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    Artists Explore Self-Expression Through Bizarre and Whimsical Masks at Denver’s Vicki Myhren Gallery

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    Art
    Design
    History

    #COVID-19
    #masks
    #sculpture

    October 26, 2020
    Christopher Jobson

    Felicia Murray, “Our Dying Reefs,” felted COVID mask, 2020. All photos shared with permission.
    There is perhaps no symbol more representative of contemporary life than the humble face mask. A simple health device crucial to saving millions of lives around the world from a deadly COVID-19 pandemic spread by invisible airborne pathogens, and yet an object that’s been quixotically politicized at the callous expense of humanity for the gain of an elite few. A new exhibition at the University of Denver’s Vicki Myhren Gallery approaches the lighter side of face coverings: the ancient tradition of masks as self-expression.
    Arranged on mannequins lining the gallery space, over 40 artists present interpretations of protective face wear in MASK, currently on view by appointment through December 1, 2020. The collection of whimsical, grotesque, quirky, and beautiful masks are medically non-functional but guaranteed to provoke a reaction through their novel construction. Several designs mimic natural filtration systems like foliage or a coral reef, while others use repurposed objects like zippers or pipes to create wholly unusual face sculptures.
    “Through this project, we hope to call attention to the significance and signification of masking as an issue of public health and demonstration of civic responsibility,” the gallery shares in a statement. “As the selected artists show, masking is also a mode of outward self-expression and opportunity for creativity. In turns utilitarian and fantastical, the wearable artworks shown demonstrate how makers and thinkers are engaging with the pandemic and applying their skills and individual styles to a newly important medium.”
    As part of the exhibition, Vicki Myhren Gallery has partnered with Denver’s RedLine Contemporary Art Center to fabricate free masks for distribution for those in need. (via Hyperallergic)

    Scottie Burgess, “Mask for Our Unseen Smiles” (2020)
    Serge Clottey, “Mask for Our Times” (2020) (photo by Nii Odzenma)
    Elizabeth Morisette, “Beak” (2020)
    Liz Sexton, Porcupinefish, 2020.
    Freyja Sewell, “Food” from Key Worker Series (2020)
    Matt Harris, “Hope” (2020); Cristina Rodo, “Covidus,” wet and needle-felted wool, 2020. Photo courtesy Emma Hunt.
    Kate Marling, “Classical Sculpture Mask” (2020)

    #COVID-19
    #masks
    #sculpture

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      Bees Encase Raw-Material Embroideries with Honeycomb in New Encaustic Works by Ava Roth

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      Art
      Design
      Science

      #bees
      #encaustic
      #honey
      #mixed media

      September 18, 2020
      Grace Ebert

      “Falling Horsehair, Gold #2,” encaustic, Japanese tissue, horse hair and thread in embroidery hoop, embedded in honeycomb, custom double length Langstroth hive frame, 19”x 9.5 inches. All images © Ava Roth, shared with permission
      When Ava Roth adds the last stitch grasping horsehair or porcupine quills to her embroidered artworks, she passes the fibrous material on to her black-and-yellow counterparts. The Toronto-based artist collaborates with bees to encase her mixed-media pieces in waxy honeycomb. What emerges are organic artworks that consider interspecies interactions and the beauty that such meetings can garner.
      Since 2019, Roth has been expanding the wooden frames of her works to twice the size as previous projects. She receives help from master beekeeper Mylee Nordin, and together, they vertically stack hive boxes, which are known as supers, and insert large, custom-made structures. The artist also has developed a more detailed practice in recent months. “Because this project has required so much trial and error, I was still experimenting with materials last season, trying to find substances that the bees would consistently respond to positively,” she writes. “I was trying to find organic substances that would not harm the bees but also that the bees would not eat or otherwise destroy.”
      When the bees finished wax production in late October, Roth says her understanding of the species and confidence in her choice of raw matter had grown. “I spent the winter weaving and embroidering beeswax, porcupine quills, horsehair, and other organic material into embroidery hoops, and then fixing them onto my new custom made frames,” she notes.

