Aurelia Butler

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    A Pulsating Light Room of Multi-Layered Glass by Claudia Bueno to Premiere at Meow Wolf Las Vegas

    
    Art

    #drawing
    #glass
    #installation
    #light
    #nature
    #plants
    #sound

    January 8, 2021
    Grace Ebert

    Step into Claudia Bueno’s aquarium-style installation at Meow Wolf’s new space in Las Vegas and experience the slow, oscillating movements of natural life. “Pulse” is comprised of countless white line drawings that are meticulously intertwined and superimposed on 60 glass panels. When illuminated, they mimic scores of nautilus spirals, coral, vines, and botanics that sway and throb in glowing masses.
    “This is what ‘Pulse’ is, a way of creating animated volumes using layers of drawings that build up. I have been refining this technique for the last six years, understanding how these forms can also have a moving quality when the light system is applied,” the Venezuela-born artist says, noting that the idea for the project grew out of a visit to Yellowstone National Park.

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    During the course of eight months, a team of women painstakingly painted the glass panels at Bueno’s Idaho studio. “The repetitive/meditative quality of the work lent itself to provide a very special healing space for us as we drew fine lines for hours and openly shared and supported each other,” she says. No matter the scale of the project, Bueno begins with a single dot that she duplicates, expands into lines, and eventually into intricately developed patterns, which she explains:
    It seems like it doesn’t matter what size, materials, and tools I am working with, the same kinds of patterns manage to manifest themselves over and over, building on each other, gaining both complexity and simplicity at the same time… It has been an interesting brain challenge to visualize a stack of 2D drawings that then become 3D and move. It’s my own version of a non-digital, hand-drawn time-lapse or animation.
    Although much of the installation’s work is complete, Bueno shares that she’s creating smaller sculptures, jewelry, and other works to coincide with the larger project. “Pulse” is set to premiere at Meow Wolf’s satirical sendup of consumerism, Omega Mart, which the Santa Fe-based arts group (previously) will open within Area 15 in early 2021. Until then, find more of Bueno’s light-based works on her site and Instagram.

    #drawing
    #glass
    #installation
    #light
    #nature
    #plants
    #sound

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    Meticulously Sculpted and Tarnished Dandelions Preserve the Herb’s Ephemeral Nature in Metal

    
    Art
    Craft

    #dandelions
    #metal
    #plants
    #sculpture

    January 6, 2021
    Grace Ebert

    All images © Shota Suzuki, shared with permission
    Staining friend’s hands with dandelion heads and blowing their wispy seeds are a common childhood pastime and a simple joy that Shota Suzuki channels in his delicately constructed sculptures. The Kyoto-based artist painstakingly carves copper, brass, and silver into barbed leaves and feathery seeds to recreate the ubiquitous herbs in each state of bloom and decay.
    To tarnish the textured metals and alter their colors, Suzuki uses combinations of vinegar, copper sulfate, and acetic acid to create purples and blues. For the black components, he oxidizes pieces in dissolved sulfur. Suzuki’s coloring techniques are rooted in traditional Japanese patina methods including niiro, which historically used daikon juices to alter the metal, and are the most demanding part of his process. “The chemical modification is very sensitive and is affected by everything from the weather conditions to the dirt on my hands. It’s hard to make the same color every time,” he says in an interview with Kyoto Journal.
    Each dandelion is the product of hours of research, which begins while Suzuki walks around his neighborhood and spots weeds in sidewalk cracks or garden flowers. He then works from memory and occasional glimpses of photos of the chosen plant, forgoing sketches and models to create pieces that merge scientific accuracy with the artist’s vision, which he explains:
    I’ve never practiced the art of ikebana, but there is an element of it that comes through. My work does not portray a plant as it would be in its natural environment. Rather I manipulate it in a way that I find to be beautiful. I think the composition especially, like the placement and length of the flowers and stems of the plant, is really important. So in that respect, it is rather similar to ikebana.
    See more of Suzuki’s botanic sculptures, which include violets, cherry blossoms, and seaside daisies, on Artsy, and follow his latest works and updates to his shop on Instagram.

