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    Nature and Geometry Merge in Yulia Brodskaya’s Meticulously Quilled Paper Birds

    “Nature of Things.” All images courtesy of Yulia Brodskaya, shared with permission

    Nature and Geometry Merge in Yulia Brodskaya’s Meticulously Quilled Paper Birds

    October 10, 2024

    ArtCraftNature

    Kate Mothes

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    From individual strips of colorful, methodically folded paper, Yulia Brodskaya’s vibrant compositions take wing. In a new series of quilled artworks, the artist (previously) taps into her love of drawing to emphasize the power of a line.

    “In my paper art practice, a drawn two-dimensional line is represented by a three-dimensional strip of paper glued on its edge,” Brodskaya says. For her mini-series of birds, the dimensionality of each line symbolizes ethereality and energy made visible.

    “Eagle of Light”

    In “Nature of Things,” for example, a kingfisher sits on the edge of a leaf, which appears to overflow with a geometric grid evocative of quantum illustrations of black holes.

    Foliage initially inspired the composition. “I was just sitting, observing its shape, following the curving lines with my eyes, and it didn’t take long to receive a vision of a superimposed toroidal shape…” she says, “like an organising principle that has always been there.”

    Find more of Brodskaya’s work on her website, and peek into her practice on Instagram.

    Detail of “Eagle of Light”

    “Things of Nature”

    Detail of “Nature of Things”

    “Take Off”

    Detail of “Take Off”

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    Spider Lilies and Cherry Blossoms by Sakae Unfurl in Wire and Resin Hair Pieces

    All images courtesy of Sakae, shared with permission

    Spider Lilies and Cherry Blossoms by Sakae Unfurl in Wire and Resin Hair Pieces

    October 9, 2024

    ArtCraft

    Kate Mothes

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    Originating during the ancient Jōmon period in Japan, the kanzashi is a rod or stick worn in the hair. This accessory evolved over time to encompass other ornaments like barrettes and fabric flowers. Today, they’re worn by geishas and brides.

    Tokyo-based artist Sakae (previously) continues this centuries-old tradition through an ongoing series of contemporary hairpins. Using liquid resin and wire, she meticulously styles cherry blossoms, hydrangeas, and spider lilies into ornate, wearable pieces.

    Explore these delicate works in-depth on her website.

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    From Early Computers to Ships at Sea, Lola Dupre Warps Everyday Objects

    From Early Computers to Ships at Sea, Lola Dupre Warps Everyday Objects

    October 9, 2024

    ArtPhotography

    Grace Ebert

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    How would you find home row in fourth-grade typing class if there were 1,700 keys in front of you? Lola Dupre’s latest collages would be intimidating to even the most ambitious student.

    The artist (previously) continues her disorienting manipulations with a pair of early Apple desktops, ships with enough stories to rival a high-rise, and a cow so bloated she needs eight legs to stand. Each work pushes the limits of legibility as limbs and common objects undergo exaggerated distortions.

    Dupre’s work is on view through November 23 at Prescription Art in Brighton, and she has another show slated for April at Corey Helford Gallery in Los Angeles. Until then, find more on Instagram.

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    Temporary Interventions by Kobra Convey the Critical Impacts of Increasing Wildfires

    All images courtesy of Kobra, shared with permission

    Temporary Interventions by Kobra Convey the Critical Impacts of Increasing Wildfires

    October 8, 2024

    ArtClimate

    Kate Mothes

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    Around the world, rising temperatures and ecosystem imbalances due the climate crisis have spurred an increasing number of wildfires annually. Brazil, for example, has seen more than 180,000 hot spots this year as of mid-September, the most since 2010. As deforestation reduces rainfall, a catastrophic cycle of drought and wildfires has only strengthened.

    For Eduardo Kobra, the unprecedented number of uncontrolled blazes spurred a new series of artworks drawing attention to this troubling reality. As fires impacted rural and urban areas alike, including the city of Araçariguama—a little more than 30 miles from São Paulo—the artist chose a local area scorched by flames to document a collection of temporary interventions.

    Drawing attention to the wildlife and habitats being destroyed, Kobra portrays birds, monkeys, anteaters, and other creatures surrounded by burned forest. In one piece, a firefighter assists a baby jaguar, and in another—a sign of hope—a child waters a sprouting plant.

    Kobra is known for his large-scale murals on buildings around the world, which emphasize vibrant portraits and nods to pop culture through characteristically bright, geometric patterns. Using biodegradable materials, his new series of cutout panels uses a relatively smaller scale to address an enormously critical issue.

    See more on his website and Instagram.

