Across the expansive 140-acre grounds of The Clark Institute in Williamstown, Massachusetts, six contemporary artists have been invited to create site-specific works engaging with the property’s meadows, trails, and woods, while highlighting their individual practices.

Sculptures by Yō Akiyama, Laura Ellen Bacon, Aboubakar Fofana, Hugh Hayden, Milena Naef, and Javier Senosiain dot a variety of sites, from manicured parkland to open fields to groves of trees.

Bacon, whose ethereal sculptures made of malleable twigs seem to move, has installed the nine-by-five-foot “Gathering My Thoughts” in a wooded area. Made from willow sourced from Ohio, the piece appears to writhe like a living, growing form.

Hayden has constructed a larger-than-life ribcage—species unknown—made of locally sourced hemlock punctuated by dozens of branches that poke out in every direction. Partly camouflaged amid the trees, the work invites us to consider themes of ecological vulnerability, extinction, and the climate crisis. Following the exhibition, the piece will be allowed to decompose on-site, mirroring the way animal remains also eventually vanish back into the earth.

Fofana’s installation of two botanical forms, titled “Bana Yiriw ni Shi Folow (Trees and Seeds of Life),” is the artist’s first public art piece. He draws upon his spiritual belief in the divinity of nature, incorporating rolls of African cotton dyed with indigo, representing seeds, into a curling metal frame.

Other works include Senosiain’s vibrant sea creature, installed in a pond, along with Akiyama’s conical monolith evocative of scorched wood and Naef’s marble slabs that merge with the negative spaces of a fallen tree.

Curated by independent scholar Glenn Adamson, the exhibition provides the opportunity to experience contemporary art in a natural setting. Olivier Meslay, Hardymon Director of the Clark Art Institute, says:

The Clark’s campus becomes an accomplice, of sorts, in helping us to see and appreciate each artist’s particular vision and the interconnection between art and nature. With this edition of Ground/work, our guest curator…has intentionally blurred the line that traditionally separates the consideration of art and craft, urging us to appreciate the art that is inherent in all forms of craft.

Ground/work 2025 continues through October 2026, with free access day or night, 24/7, on The Clark’s campus. Plan your visit on the museum’s website.