      Beeswax, porcupine quills, Japanese tissue, metallic thread in embroidery hoop, embedded in natural honeycomb
      Roth’s projects also have a sense of urgency through their connection to Colony Collapse Disorder, a phenomenon that’s killing colonies and threatening the species’ population. “Honeybees are often considered a harbinger of the health of our planet, and CCD is interpreted by many environmentalists and scientists as a clear indicator of our current environmental crisis,” the artist says.
      I consider the bees to be my co-workers, collaborators in every sense. I take cues from their needs, design the project around their capacities, and work in sync with their seasons. Ultimately, this art that we make together is essentially hopeful at a time when we are overwhelmed with despair at the state of the environment, and our role in its destruction.
      During the winter, Roth plans to refine her project further after reflecting on another season of interspecies collaboration. Follow the latest updates on her encaustic works on Instagram.

      Beeswax, porcupine quills, Japanese tissue, metallic thread in embroidery hoop, embedded in natural honeycomb
      “Honeycomb Embroidery, Amber,” beeswax, Japanese tissue, glass beads, thread, honeycomb in embroidery hoop, 6 inches
      “Porcupine Quill Flowers,” encaustic, Japanese tissue, porcupine quills, metal thread, seed beads, and embroidery hoop embedded in honeycomb, a traditional Langstroth hive frame, 19 x 9.5 inches
      Left: “Honeycomb Embroidery, Birch and Moss,” beeswax, Japanese tissue, glass beads, thread, honeycomb, birch bark in an embroidery hoop, 6 inches. Right: “Honeycomb Embroidery, Flora,” beeswax, Japanese tissue, glass beads, thread, honeycomb, birch bark, leaves, in embroidery hoop, 9.5 inches

      #bees
      #encaustic
      #honey
      #mixed media

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      Utilizing Modern 3D Printing, Artistic Duo Rael San Fratello Constructs Coiled Earthen Architecture

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      Art
      Design

      #3d printing
      #architecture
      #sustainability
      #technology

      August 18, 2020
      Grace Ebert

      All images © Rael San Fratello, shared with permission
      Modern architectural building methods and Indigenous materials converge in the latest endeavor by Ronald Rael and Virginia San Fratello, titled “Casa Covida.” The earthen structure is part of a MUD Frontiers/Zoquetes Fronterizos that centers on Pueblo de Los Ángeles and the ways technological advances can work in unison with historic mud-based designs. “Casa Covida” contains a bathing pool, sleeping areas, and fireplace seats for two.
      To create the three-room home, the duo employs a custom, portable robot that they transport to various sites, allowing them to dig soil and other materials and immediately shape it into the necessary structures. Utilizing clay and mud, the building process is informed by the practices of Ancestral Pueblo peoples and Indo-Hispano cultures of northern New Mexico and southern Colorado. When wet, the natural materials are layered in zigzag-like coils. The undulating, textured facades generally are made with a few rows to provide insulation from the nighttime cold.
      MUD Frontiers was a recent recipient of a 2020 Art + Technology grant from LACMA. It strives to consider “traditional clay craft at the scale of architecture and pottery. The end goal of this endeavor is to demonstrate that low-cost and low-labor construction that is accessible, economical, and safe is possible,” a statement says.
      Based in La Florida, Colorado, and Oakland, respectively, Rael and San Fratello are known for subversive projects at the intersection of art and architecture, like the neon pink teetertotters slotted through the U.S.-Mexico border wall. Follow their latest sustainable works on Instagram. (via Hyperallergic)

      

      #3d printing
      #architecture
      #sustainability
      #technology

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      Paper Wildlife Sculptures by Artist Diana Beltrán Herrera Document Nature’s Most Striking Details

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      Art
      Design
      Illustration