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    Collaged Portraits by Emma Odumade Draw on the Past to Face the Future

    “Call of Duty (A New Anthem)” (2024), charcoal, acrylic, ink, vintage photos, and black tea on canvas, 101.6 x 101.6 centimeters. All images courtesy of the artist and Unit London, shared with permission

    Collaged Portraits by Emma Odumade Draw on the Past to Face the Future

    October 8, 2024

    ArtPhotography

    Kate Mothes

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    Growing up in Lagos, Emma Odumade always drew cartoons and created collages on paper. As he continued to make work, his interest grew in highlighting the world around him, especially young people in his community.

    Odumade’s vibrant portraits and self-portraits, the latter of which he makes toward the end of every year, reflect a sense of unity, a search for self, love, and anticipation of the future. These particular works arose as “an attempt to have a diary—I never had one,” he says. “I needed to rediscover myself; see myself from an angle—from a third eye. My art became a mirror, through which I was a reflection.”

    “Mister Fly” (2024), charcoal, acrylic, vintage photos, ink, graphite, colored pencil, and black tea on canvas, 147.32 x 119.38 centimeters

    Portraits serve as records of activities and experiences, documenting the artist’s observations and referencing history and culture to tell personal stories. He combines images with other mediums like charcoal, acrylic, ink, and repurposed earlier sketches, invoking what he calls “stamps of moments”—a collection of memories viewed through the spectrum of past, present, and future.

    “I love that I can reference historical events, stolen African artifacts, and my humble beginnings through a photo,” Odumade tells Colossal. He collages the backgrounds of many compositions with numerous black-and-white images dyed with tea to give an antique appearance. “The vintage brown look of the old photos is to remind viewers about [the] past and to give a ‘test of time’ feeling.”

    Five new works will be presented by Unit London at 1-54 Contemporary African Art Fair in London, which runs from October 10 to 13. Explore more of Odumade’s practice on Instagram.

    “My Favorite Albert’s Theory” (2020-2021), charcoal, acrylic, ink, black tea, and sketch paper on canvas, 163 x 148 centimeters. Additional credit to Lekan Abatan

    “Seth; Why Run Away From Light Equals Infin9s” (2021-2022), charcoal, graphite, acrylic, ink, sketches, old photos, and black tea on paper. Additional credit to Ken Nwadiogbu

    “A Wave to Remember” (2024), charcoal, acrylic, black tea, and vintage photos on canvas, 146.05 x 119.38 centimeters

    “Three Sequences” (2021), charcoal, acrylic, black tea, ink, and old photos on canvas, 124 x 97 centimeters. Additional credit to Eshinlokun Wasiu

    “First Motion to Fly (Mr. Professor)” (2024), charcoal, acrylic, ink, vintage photos, feather, and black tea on canvas, 147.32 x 119.38 centimeters

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    An Expanded Edition of JR’s Monograph Recounts the Power of Socially Engaged Art

    All images © JR, courtesy of Phaidon, shared with permission

    An Expanded Edition of JR’s Monograph Recounts the Power of Socially Engaged Art

    October 4, 2024

    ArtBooksSocial Issues

    Jackie Andres

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    Traveling to different regions across the globe, French artist JR envisions grand projects that call to humanitarian issues and collective action. At the forefront of his practice is a persistent query, rooted in a palpable yearning for change and strong belief in the power of art.

    JR: Can Art Change the World? chronicles the artist’s phenomenal range of participatory efforts, from mural-laden buildings to photographic installations to performance art. Originally published in 2015 and later updated in 2019, an even newer edition featuring a half-decade of JR’s latest works is slated for release by Phaidon later this month. The 2024 version includes a whopping 390 photos and illustrations, as well as a foreword by George Lucas.

    Among the four new chapters included in the expansion, you might recognize more recent projects such as “Tehachapi,” a poignant collection of murals focused on the lives of incarcerated individuals, and impressive optical illusions from the artist’s ongoing “Trompe l’œil” series.

    Pre-order JR: Can Art Change the World? in the Colossal Shop to be one of the first to page through the monograph.

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    Symmetric Paper Collages by Haegue Yang Commune with the Spiritual

    “Splashing Volcano Ash Gaze–
    Mesmerizing Mesh #140” (2022), Hanji on alu-dibond, framed, 62 x 62 centimeters. All photos by Studio Haegue Yang, courtesy of the artist and The Arts Club of Chicago, shared with permission

    Symmetric Paper Collages by Haegue Yang Commune with the Spiritual

    October 2, 2024

    Art

    Grace Ebert

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    Known for immersive sculptures and installations that engage the senses, Seoul-born artist Haegue Yang looks toward common materials and traditional craft techniques to explore pressing issues. She often transforms domestic objects like Venetian blinds, electrical fans, and even cans of Spam into dynamic, abstract works that comment on sociopolitical topics like migration, labor, and exile.

