Evelyn Reynolds

Brisbane’s newest over-river connection between South Bank and the CBD has reached a significant milestone, with final steelworks now installed.
The Neville Bonner Bridge, designed by Grimshaw with WSP, has touched down at Queen’s Wharf in Brisbane to improve the city’s connectivity and accessibility ahead of the 2032 Olympic Games.
Following two years of construction, the final deck section of the 320-metre pedestrian bridge was installed, making 27 February the official completion date.
The Neville Bonner Bridge was named after Australia’s first federal Indigenous parliamentarian, and it has already become an important cross-river connection linking the South Bank arts precinct with the future Queen’s Wharf precinct.
The bridge completion marks a milestone in the $3.6 billion Queen’s Wharf development, which is expected to open later this year. The bridge itself is likely to open around July or August 2023 following the installation of lights, pavers and shades.

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Render of Neville Bonner Bridge, Brisbane’s most recent over-river crossing between South Bank and the CBD. Image: Grimshaw

The sweeping bridge, designed to be “lightweight yet dramatic”, peaks at 75 metres above the river and is made from more than 1,000 tonnes of fabricated structural steel. Grimshaw said the design was influenced by the surrounding parklands context, with the structure engineered to create an “elegant and efficient outcome”.
“Shaped as an elegant and sinuous ribbon reaching out from South Bank towards the city centre of Brisbane, the carefully composed hybrid mast and arch design achieves a lightweight yet dramatic form which serves as an elegant landmark for the Neville Bonner Bridge,” said Grimshaw partner Neil Stonell.
A suspended deck is designed to offer views over the river, city and parkland while providing protection from the subtropical sun.
Consortium partner Star Entertainment has forecast the bridge will accommodate 10,000 pedestrian crossings per day when it opens to the public as part of the precinct-wide staged opening later this year. More

Completed in 2022, the new Fig Tree Galleries in Yeppoon, Queensland, by local practice Design+Architecture, delivers an arts precinct for the coastal community that celebrates the site’s unique history.
The project was commissioned by Livingstone Shire Council for a narrow, sloping block, nestled behind two historic fig trees and situated beside Yeppoon’s original post office. The gallery had to deliver the much-needed art precinct while celebrating the legacy of the site.
“Despite the presence of a strong artistic community, Council did not have any public gallery at that point,” said Colin Strydom, director of Design+Architecture. “Our mission was to design a brand-new exhibition space while completing restoration and renovation works on the existing buildings, making it something of a community hub.”

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Yeppoon post office was opened on 11 August, 1883. Image:

Courtesy of Capricorn Coast Historical Society

The existing building on the site was that of the original Yeppoon post office, opened in 1883, which the architect converted into a workshop and community art shop that connects with the new gallery building through an interactive pathway.
Incorporating Queensland’s coastal vernacular, the new gallery features a simple, lightweight weatherboard structure painted white, with a gabled roofline housing 68 square metres of indoor exhibition space. Perforated drywall is designed to dampen sound while softening the visual uniformity of the raked ceilings.
“We wanted to preserve and respect the existing building without copying it,” Strydom said. As a result, the gallery has been designed to be more contemporary in its expression, without detracting from the other buildings on site.

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The gabled roofline houses 68 square metres of indoor exhibition space. Image:

Cam Murchison

“Yeppoon was a popular postal holiday destination you would take the train to from Rockhampton and Morgan in the old days, when there was a lot of money here because of the mines,” said Strydom. “Our new building reflects those original beach huts you would see 100 years ago.”
“The art precinct is a street away from the main street, with a park in between,” Strydom explained. “We wanted to give the building a humbleness and simplicity, but we also wanted to give it some presence from across the road or from a distance, for visitors and holiday makers to identify it.”
The architect resolved to design a screen made from multicoloured blades “to ignite curiosity”. The screen also serves to conceal some of the building’s functions, such as the accessible ramp built into the entrance.
The screen’s blades, which differ in colour and shape, create a barcode-like pattern that spells out the word “gallery” in Morse code, referencing the site’s history as the town’s nucleus for communications.

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To “ignite curiosity,” the architect resolved to design a screen made from multicoloured blades. Image:

Cam Murchison

The pitch of the gallery roof angles away from the heritage-listed fig trees, which line the street down towards Anzac Parade in front of the building. The gabled roof angles to work with the trees by sloping away to accommodate future canopy.
The project was achieved with less than half a million dollars in funding, and the galleries will offer exhibitions, programs and events throughout the year.
The architect said the concept for the gallery was based on “the rich history of communication, pineapples, and bathing boxes,” integrating Morse code to represent the 1883 post office; yellow to incorporate the town’s produce export history; and beach shack typography to reference the architectural style characteristic to Yeppoon. More

