More stories

  • in

    “Ocean Ecosystem Restoration Mural” by Dulk in New York City

    Valencian artist Antonio Segura aka Dulk’s latest mural in New York City is an awe-inspiring tribute to the city’s growing whale population and the broader mission of environmental restoration. Painted in collaboration with Street Art for Mankind, this vibrant mural supports the UN Environment Programme’s global initiative on ecosystem restoration. With stunning marine imagery, the mural tells the powerful story of nature’s resilience, showcasing species like the humpback whale, sperm whale, and even the northern right whale—one of the world’s most endangered species. The work is a celebration of a healthier Hudson River Estuary, a testament to the success of ongoing efforts to clean and restore local waterways.The mural highlights the fact that many New Yorkers are still surprised to learn: whales have returned to the waters around New York City. Thanks to organizations like Riverkeeper, which has been protecting and restoring the Hudson River since 1966, the river is now cleaner, and the aquatic life within it is flourishing. The resurgence of Atlantic menhaden, a crucial food source for whales, has helped bring these magnificent creatures back to the area. Dulk’s mural captures this fascinating moment of ecological recovery, with playful, colorful depictions of whales, sea turtles, and other marine life.In addition to showcasing whales, the mural features a variety of other species native to the Hudson River ecosystem. From the Atlantic sturgeon to the adorable piping plover perched atop the humpback whale, Dulk uses his artwork to celebrate the diversity and vitality of marine life in this urban setting. His playful yet intricate style invites viewers to explore the hidden details in the mural, while also encouraging reflection on the importance of environmental conservation.Dulk’s artistic language is rooted in nature, with a focus on endangered species and ecological themes. His unique ability to blend vibrant color, detailed character design, and a sense of whimsy makes his work both visually captivating and deeply meaningful. In this mural, his message is clear: art can be a powerful tool to raise awareness about environmental issues, offering a visual representation of hope, restoration, and renewal.Stay tuned with us for more street art news from around the globe as we continue to explore the intersection of art and environmental advocacy! defaultdefault More

  • in

    Manfred Kirchheimer, ‘Indispensable’ New York Filmmaker, Dies at 93

    For decades, he meticulously crafted short films and documentaries in relative obscurity. Then, in his 80s, he enjoyed a burst of productivity and acclaim.Manfred Kirchheimer, a filmmaker who was drawn to stickball, jazz, subway graffiti, gargoyles on old buildings and the memories of aging immigrants, and who after decades of slowpoke perfectionism earned a reputation as a master of nonfiction cinema, died on July 16 at his home on the Upper West Side of Manhattan. He was 93.The cause was cancer, his son Gabe said.Mr. Kirchheimer often wrote, produced, directed and edited his movies as well as photographed them. He worked hard to get funding from nonprofit sources, and he earned a living as a freelance film editor and a film professor at the School of Visual Arts in Manhattan from the mid-1970s until the mid-2010s.His camera moved at the speed of people-watching: lingering for an extra moment to relish a certain scene, turning to something else in the bounty of street sights, then returning his gaze somewhere it had already been, hungry for a second helping.He found dignity and delight in what other New Yorkers overlooked or even disdained. Mayor Ed Koch, for instance, called subway graffiti blight, but Mr. Kirchheimer exulted in the subway exteriors of the late 1970s as traveling canvases. He made the subway the main character of his 1981 movie, “Stations of the Elevated,” with a soundtrack by Charles Mingus that suggested that graffiti could have the same rough, improvisational genius as his jazz.The subway cars that Mr. Kirchheimer filmed featured a portrait of a hitchhiking snowman; a verdant landscape overseen by a smiling, big-eyed sun; and cryptic messages in bubble letters — “HEAVEN IS LIFE,” “am nor disaster!” He followed the trains from Woodlawn Cemetery in the Bronx, at the city’s northern edge, past South Bronx tenements whose stoops hosted playing children, all the way to the beaches of Coney Island.Mr. Kirchheimer exulted in the subway exteriors of the late 1970s as traveling canvases and made them the focus of his 1981 movie, “Stations of the Elevated.”Manfred Kirchheimer/Cinema ConservancyWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    New York’s Secret Signatures