    #dandelions
    #metal
    #plants
    #sculpture

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    Bronze Figures Explore Movement in Sculptures by Coderch & Malavia

    
    Art
    Dance

    #body
    #bronze
    #sculpture

    January 5, 2021
    Grace Ebert

    “Clio’s Dream” (2020), bronze and blue patina. All images © Coderch & Malavia, shared with permission
    At the center of Coderch & Malavia’s artistic practice is the beauty of the human figure and its various expressions. The Valencia-based duo works collaboratively to cast bronze sculptures that explore the nuances of the body through dance-like movements and distinct gestures. Natural details like golden branches and feathered wings embellish many of the heavily patinaed works, Coderch & Malavia share, to evoke themes from classic literature, theater, photography, cinema, and ballet. “The human being is three-dimensional,” they say. “Probably that is the main reason why we are attracted to sculpture. It is the closest artistic representation of ourselves.”
    After a discussion on intentions for a new project, the pair generally works with a live model to help the sculpture take shape. “The complicated part is organizing and sharing the physical creation of the work itself because you need double discipline,” they say. “You must learn to trust your partner and be able to share your ideas and your work with him, and, above all, you must put your ego aside in order to stay equal to commit to the final result.”
    Get a glimpse into Coderch & Malavia’s process on their site and Instagram, where you can also follow their upcoming exhibitions.

    Detail of “Clio’s Dream” (2020), bronze and blue patina
    Detail of “Haiku” (2019), bronze
    Detail of “Haiku” (2019), bronze
    “Moonlight Shadow” (2019), bronze, 80 centimeters
    “Odette” (2018), bronze, 68 centimeters
    Detail of “Moonlight Shadow” (2019), bronze, 80 centimeters
    Detail of “Odette” (2018), bronze, 68 centimeters
    “Haiku” (2019), bronze

    #body
    #bronze
    #sculpture

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    Bold Brushstrokes Energize Abstract, Pixelated Landscapes by Artist Jason Anderson

    
    Art

    #abstract
    #cityscapes
    #landscapes
    #oil painting
    #painting

    January 4, 2021
    Grace Ebert

    “Uprising” (2020). All images © Jason Anderson, shared with permission
    Jason Anderson visualizes city skylines, swooping highway exchanges, and a range of urban landscapes through prismatic, impasto strokes of oil paint. The U.K.-based artist begins each painting with a black-and-white sketch before turning to the linen canvas and translating the lively works. In recent months, he’s incorporated more curved lines and saturated tones alongside the pastels he’s used previously, resulting in abstract scenes of horizons and city centers rendered through a mosaic of color.
    “I relish the often frantic nature of mixing and arranging the paint in thick impressionistic daubs and submitting to a process that creates its own detail and form,” the artist says in a statement. “This forces me to be bold and decisive; it also produces a kaleidoscope of shape and tone (reminiscent of stained-glass) which portrays the ever-present movement and energy found in nature.”
    Although all of Anderson’s works are currently sold out, you can follow updates on his commissions and new pieces on his site and view his finished paintings and sketches on Instagram.

    “Terminus” (2019)
    “Sheer” (2020)
    “Mistral” (2020)
    “Centrifuge” (2020)
    “Plaid” (2020)
    “Pulse” (2020)
    “Branch” (2020)
    “Hearth” (2020)

    #abstract
    #cityscapes
    #landscapes
    #oil painting
    #painting

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    A Frozen Installation by Azuma Makoto Preserves a Vibrant Floral Arrangement in Ice

    
    Art

    #flowers
    #ice
    #installation
    #plants
    #snow

    January 4, 2021
    Grace Ebert

    All images © Shiinoki/AMKK, shared with permission
    Japanese artist Azuma Makoto (previously) is known for shifting the contexts in which we typically view florals—think encasing bouquets in blocks of ice or suspending them in the stratosphere—through installations and designs that blur the boundaries between art and botany. Shown here is a 2018 project titled “Frozen Flowers” from Makoto’s In Bloom series. The undertaking brought the artist to Notsuke Peninsula in Hokkaido where he doused open blossoms and greenery in water. Positioned against the stark, snowy landscape, the resulting arrangement is frozen in its original splendor, allowing the vibrancy of the flowers to peek through the icicles.
    “The place where this installation was held in Hokkaido is also called the end of the world since blighted pine trees are usually spread out there and that place freezes over in winter,” says Makoto’s studio. “It was the series of how Azuma pursued unknown possibilities of flowers and how flowers express themselves under this condition.”
    More images and a short video of Makoto’s process are available on his site, and you can follow his latest works on Instagram. (via The Jealous Curator)