Five emerging architects from across Australia have been selected winners of the 15th Australian Institute of Architects’ Dulux Study Tour. Founded in 2008, the tour celebrates the importance of experiencing architecture first hand by Australia’s most promising early-career architects.
Ellen Buttrose, Bradley Kerr, Tiffany Liew, Edwina Brisbane and Sarah Lebner will embark on a 10-day tour of Europe, visiting Helsinki, Lisbon, Zurich and the Venice Architecture Biennale in May – the first international tour since 2019.
Jury chair and National President of the Australian Institute of Architects Shannon Battisson commended the recipients for their selection from a highly competitive field of applicants.
“The jury was impressed by the depth of skill, talent, passion and the dedication to the architectural profession exhibited by all who submitted,” Battisson said, highlighting the diverse backgrounds and interests of the candidates.
Jury Chair Overview
The Australian Institute of Architects is pleased to announce that Edwina Brisbane, Sarah Lebner, Bradley Kerr, Ellen Buttrose and Tiffany Liew have been selected to join the 2023 Australian Institute of Architects Dulux Study Tour. We congratulate all for their success from an outstanding field of applicants. The jury was impressed by the depth of skill, talent, passion and dedication to the architectural profession exhibited by all who submitted and strongly encourages those eligible members not successful this year to apply in the future.
The Australian Institute of Architects Dulux Study Tour is one of our most coveted awards. It acknowledges early-career architects for their individual achievements and contribution to architectural practice, education, design excellence and community involvement. Giving our most promising practitioners the opportunity to experience international architecture first-hand, the prize has been running since 2008. The diversity of backgrounds and interests evident in this year’s submissions demonstrates a shifting dynamic within the next generation of the profession.
We thank Dulux for its continuing generous support.
– Shannon Battisson
Jury
Shannon Battisson (Chair) | National President | The Mill: Architecture + DesignJevan Dickinson | General Manager – Dulux Trade, DuluxBarry Whitmore | Interim CEO, Australian Institute of ArchitectsPete Wood | National Commercial Business Manager, DuluxQianyi Lim | Past Dulux Study Tour Recipient | Sibling ArchitectureErin Crowden | Immediate Past National EmAGN President | Proske Architects
Jury citations:
Ellen Buttrose

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Ellen Buttrose. Image:

Isabella Wood

Ellen Buttrose is an associate with POD (People Oriented Design) in Cairns, working across the diverse climates and cultures of Queensland and the Torres Strait. Her practice has been shaped by the unique and varied histories, identities, cultures, climates, seasons and landscapes of the regions in which she has lived and practised. Upon graduating from high school, she volunteered in construction in Madagascar with non-government organization Azafady before completing her bachelor and master degrees in architectural studies at the University of South Australia.
Buttrose is a registered architect in Queensland and Victoria, with experience in practices across South Australia, Victoria and Queensland. Her experience includes work on the Gindaja Treatment and Healing Centre, Yarrabah and the Umpi Korumba First Nations social housing project, Zillmere (both in Queensland); employment in the Office for Design and Architecture South Australia (ODASA); and civic, institutional and cultural practice with Six Degrees Architects in Melbourne. Buttrose sits on the Sustainability Committee for the Queensland chapter of the Australian Institute of Architects and was the recipient of the Queensland Emerging Architect Prize in 2020.
Bradley Kerr

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Bradley Kerr. Image: Supplied

Bradley Kerr, a Quandamooka man working on Wurundjeri Woi-wurrung Country, studied at the University of Canberra and the University of Queensland before establishing his career in Melbourne, where he has developed a genuine passion for understanding how people respond to the built environment.
For more than eight years, he worked with FJMT, where he made a significant contribution across the studio through his sense of collaboration, his dedication to design excellence, and his commitment to producing work of the highest cultural and ethical values. This philosophy has only strengthened during his time with Kennedy Nolan Architects, where he has further refined his skill as a senior project architect with a strong design focus. He is now branching out to establish his own practice.
An active member of the architectural community, Kerr has participated generously through roles on the Institute’s First Nations Advisory Working Group, the Australian Accreditation Standing Panel and awards juries, as well as writing for Architecture Australia on the topic of Indigenizing practice.
Tiffany Liew

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Tiffany Liew Image: Supplied

An associate at Andrew Burns Architecture, Tiffany Liew completed her degree with honours at the University of Sydney, and has worked in a number of firms across a variety of project types. A recipient of many awards and accolades throughout her career to date, Liew continually strives for achievement, balance and new opportunities.
Liew’s dedication to the wider architectural community is evidenced through her involvement in all aspects of practice, including research, talks, editorial writing, exhibitions, jury contributions and sessional teaching roles at UTS and the University of Sydney. With her infectious personality, she encourages others to become involved in the wider profession.
In her role as national president of EmAGN, Liew has worked collaboratively to introduce new initiatives for the betterment of graduates and recently registered architects, with a focus on acknowledgement, equity and supported parental programs.
Edwina Brisbane