    Across New York City, people have written their names in places that only a select few ever get to see.Good morning. It’s Wednesday. Today we’ll look at hidden signatures in places you might not expect people to scribble their names. We’ll also get details on Senator Robert Menendez’s decision to resign in the wake of his conviction on corruption charges.James Barron/The New York TimesThis is not about the many things in New York that are hidden in plain sight. This is about things that are just plain hidden — little secrets that are understood only by those who know they are there.Specifically, signatures — the unseen John Hancocks of the people who made something or built something.For generations, the workers at the Steinway & Sons factory in Astoria, Queens, signed the pianos in places not even a virtuoso could find — until the managers said, No more.And construction workers have a long history of signing a beam that is put in place forever — a tradition that extends well beyond New York and usually includes people who designed or financed the building, or are the reason it is being built. Former President Barack Obama signed such a beam at the topping-out ceremony for his presidential center in Chicago last month. His signature won’t be visible in the ceiling of the room where the beam is going, which a spokeswoman described as “an intricately designed, angled affair.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    “Monumental Moments – The Hug” by Jorge Rodriguez-Gerada in New York City

    The internationally renowned contemporary artist, Jorge Rodriguez-Gerada best known for his urban large-scale mural portraits and his colossal land-art pieces, has just presented his collaboration with the California based company Neurocrine Biosciences, Inc. an original piece of art called Monumental Moments – The Hug, a nearly 10-foot-tall and 500 pounds bronze sculpture that immortalizes the monumental times everyone has experienced during the pandemic and celebrates the human spirit, the resilience of the mental health community and all those who have been impacted by the pandemic.Inspired by the hundreds of stories shared on MonumentalMoments.com over the past year, Monumental Moments – The Hug was unveiled on Thursday, October 7, to coincide with Mental Illness Awareness Week (October 3-9) and ahead of World Mental Health Day (October 10) at New York City’s iconic Lincoln Center.Performing during the reveal was the internationally renowned, Boston-based Me2/Orchestra, the world’s only known classical music organization created specifically for individuals living with mental illness and the people who support them. The orchestra created an original musical score to kick off the Monumental Moments initiative in October 2020.The Monumental Moments community platform and charitable initiative was created to offer hope, support, inspiration and a way for the mental health community and all those facing challenges during the pandemic to connect and share how they’re prioritizing their mental health. The Monumental Moments community is now encouraging people to share any lessons learned since the start of the pandemic, what they are grateful for and how they continue to care for their mental health. 47% of the adult population in the USA affirms to suffer negative impacts on their mental health after the pandemic yet (source KFF).“I am honored to work with Neurocrine Biosciences to join the Monumental Moments initiative and create something that means so much to me. The sculpture is dedicated to those who have been struggling with their mental health because of the pandemic and represents the importance of supporting each other during these unprecedented times,” Jorge Rodriguez-Gerada said. “Art can help bring people together, and I hope the sculpture will remind us all that we can overcome these difficult times as a community.”To usher in this time of reflection, Rodriguez-Gerada’s sculpture of a hug, developed in collaboration with international art and design foundry UAP, represents the importance of connection and supporting each other and how much many of us missed hugging loved ones during these trying times.Research demonstrates that hugging can help minimize negative emotions and support a more positive state of being. 1 The sculpture depicts two adults and a child in an embrace through a complex bronze work thought in order to create the feeling of transparency and the illusion of movement, depending on your point of view. The green ribbon woven throughout represents the importance of continued mental health awareness and support, while highlighting the significance of this year’s Mental Illness Awareness Week and World Mental Health Day.“The Hug“, by Jorge Rodríguez-Gerada is also a technical tour de force: the foundry of bronze was realized using a very innovative technique called ‘the lost wax’ combined with advanced 3D printing, mixing traditional and avant garde ways of working. The primary model is built on wax directly, being an exact replica of the future finished piece which allows injecting the liquid bronze metal without filling any mold.“Last year in support of the launch of Monumental Moments, we debuted an original score to bring to life the emotional impact this time has had on many,” said Caroline Whiddon, Executive Director and cofounder of Me2/Orchestra. “This year, we are pleased to perform again and stand alongside Jorge and this magnificent sculpture to celebrate the resilience of the Monumental Moments community that has grown over time.”Jorge Rodriguez-Gerada, a Cuban American contemporary artist, is recognized worldwide for his unique “urban” large-scale mural portraits that can be seen from space. By utilizing walls and floors as canvases and citizens as models, he became one of the most well-known urban artists who displays his work on walls of different cities around the world.Rodriguez-Gerada began his career in the early 90s as a founding member of New York’s Culture Jamming Movement. Since then, he has mastered his artistic directions as a muralist, sculptor and land artist. Rodriguez-Gerada has created a series of important large-scale murals, including his work in Queens, New York, memorializing the late Dr. Decoo, a Latino pediatrician who lost his life after battling the pandemic in New York City, and the Hispanic and African American communities who are disproportionately affected by COVID-19.Scroll down below for more photos of “Monumental Moments – The Hug”Photo credits:  Noam Galai, Getty Images for Spectrum Science More

