Brazil has been a center of the global design scene for decades, thanks to the prolific and groundbreaking output of the Campana brothers. The duo rose to prominence during the 1990s with often whimsical designs that defied formal, aesthetic, and material norms.
Brazilian designer Fernando Campana poses for pictures at his studio in São Paulo, Brazil, on July 4, 2016. (MIGUEL SCHINCARIOL/AFP via Getty Images)
Working across mediums, Humberto and Fernando Campana took the design world by storm. Notable concepts include the loose cotton rope —produced for Italian manufacturer Edra—and the (1991), now owned by the Metropolitan Museum of Art, created from wood offcuts not unlike the dwellings that define those urban areas. Weaving plush stuffed animals—Disney and KAWS characters—into overflowing armchairs became their calling card.
Campana Brothers, (2018). Photo: Fernando Laszlo. Courtesy of Friedman Benda and Estudio Campana.
The studio distinguished itself with postmodern humor and pastiche—as well as responsibility and resourcefulness, upcycling materials before the term was coined. Campana Studio was one of the first practices to incorporate narrative in its work; the idea of imbuing objects with stories has since come to define much of the collectible design market.
The duo has been a staple of New York, in particular Friedman Benda, ever since the gallery’s inception in the 2010s. From February 15 through April 15, the gallery is honoring Fernando—who died last November at age 61—with a comprehensive retrospective at its new Los Angeles outpost, during Frieze.
Campana Brothers, (2017). Photo: Fernando Laszlo. Courtesy of Friedman Benda and Estudio Campana.
As tributes from prominent figures such as MoMA senior curator of architecture and design Paola Antonnelli prove, he was beloved and revered by many. Antonnelli helped bring the duo international acclaim with a dedicated exhibition in the late 1990s.
Milan-based writer and Design Miami curatorial director Maria Cristina Didero said recently, “Estúdio Campana has always attributed several meanings to the word ‘transformation,’ converting ordinary objects into precious ones. [Fernando] deeply loved his work and together with his brother Humberto, conceived it as a mission to help other people through creativity and fun.”
Campana Brothers, (1995). Photo: Fernando Laszlo. Courtesy of Friedman Benda and Estudio Campana.
The “Cine São José” exhibition surveys a significant amount of work produced during the studio’s first 15 years, as well as never-before-seen pieces. The title refers to their hometown cinema, where films allowed them to dream an auspicious future.
Campana Brothers, (1989). Photo: Fernando Laszlo. Courtesy of Friedman Benda and Estudio Campana.
On view is the rare (1989), part of the seminal “Desconfortáveis” (“Uncomfortable”) collection, in which Humberto and Fernando forged squiggles into iron using blowtorches. The (1995) was created by layering sheets of the packaging material.
Other pieces hail from the “Sushi” series— (ca. 2002) sold for over $50,000 at Sotheby’s in 2020—and the collaged “Detonado” series (in production since 2013). Through the clever elevation and integration of cheap, everyday materials, the duo created otherworldly designs and imbued them with a healthy dose of color and levity.
Here are more of the duo’s fanciful designs from the Friedman Benda show.
Campana Brothers, (2020). Photo: Fernando Laszlo. Courtesy of Friedman Benda and Estudio Campana.
Campana Brothers, (2013). Photo: Fernando Laszlo. Courtesy of Friedman Benda and Estudio Campana.
Campana Brothers, (2020). Photo: Fernando Laszlo. Courtesy of Friedman Benda and Estudio Campana.
Campana Brothers, (2022). Photo: Fernando Laszlo. Courtesy of Friedman Benda and Estudio Campana.
Campana Brothers, (2017). Photo: Fernando Laszlo. Courtesy of Friedman Benda and Estudio Campana.
Campana Brothers, (2015). Photo: Fernando Laszlo. Courtesy of Friedman Benda and Estudio Campana.
Campana Brothers, (2015). Photo: Fernando Laszlo. Courtesy of Friedman Benda and Estudio Campana.
Source: Exhibition - news.artnet.com