      #birds
      #butterflies
      #paper
      #sculpture

      July 28, 2020
      Grace Ebert

      All images © Diana Beltrán Herrera, shared with permission
      In 2012, Bristol-based artist Diana Beltrán Herrera (previously) began sculpting impeccably layered paper birds and other wildlife as a way to record her surroundings. Her lifelike pieces continuously have captured nature’s finely detailed and minuscule elements, like the fibrous texture of feathers and the veins running through leaves.
      Today, the artist has expanded the practice to include exotic species and environments she’s never seen up close, developing her paper techniques to express the more nuanced details of the shapes and textures she studies in biology books. Now focusing on the structural elements of fungi, fruit, and florals, Beltrán Herrera shares with Colossal:
      Paper as a medium for documentation allows me to register and create notions and ideas of subjects that I have not experienced in real life but that I can experience when a sculpture is completed. I like this approach because it is not harmful, and through my work, I can show and tell my viewers about the things I have been learning, of the importance of nature just by researching and making it myself.
      Much of her work centers on conservation efforts and environmental justice. For example, a recent commission by Greenpeace UK bolstered the organization’s Plastic Free Rivers campaign. ” I am constantly looking for more subjects that are relevant to the times we are living in, so that through my work I can communicate important information that can educate or just make things more visible. The approach is very (graphic) and visual, which helps to deliver a message,” she says.
      Beltrán Herrera’s upcoming projects include a commission for a coral sculpture, in addition to plans to launch a studio with her brother by the end of 2020. Her hope is to merge graphic and digital design with her paper pieces, potentially adding in animation, as well. Ultimately, her goal is to dive into larger projects. “I don’t see my work as something I want to know how to make and stay safe, but as a challenge, that will always allow me to wonder how to execute and create things that were never made with paper,” she says.
      To see more of Beltrán Herrera’s creative process and follow her future pieces, head to Behance and Instagram.

      #birds
      #butterflies
      #paper
      #sculpture

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      Grab a Pair of Socks Emblazoned with Masterpieces from Art History

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      Art
      Design

      #art history
      #socks

      July 25, 2020
      Grace Ebert

      Katsushika Hokusai’s “The Great Wave”
      Most people probably would prefer that their acquaintances’ socks stay firmly tucked in their shoes, but a glimpse at one of Curator’s pairs might be an exception. The Portugal-based company designs cotton garments printed with variations of iconic artworks or designs constructed from their familiar color palettes—think Pieter Bruegel’s “Tower of Babel,” Gustav Klimt’s “The Kiss,” and Johannes Vermeer’s “Girl with a Pearl Earring.” Check out the full collection and pick up a pair on Curator’s site, and follow the latest designs on Instagram.

      Pieter Bruegel’s “Tower of Babel”
      Left: Johannes Vermeer’s “Girl with a Pearl Earring.” Right: Caravaggio’s “Medusa”
      Wassily Kandinsky’s “Jaune-Rouge-Bleu”
      Left: C.M. Coolidge’s “A Friend in Need”.” Right: Paul Klee’s “Insula Dulcamara”
      Gustav Klimt’s “The Kiss”

      #art history
      #socks

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      Sprawling Metal Forms Elegant, Sculptural Jewelry by Designer Laura Estrada

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       All images © Laura Estrada Jewelry, shared with permission Los Angeles-based designer Laura Estrada handcrafts sustainable jewelry pieces that are conceptually driven, sculptural adornments for the body and face. She uses ancient metalsmithing techniques to create timeless, wearable heirlooms that merge fashion with art. “From a very young age, I have been building little objects […] More

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      Prominent Figures of the Harlem Renaissance Featured on New USPS Stamps

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       All images © USPS For those who aren’t keen on emblazoning their rent checks or letters with an American flag, the United States Postal Service recently released a stamp collection dedicated to one of the most influential periods in the nation’s history. The new set features pastel renderings of four prominent figures of the […] More

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      A Massive Wave Crashes in a Seoul Aquarium as Part of the World’s Largest Anamorphic Illusion

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       An enormous aquarium with perpetually crashing waves has popped up amidst an urban landscape in South Korea, but don’t expect to hear the water sloshing around if you walk by. Designed by District, the elevated tank is actually a massive anamorphic illusion. The digital media company created the public project utilizing the world’s largest […] More