copper belly water snake, graphite on paper, 14 x 14 inches. All images © Zoe Keller, shared with permission Through a winding series of delicate illustrations, Zoe Keller (previously) explores the fragility of the natural world. In Scale & Bone, the Portland-based illustrator renders copper belly water snakes, San Francisco garters, and […] More