in

Hundreds of Huge Flowers Spring Forth in Carly Glovinski’s Monumental ‘Almanac’

“Almanac” (2024), installation view, acrylic on Mylar. Photos by Julia Featheringill. All images courtesy of Carly Glovinski, Morgan Lehman Gallery, and MASS MoCA, shared with permission

Hundreds of Huge Flowers Spring Forth in Carly Glovinski’s Monumental ‘Almanac’

“Gardening gives one back a sense of proportion about everything—except itself,” author May Sarton (1912-1995) wrote in her book Plant Dreaming Deep (1968), a journal about discovering a love of tending to the land. For Carly Glovinski (previously), the sentiment incidentally frames something of a raison d’être for the artist’s remarkable large-scale floral installation at MASS MoCA.

Glovinski was especially moved by Sarton’s book The House by the Sea (1977), which traces the author’s move from New Hampshire to the seacoast of Maine. The vibrancy of gardens spurred the artist’s fascination with flowers, culminating recently in an expansive work titled “Almanac.”

Celebrating the diversity and dynamism of blooms, the piece explores ideas around placemaking and the passage of time. “For Glovinski, the garden is a metaphor for collapsed time and perishable memories,” says an exhibition statement. Along with Sarton, the artist also draws on poet Emily Dickinson’s love for plants, channeling literary reflections on connecting with the simple pleasures—and sublime chaos—of nature.

“Almanac” takes its name from the annual guide that forecasts weather and a provides calendars for astronomical events, tides, and planting. The piece took more than a year to complete and comprises hundreds of pressed flower paintings made with washy acrylic paint applied to both sides of semi-transparent mylar. The gestural brushstrokes on translucent material evoke a sense of lightness and delicacy, like real petals blown up to larger-than-life size. Above the installation, she’s labeled segments with the months the blooms appear.

Glovinski references pressed blossoms that she has grown, harvested, or collected from friends, nodding to Emily Dickinson’s love of the practice. (The poet created a stunning herbarium containing 424 specimens collected around her home in Amherst, Massachusetts.) “By observing, tending, and preserving flowers, ‘Almanac’ becomes both a visual record of the seasons and a commentary on the labor of care,” the museum says.

See more on Glovinski’s website and Instagram.

Related articles

  • A Tube of Orange Paint Leaks Marigolds in a Public Park in France
  • PRIME: A Behemoth New Book Surveys A Broad Segment of Millennial Artists Working Today
  • Polish Tram Shelter’s Walls Become a Gallery for Dried Flower Designs
  • In London, an Enormous Exhibition of 500+ Works Roots Out the Creative Seeds of Flowers
  • A New Book Plunges into the Vast Diversity of the World’s Oceans Across 3,000 Years
  • Shylights: Beautiful Unfolding Kinetic Lights That Bloom like Flowers


Source: Art - thisiscolossal.com


Tagcloud:

Concept unveiled for Gold Coast rail project

Get ‘H.A.P.P.Y’ with Liz West’s Immersive Installation Made of More Than 700 Colorful Discs