“The model railroader is the truest creator: engineer, architect, and master of his own timetable,” reads a statement about Josh Dihle’s feverish exhibition, Basement Arrangement.

Armed with hundreds of minuscule objects from coral to LEGO, Dihle concocts dreamlike worlds in which figures become topographies and every cavity houses a surprising detail. Peek inside the cheek of “Moreau/Detrick Reliquary,” and find a wooly mammoth with lustrous stones embedded in its wooden tusks. “Confluence” is similar as carved fish jut out of the foam-and-plaster ground alongside trees and palms with widespread fingers.

Evoking model railroads and dollhouses, Dihle’s sculptural paintings incorporate recognizable objects but with an uncanny, if not skewed, perspective. Stretching nearly five feet tall, the large-scale works hang on the wall and draw a contrast between the overall composition, viewed straight on, and the miniature vignettes best taken in at a 90-degree angle. Step back and see an aerial landscape with hills shaped like lips or a sunken nose, while close-up inspection becomes a dizzying hunt for unlikely items tucked into every crevice.

The exhibition title originates with hermit hobbyists, who seem to come alive when cloistered in worlds of their own making. What appears to outsiders as an escape from reality is, for them, an attempt to organize the chaos and take control, even if in the form of toys and make-believe.

If you’re in Chicago, see Basement Arrangement at Andrew Rafacz through July 18. Find more from Dihle on his website.