Musician and artist Nick Cave will have his debut commercial exhibition at Xavier Hufkens gallery in Brussels in 2024. Cave has called the work going on display as “a journey towards some kind of absolution from a series of shattering events.”
Cave was born in Australia in 1957 and has achieved worldwide recognition as a singer, songwriter, author, and composer. He studied painting at Melbourne’s Caulfield Institute of Technology before turning his attention to a musical career that has seen him lead bands including The Birthday Party and Nick Cave and the Bad Seeds since the late ’70s. In recent years, Cave has released a memoir , and has been exploring ceramics as a medium.
The show will open in April 2024 and presents Cave’s first major body of visual work, entitled “The Devil—A Life (2020–22).” The collection is made up of 17 glazed ceramic figurines following the cradle-to-grave story of the Devil. Stylistically, the sculptures are reminiscent of Victorian Staffordshire “flatback” figurines which were made from the mid-18th century and were popular for display on mantlepieces.
Nick Cave. Photo by Megan Cullen, courtesy of the artist and Xavier Hufkens, Brussels.
Cave’s ceramic works were first shown in Finland in September 2022 at the Sara Hildén Art Museum as part of the group exhibition “We,” which also included works by actor Brad Pitt and artist Thomas Houseago.
In this new series, Cave frames the character of the Devil as a complex, flawed, everyday character. Told through the series of ceramic figurines, we watch as the Devil is born, inherits the world, falls in love, fights a lion, rides off to war, and is shunned for causing the death of his child, before he himself dies. This arc is reminiscent of Shakespeare’s “Seven Ages of Man” from the 1623 comedy : infant, schoolchild, lover, soldier, judge, dotage and decrepitude. As major changes occur in the Devil’s life, his appearance is altered, particularly the shape of his horns.
Nick Cave, . Courtesy of the artist and Xavier Hufkens, Brussels.
Cave has long held an intense, if conflicted, interest in Christianity: “I believe in God in spite of religion, not because of it,” he said in 2010. Over the years, themes related to faith and the Devil have popped up in his songs (“Up Jumped the Devil,” “Jesus Alone“), just as they were woven into his first novel, 1989’s .
In a statement, he characterized the ceramic series headed to Brussels next year, along with his songs, as centered on “the idea of forgiveness, the idea that there is a moral virtue in beauty. It’s a kind of balancing of our sins.”
More Trending Stories:
Artists to Watch This Month: 10 Solo Gallery Exhibitions to See In New York Before the End of the Year
Art Dealers Christina and Emmanuel Di Donna on Their Special Holiday Rituals
Stefanie Heinze Paints Richly Ambiguous Worlds. Collectors Are Obsessed
Inspector Schachter Uncovers Allegations Regarding the Latest Art World Scandal—And It’s a Doozy
Archaeologists Call Foul on the Purported Discovery of a 27,000-Year-Old Pyramid
The Sprawling Legal Dispute Between Yves Bouvier and Dmitry Rybolovlev Is Finally Over
Source: Exhibition - news.artnet.com