    Although the artist has risen to international recognition for her three-dimensional pieces, an exhibition at The Arts Club of Chicago peers into another side of her practice. Flat Works surveys two decades of Yang’s paintings, prints, and collages, including her captivating series, Mesmerizing Mesh.

    “Flower Explosion Radial Folds–Mesmerizing Mesh #124” (2022), Hanji, graph paper on alu-dibond

    Geometric, floral motifs characterize the alluring compositions made from cut and folded hanji, paper derived from mulberry bark. Mesmerizing Mesh references shamanistic traditions, particularly in Korea, Japan, China, and Slavic regions, and what comes from communing with the spirit world.

    According to a statement about the series, the symmetric works allude to “sumun, a sheet hung from the ceiling in rituals…to keep away evil spirits,” while the more figurative, anthropomorphic pieces “resemble soul sheets (nukjeon), in which the shaman blows a spirit treated as the identical entity of the deceased being honored.”

    Like her sculptures, these collages similarly recontextualize a humble, everyday material. Although they’re two-dimensional, the layered works convey depth, each appearing as a kind of portal guiding viewers into an entrancing, mystical realm.

    Flat Works continues through December 20 in Chicago.

    “Fluoroscopic-Powered Fire Bird-Mesmerizing Mesh #130” (2022), Hanji on alu-dibond, framed, 62 x 62 centimeters

    “Blood Moon Finger-Pulling Bloom Formation–Mesmerizing Mesh #107” (2022), Hanji on alu-dibond

    “Rainbow Mist Germination Soul Sheet–Mesmerizing Mesh #184” (2023), Hanji, washi on alu-dibond

    “Thunder-Powered Ash Entrails Soul Streamers–Mesmerizing Mesh #148” (2022), Hanji on alu-dibond

    “Head Altar Formation–Mesmerizing Mesh #49” (2021), Hanji, graph paper on alu-dibond

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    Papier Mâché Bat Masks by Jym Davis Take Wing in Bold Portraits

    White bat, Florida. All images courtesy of Jym Davis, shared with permission

    Papier Mâché Bat Masks by Jym Davis Take Wing in Bold Portraits

    October 2, 2024

    Art Craft Nature Photography

    Kate Mothes

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    Atlanta-based artist Jym Davis, who also goes by False Face, has a thing for bats. He began making masks of the winged mammals during a series of residencies at national parks in the American West. In Arizona, he learned about Townsend’s big-eared bat and critically threatened species like the pallid bat in Northern California, Oregon, and Idaho.

    “(The Townsend’s big-eared bat’s) scrunched up, wrinkly faces, and huge ears seemed so sculptural and beautifully grotesque to me,” Davis tells Colossal. “The more strange and exotic bats I discovered, the more I was inspired to push my sculpting and painting techniques.”

    Pallid bat, Idaho

    When entering the caves or lava tubes that the bats call home, Davis takes precautions to help protect the animals from contagious diseases and fungi that visitors can track in on their shoes. “In the past century, bats were villainized and intentionally eradicated,” he says. “I think I have a particular fondness for bats because they are so historically misunderstood.”

    Drawn to ancient European festival traditions and materials used for centuries, Davis began making masks as a way to connect his work to history and the land.

    “For instance, I really love sculpting with papier mâché because it goes back hundreds of years,” he says. “I sew bells and ribbons into my outfits because it is another old festival element—even referenced by Shakespeare.” He typically avoids modern materials, especially anything made of plastic.

    Townsend’s big-eared bat, Arizona

    While Davis’s designs are based on real creatures, he often embellishes the masks with bold patterns, colors, and geometries. The pieces are part of a broader, ongoing body of work that he describes as a “menagerie of mythological characters,” which include a series of otherworldly avian creatures called Flood Birds and a grouping inspired by moths and butterflies titled Morph Angels, among others.

    Davis dons the masks amid natural settings and captures each personality in striking photographs and performances. This month, he is headed to Joshua Tree, California, for some photo sessions in preparation for his forthcoming book focused on Morph Angels.

    The artist currently has an albatross mask on view in FORAGE: OCEANS at Dorado 806 Projects in Los Angeles through October 12. Some of his masks are also available for sale on his website, and you can follow updates on Instagram.

    You might also enjoy Ashley Suszczynski’s ongoing documentation of ancient masked traditions.

    Bat, Florida

    Red bat, California

    Bat, Florida

    Pallid bat, Idaho

    White bat, Florida

    Red bat, Idaho

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