  • in

    Nick Cave’s Energetic ‘Soundsuits’ Dance Along the New York City Subway in a 360-Foot Mosaic

    
    Art

    #installation
    #mosaics
    #new york city
    #public art
    #transportation

    September 10, 2021
    Grace Ebert

    “Each One, Every One, Equal All” (2022). Photo by Photo by MTA/Trent Reeves. All images courtesy of MTA Arts & Design.
    Spanning the 42 St. Connector between Times Square and Bryant Park in New York City are a troupe of dancing figures dressed in vibrant costumes of feather and fur. The ebullient characters are based on the iconic series of Soundsuits by Chicago-based artist Nick Cave (previously) and are the first part of a massive permanent installation titled Each One, Every One, Equal All in the public transit corridor.
    Stretching 360 feet, “Every One” is the first in the mosaic trio and displays more than two dozen of the adorned figures inlaid in ceramic tiles. The pieces are based on James Prinz’s photos of Cave’s original designs, which are soulful and energetic forms that blend fashion, sculpture, and performance in full-body coverings. Soundsuits “camouflage the shape of the wearer, enveloping and creating a second skin that hides gender, race, and class, thus compelling the audience to watch without judgment.” Cave describes the impetus for the project.
    Times Square is one of the busiest, most diverse, and fabulously kinetic places on the planet. For this project, I took the aboveground color, movement, and cross-pollination of humanity, bundled it into a powerful and compact energy mass that is taken underground and delivered throughout the station and passage. ‘Every One’ places the viewer within a performance, directly connecting them with the Soundsuits as part of an inclusive community of difference.
    “Every One” was officially unveiled today with a short video work showing the colorful figures in motion playing every 15 minutes outside the corridor. “Each One” and “Equal All” are scheduled for 2022, and once complete, the project will stretch 4,600-square-feet with more than four dozen dancers. It will mark both Cave’s largest permanent installation and the MTA’s most expansive commissioned mosaic to date.
    To learn more about Soundsuits and the project’s history, read this explainer in Public Delivery, and follow the artist’s work on Instagram. (via Kottke)

    Photo by MTA/Trent Reeves
    Photo by MTA Arts & Design/Cheryl Hageman
    Photo by MTA Arts & Design/Cheryl Hageman
    Photo by MTA Arts & Design/Cheryl Hageman
    Photo by MTA Arts & Design/Cheryl Hageman

    #installation
    #mosaics
    #new york city
    #public art
    #transportation

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

     
    Share this story
      More