    #flowers
    #ice
    #installation
    #plants
    #snow

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    Countless Ceramic Loops Comprise Cecil Kemperink’s Movable Chain Sculptures

    
    Art
    Craft

    #ceramics
    #chains
    #sculpture

    December 30, 2020
    Grace Ebert

    All images © Cecil Kemperink, shared with permission
    Spread flat or folded in shapeless piles, Cecil Kemperink’s bulky chain sculptures contrast the solid ceramic material with the flexibility of their shapes. The movable works are comprised of hundreds of loops that link together in sheets of earth tones and subtle gradients. Whether heaped on the floor or draped across Kemperink’s body, the hefty chain mail is at once supple and fragile.
    The artist (previously), who is based on the island of Texel in the Netherlands, draws her understanding of motion from the surrounding water and environment. “I love the rhythm of nature, the tides, the (change) of the length of the days, the seasons, the changes continuous,” she shares.  “I try to translate the rhythm, the time, the colors, the continuous movements in different ways into my work.”
    Follow Kemperink’s latest works, which will include ten pieces for an installation, two larger works, and a wall sculpture in the coming weeks, on Instagram.

    #ceramics
    #chains
    #sculpture

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    Vertical Dwellings Nestle into the Floating Miniature Landscapes of Rosa de Jong

    
    Art
    Craft
    Design

    #architecture
    #miniature
    #sculpture

    December 29, 2020
    Grace Ebert

    All images © Rosa de Jong, shared with permission
    Suspended within Rosa de Jong’s simple wooden frames are miniature dwellings that climb the steep, rocky terrain. Stilt houses, tents, and exceptionally tall ladders form the idyllic environments that are surrounded by faux moss, minuscule trees, and generally rugged topography. Once assembled, the enchanting scenes appear to float in the open air or within the vertical enclosures of test tubes.
    Based in Amsterdam, de Jong (previously) shares with Colossal that she hopes to incorporate water-rooted plants and crystals into future projects. “I feel like a huge part of my work is how I frame things—let’s see if I am able to frame these inspiring natural elements,” she says, noting that the actual boxes are hand-crafted by her father.
    Follow de Jong’s latest miniatures, which include studies of artificial moon rocks, on Behance and Instagram.

    #architecture
    #miniature
    #sculpture

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    Vibrant Botanic Embroideries Embellish the Dried Leaf Sculptures of Hillary Waters Fayle

    
    Art
    Craft

    #embroidery
    #found objects
    #leaves
    #sculpture
    #seeds
    #thread

    December 29, 2020
    Grace Ebert

    All images via the artist and Momentum Gallery
    Merging traditional craft techniques and the natural world’s abundant materials, Hillary Waters Fayle (previously) meticulously stitches brightly hued florals into found camellia leaves and other foliage. From simple lines and ribbing to fully rendered botanics, the thread-based embellishments interrupt the fragile matter. The resulting sculptures evidence nature’s durability while juxtaposing the organic material with the fabricated additions.
    In the interview below, Waters Fayle describes how she gathers leaves and seed pods from areas around her home in Richmond, Virginia, and notes that her practice is rooted in sustainability. By using materials that are already available, like thread from her grandmother, the artist strives for zero-waste in her practice. Overall, her intention is to “bind nature and human touch,” magnifying how the two interact.
    Head to Waters Fayle’s site or Instagram to view a larger collection of her embroidered works. You also might enjoy Susanna Bauer’s crocheted leaves.

    “Inherent,” hand-stitched camellia leaves, 5 x 5 inches
    “Implications,” hand-stitched camellia leaves, 4-3/4 x 4-3/4 inches
    “Circle Inscribed,” hand-stitched camellia leaves, 5 x 5 inches
    “Reaching Toward The Other,” hand-stitched camellia leaves, 4-1/2 x 2 inches
    “Flora Series 7,” hand-embroidered foliage, 6 x 6 inches
    

    #embroidery
    #found objects
    #leaves
    #sculpture
    #seeds
    #thread

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