In Edinburgh, along a stream known as the Water of Leith, six bronze figures known as “6 TIMES” stand amid the current and beside bridges, peering enigmatically down the urban waterway. Similarly, in Liverpool, “Another Place” comprises 100 life-size sculptures made from 17 molds that artist Antony Gormley (previously) took from his own body, installed permanently along Crosby Beach. In fact, the artist has dozens of permanent installations throughout the U.K. and all over the world, the majority of which interact with shorelines, parkland, and historic sites.

Gormley has long been fascinated by the relationship between humans, landscape, and the built environment. While many of his figurative sculptures retain natural, muscular curvatures and a true-to-life scale, he also ventures into abstract territory, incorporating cubist and brutalist elements into geometric, three-dimensional forms. In spite of their blockiness, which we associate with built structures of rigid materials like concrete and steel, his pieces are anything but soulless.

Gormley’s recent solo exhibition, Body Buildings at Galleria Continua in Beijing, ran from November 2024 and April 2025 and forms the basis of a new monograph of the same title. Forthcoming from SKIRA, the volume is slated for release on October 7.

Using terracotta clay and iron for pieces like “Resting Place II” and “Buttress,” Gormley taps into materials often found in construction in the form of bricks or angular frameworks. He describes his approach as a means “to think and feel the body in this condition.” Whether arranged on the floor in various positions or leaning against walls, his figures are simultaneously independent of the architecture and indelibly connected to it. “Buttress,” for example, prompts us to inquire whether the wall is holding up the person or the other way around.

New scholarship published in Body Buildings by Hou Hanru and Stephen Greenblatt explores Gormley’s engagement with China over the course of the past three decades. And a photo essay by the artist traces his interactions with the region, sharing never-before-seen archival photographs that document a 1995 research trip, where he visited the phenomenal army of terracotta warriors in Qin Shi Huang’s tomb in Xi’an.

Pre-order your copy of Body Buildings on Bookshop, and explore more of Gormley’s work on his website.