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Edwina Brisbane Image: Supplied

Edwina Brisbane has established a consistent and dedicated commitment to design excellence through practice, education and community. Having built up a diverse portfolio of project experience, from hands-on crafting and building to large-scale commercial projects, she now leads Cumulus’s Melbourne studio, where she is expanding her role into business development, and as a mentor and leader. As an architectural educator, she has led various design studios at the University of Melbourne and Monash University.
Brisbane’s contribution to the architectural and design community is prolific. Her ongoing engagement with the Australian Institute of Architects through various roles with EmAGN and, more recently, as an awards juror –including as chair for the sustainability category – demonstrates her dedication to the profession. Further, she has worked to expand architectural and design discourse beyond the immediate professional community through her facilitation of events such as Process and the Better Living Forum.
Sarah Lebner

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Sarah Lebner Image: Supplied

A director at the newly established practice Cooee Architecture in rural New South Wales, Sarah Lebner has made a huge contribution to the architectural profession in Canberra and beyond. Through her previous role as principal architect at multidisciplinary firm Light House Architecture and Science, she worked to educate both clients and the wider public on the benefits of good design and quality building.
Lebner was awarded the Institute’s Emerging Architect Prize in 2020, in recognition of the support she has offered the next generation of architects through her national platform and mentoring scheme My First Architecture Job. Her dedication to this work has only continued to grow, and her book, 101 Things I Didn’t Learn in Architecture School (and wish I’d known before my first job) is an invaluable resource for those starting out in practice.
She has contributed widely to the profession through various roles with the Institute, including as a SONA representative, and a member of EmAGN, the Practice Committee and the ACT Chapter Council. More

The newly completed Bendigo Law Courts, designed by Wardle (formerly John Wardle Architects), has officially opened.
The $152-million project is the first regional specialist court facility in Victoria, accommodating 11 court rooms (including two hearing rooms), two mediation suites, remote witness facilities, safe waiting facilities, dedicated jury areas, meeting rooms for support agencies, and client services
The five-storey building has been designed in consultation with legal practitioners, court users, local community service agencies, the City of Greater Bendigo, and in partnership with the Dja Dja Wurung Clans Aboriginal Corporation, and Court Services Victoria.
Ninety percent of the building’s surfaces and materials have been locally sourced, made from a brick base with upper levels clad in copper.

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The upper levels of Bendigo Law Courts by Wardle are clad in copper. Image:

Tim Griffith

“Through deep consideration of the built and cultural heritage of place, we’ve responded to both Bendigo’s recent history as a Victorian gold rush town, and to the ancient lines of creation that connect past, present, and future across Dja Dja Wurrung Country,” said Wardle partner and project director Meaghan Dwyer.
The building facade features a large-scale artwork by Indigenous artist Racquel Kerr. Made from hammered copper, the artwork depicts Djaara Creation figure Bunjil – a soaring wedge-tailed eagle – who oversees law and people’s conduct on Country.

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The design of Bendigo Law Courts features an artwork by Indigenous artist Racquel Kerr which depicts the Djaara Creation figure Bunjil. Image:

Tim Griffith

The building has been designed to assist all users of the judicial services in Bendigo, including secure entrances and separate sections for judicial staff, operation staff, vulnerable people, and people in custody. (The separate entrances are a key recommendation of the Royal Commission into Family Violence.)
“Top of mind is the physical and psychological wellbeing of court users, judiciary and staff,” said Wardle associate principal and project architect Megan Darbyshire. “For example, the specialist Family Violence Court has safe waiting areas and separate entries and pathways for people in custody and operational staff.
“Unlike many buildings of this type, huge windows fill the public areas with light and frame views over the city and out to the surrounding mountain ranges. The interiors combine warm, natural colours, materials and textures for comfort and a sense of calm.”
The building also accommodates the Magistrates Court, Children’s Court, Victorian Civil and Administrative Tribunal, County Court of Victoria, Supreme Court of Victoria, and the Federal Circuit and Family Court of Australia on a circuit basis. The Koori Court and the Assessment and Referral Court will also operate from the new facility.
The building contributes to the revitalisation of the Bendigo civic precinct, alongside Bendigo GovHub designed by Lyons, and the Bendigo TAFE redevelopment by Architectus, Six Degrees and SBLA.
“The new courthouse in Hargreaves Street joins the patterns of daily life. The courthouse rises above the surrounding buildings and sits comfortably in its place,” Dwyer said.
Victorian attorney-general Jaclyn Symes added, “Victorians should have the best possible access to justice no matter where they live – this new precinct will help regional Victorians get the legal help they need without having to travel to Melbourne.” More

Marie Short Farmhouse in Kempsey, designed by Pritzker Prize-wining architect Glenn Murcutt, has been heritage-listed for its significance as an “early example of environmentally responsible living”.
Executive director of Heritage NSW Sam Kidman said the house is a ground-breaking example of late-20th-century modernism by Australia’s only architect to win the Pritzker Prize.
“Built in 1975, Marie Short Farmhouse’s dynamic architectural elements include a curved roof, glazing and louvre system, allowing inhabitants to adjust interior air movement and light as seasons and weather demand,” Kidman said. “Today, more than ever, we need this type of architecture that can adapt and respond to changes in climate.”

