“Counterweight” (2021), oil, acrylic, and spray paint on paper mounted on a wooden stretcher, 190 x 135 x 4.3 centimeters. All images © Pejac, shared with permission
Spanish street artist Pejac (previously) addresses the concept of “returning to normal” in a discerning new series that focuses on the urgency of the issues affecting the world today. Centered on the increasingly disastrous effects of the climate crisis and the social issues that dominate the news cycle, the artist speaks to the myriad global crises in his largest exhibition to date, which opens on October 30 in a former train factory in Berlin. Titled APNEA, the solo show features 45 of his newest works in myriad mediums and themes, including chaotic scenes in acrylic, oil, and spray paints, delicate honeycomb on cardboard, and large-scale sculptures and installations that occupy the industrial space.
Pejac created many of the pieces on view since the onset of the COVID-19 pandemic, an ongoing concern that also formed the basis for his 2020 trio of interventions paying tribute to health care workers. The new series includes a disquieting depiction of the White House overcome by a violent riot, with canisters releasing billowing smoke and an unaware figure golfing in the foreground, in addition to a cyclone-like drain on a paint palette. Other pieces depict a surreal earthen map of the U.S. with state lines cracked in the dirt and a rendering of Rodin’s “The Thinker” precariously balanced on scaffolding. “During a time of lockdown, painting within the four walls of my studio felt like a liberation and a lifeline. APNEA represents this contradiction,” the artist says.
To coincide with the show’s opening, Pejac is releasing “The Boss” (shown below) as limited-edition prints and postcards available through a lottery system, and proceeds will be donated to Sea-Watch, a German NGO that has helped thousands of migrants crossing the Mediterranean Sea. The artist also teamed up with the organization for an installation depicting a child wearing a life jacket atop Neo-Gothic Holy Cross Church in Berlin, a heartwrenching visual that draws attention to the refugee crisis. You can find out more about the release and see additional works on Instagram.
“Drain I” (2021), oil on artist’s palette, 50 x 40 x .4 centimeters
“Flying Ashes II” (2021), pyrography and colored pencil on wood, 189.5 x 121.8 x 3.8 centimeters
“Urban Albatros” (2019), oil, acrylic, and spray paint on paper mounted on a wooden stretcher, 190 x 135 x 4.3 centimeters
“Geography Lesson II” (2020), oil and spray paint on paper mounted on a wooden stretcher, 190 x 135 x 4.3 centimeters
“Landless Stranded” (2021)
“Animal Kingdom” (2021), oil, acrylic, and spray paint on paper mounted on a wooden stretcher, 190 x 135 x 4.3 centimeters
Detail of “Sweet World” (2021), acrylic on honeycomb cardboard, 145 x 200 centimeters
“The Boss” (2021)
Detail of “The Boss” (2021)
“Social Distancing” (2021), oil and acrylic on viroc, 125 x 200 x 1.2 centimeters
Detail of “Social Distancing” (2021), oil and acrylic on viroc, 125 x 200 x 1.2 centimeters
Detail of “Social Distancing” (2021), oil and acrylic on viroc, 125 x 200 x 1.2 centimeters
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Source: Art - thisiscolossal.com
