“Zenith” (2024), wood, velvet, acrylic color, ink, sand, aluminum stretcher, 45 x 33 x 4 centimeters. All images courtesy of the artist and Capsule Venice, shared with permission
Fantastic Blooms Entwine with Sculptural Motifs in Mevlana Lipp’s Imagined World
December 10, 2024
Art
Grace Ebert
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Behind barred motifs evocative of a wrought iron fence, otherworldly flowers are in full bloom, their heads stretching wide and tall while tendrils and leafy vines wind around the open barriers. Rendered in contrasting palettes of jewel tones and pale, muted hues, these uncanny plants are part of the latest body of work by Mevlana Lipp.
While visiting Venice earlier this year, the Cologne-based artist admired the elaborately patterned fencing that wove its way throughout the historic islands. “As I wandered through the city, I noticed the intricate metal bars on many windows,” he says. “For me, these bars symbolize a barrier between the world I inhabit and the fictional place I long for.”
“Seven” (2024), wood, velvet, acrylic color, ink, sand, aluminum stretcher, 45 x 33 x 4 centimeters
Vista is the culmination of this inspiration and presents an electrifying botanical collection. For these pieces, Lipp continues to meld painting and sculpture, as he layers acrylic paint, ink, and sand onto intricately cut wooden panels, which he positions atop velvet. This soft material interacts with the mottled, spotted, and patterned textures of the painted components and bolsters the sense of depth, becoming a vast chasm behind the fantastical florals.
Compared to his previous works, though, Vista ventures into warmer, brighter color palettes. The artist shares:
While the dark blue, green, and lilac backgrounds often create a sense of infinite voids, I wanted to explore other imageries as well. Think of an icy cold mist or a red desert stretching endlessly into the distance. I wanted to create works which have a wider array of temperatures.
Lipp’s interest in expanding his palette dovetails with the symbolic elements of his work. As the artist sees it, plants are metaphors for base instincts and emotion, as they commune with each other and various species without the same social and cultural pressures of humans. Broadening his formal approach offers more room for spontaneity and unrestrained exchanges. “When you walk into the forest, you take a look at all the existing connections, at how things interact with each other without fear,” he says. “Plants don’t run the risk of hurting each other’s feelings.”
Vista is on view through December 15 at Capsule Venice. Find more from Lipp on Instagram.
“Cassiopeia” (2024), wood, velvet, acrylic color, ink, sand, aluminum stretcher, 45 x 33 x 4 centimeters
“Coil” (2024), wood, velvet, acrylic color, ink, sand, aluminum stretcher, 45 x 33 x 4 centimeters
“Halo” (2024), wood, velvet, acrylic color, ink, sand, aluminum stretcher, 45 x 33 x 4 centimeters
“Ice” (2024), wood, velvet, acrylic color, ink, sand, aluminum stretcher, 45 x 33 x 4 centimeters
“Cassiopeia” (2024), wood, velvet, acrylic color, ink, sand, aluminum stretcher, 45 x 33 x 4 centimeters
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