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Marie Short House (1974) by Glenn Murcutt. Image:

Brett Boardman

Marie Short Farmhouse is an ecologically responsive and socially responsible design that makes minimal impact on the physical environment. Taking into account climatic conditions such as orientation, wind patterns and windfall, and built from local and reclaimed timbers, it utilizes a design approach that is passive in operation and does not impose itself on place.
Kidman congratulated Murcutt for the honour, and for leading the way in designing for the homes of the future, incorporating sustainable methods for heating and cooling.
Murcutt said the heritage acknowledgement, awarded 50 years after the home’s construction, speaks of the importance of architecture “being of its place, its culture and its time and its time ahead,” he said.
“On a personal level, it is a great privilege to have this important acknowledgement of my work made within my lifetime,” said Murcutt.
For more coverage, read the Revisited article from Houses magazine, issue 149. More

Construction has begun on Edith Cowan University’s (ECU) newest campus within Perth’s CBD, the first higher education campus to be situated within the city centre. Designed by Lyons, Silver Thomas Hanley, and Haworth Tompkins, “ECU City” will bring together creative industries, emerging technologies, and business and law faculties on campus, providing a community for more […] More

The NSW government has revealed updated designs for the redevelopment of the Royal Prince Alfred Hospital, which will double the treatment spaces in the emergency department, and increase bed capacity in intensive care by 30 percent.
Architects Jacobs, Bates Smart, and Neeson Murcutt and Neille have been engaged to design a bright, contemporary design for a new 15-storey tower that will connect with the existing hospital campus, located in Camperdown, Sydney. Bates Smart and Neeson Murcutt and Neille won a design excellence competition for the project in September 2022.
Along with the new 15-storey building, the masterplan includes the three-storey extension to an existing services building to the east of the campus; a two-storey vertical expansion over the RPA building 89; and the internal refurbishment of existing services including the emergency department.
The last major redevelopment to the hospital was undertaken from 1998 to 2004, since which the hospital has experienced significant rise in requirements in patient volume and complexity.

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Royal Prince Alfred Hospital, view from Nurses Courtyard looking at eastern facade. Image:

By Jacobs, Bates Smart, Neeson Murcutt and Neille.

The NSW government announced a $750-million investment for the redevelopment in 2019. Health minister Brad Hazzard said this would be the most significant redevelopment in the hospital’s 140-year history.
“The redevelopment will deliver more state-of-the-art operating theatre space including a hybrid theatre to facilitate complex surgeries, double the recovery space, as well as deliver a Neonatal Intensive Care Unit with 30 per cent more capacity,” said Hazzard.
The architects’ design concept aspires to provide benefits for wayfinding, place-making, heritage, and clinical planning, built around five key projects: the northern arrival; the eastern wing; eastern extension; central courtyard; and Missenden Road forecourt.
The northern arrival will feature a significantly enhanced entry for the hospital with improved vehicle and pedestrian access, upgrading connection between the northern arrival plaza and the primary hospital circulation.
The eastern wing will feature a “subtle bend” to maximise views while retaining significant trees, while accommodating a broad and flexible range of operations. The three storey eastern extension above Building 89 will form a key part of the acute building podium, increasing theatre capacity and future-proofing for a public bridge connection to the Susan Wakil Building at the University of Sydney.

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Royal Prince Alfred Hospital new central courtyard. Image:

By Jacobs, Bates Smart, Neeson Murcutt and Neille.

A new central courtyard will maximize intuitive wayfinding with clear and visible pathways, identified by tessellated flooring. The Missenden Road forecourt will provide a new canopy to mediate between the public domain and provide access into the emergency department.
Early enabling works are underway alongside planning and design phases of the new expansion. The main works construction contract is expected to be awarded in late 2023.
The designs for this state significant development are currently on exhibition, with submissions closing 1 March 2023. More

RMIT University and Alastair Swayn Foundation have launched a new fellowship at the American Academy in Rome for mid-career architects, landscape architects and design professionals. ASF-RMIT Architecture Affiliated Fellowship will enable a chosen participant to spend eight weeks in residence at the American Academy, supporting their growth and development and advancing their practice. “This fellowship […] More