More stories

  • in

    British Courts Service Destroys Banksy Mural Depicting Attack by Judge

    The work, painted onto the walls of one of Britain’s most important court buildings, showed a judge attacking a demonstrator with a gavel.The anonymous street artist Banksy caused a stir on Monday with a striking new work depicting a judge attacking a protester with a gavel, painted on one of Britain’s most prestigious court buildings.The image, in black and white, apart from a splatter of red on the demonstrator’s sign, appeared on an outer wall of the Royal Courts of Justice, an imposing London complex that houses the High Court and Court of Appeal of England and Wales and is considered one of the most secure locations in Britain.Now, just two days later, Banksy’s latest work is gone.The complex had quickly moved to block the artwork from public view, moving large metal screens in front of it on Monday. Then, on Wednesday morning, visitors to the mural filmed a man, wearing a mask, scrubbing the image off the walls, with two police officers standing guard nearby.A spokesman for Britain’s Ministry of Justice said in an email that the work had been destroyed. The Royal Courts of Justice are a protected building under British heritage laws, the spokesman said, so the court’s service is “obliged to maintain its original character.”Historic England, which governs such building protections, says on its website that the 19th-century court buildings are “one of the foremost examples of High Victorian Gothic Revival design” in the country.A spokeswoman for Banksy did not immediately respond to a request for comment. The artist posted an image of the artwork on Instagram on Monday, which is typically how he announces new work. His fans had widely interpreted the piece as a comment on the treatment of supporters of Palestine Action, a pro-Palestinian activist group that Britain’s government banned as a terrorist organization in July. Since the prohibition came into force, the police have arrested hundreds of people at demonstrations for displaying messages of support for the group.The mural by anonymous artist Banksy depicted a judge attacking a protester with a gavel.Toby Melville/ReutersAlthough some Banksy artworks have been delicately removed from walls and structures, large auction houses like Sotheby’s and Christie’s don’t sell them, and the artist refuses to provide certificates of authenticity.Still, the decision to scrub the image off the wall perplexed some dealers in street art. John Brandler, a gallery owner who has traded several Banksy murals, said in an interview that he couldn’t understand why the court service had not hired him, or another dealer, to carefully remove the painting from the building’s walls so it could be sold to raise money for charity.“Yes, it was criminal damage,” Brandler said. “But why not use that criminal damage to benefit the community?”Brandler said that he believed the work could have raised up to 5 million British pounds, or about $6.8 million.Jo Maugham, a founder of the Good Law Project, the legal organization that filmed the mural’s removal and that has opposed the ban on Palestine Action, said in a statement that the British government should not be destroying a work by “an important artist” who had criticized government policy. More

  • in

    EOI launched seeking architect for Brisbane Stadium and National Aquatic Centre

    A search has launched today for the selection of “visionary architects” to design the new Brisbane Stadium and National Aquatic Centre, which together form the heart of the Queensland government’s $7.1 billion plan for the 2032 Olympic and Paralympic Games.
    The two venues have been touted by the Games Independent Infrastructure and Coordination Authority (GIICA) as “centrepieces” within the Victoria Park precinct. As the location of the games’ opening and closing ceremonies, and athletic events, the 60,000-seat Brisbane Stadium is set to be the main Olympic venue during the games. Afterward, the venue is intended to serve as the city’s main stadium with a capacity of 63,000 seats.
    To the east of Brisbane Stadium, the National Aquatic Centre is envisioned on the site of the heritage-listed Brisbane Centenary Pool. The reworked site is set to host a permanent capacity of 8,000 and 25,000 in games-mode.
    In leading the development of these two projects, along with 15 other new and upgraded games venues, GIICA has said it “is seeking architects with experience delivering iconic projects to bring their bold ideas and innovation to the design of these future Brisbane landmarks.”
    GIICA CEO Simon Crooks said he expected the EOI to attract submissions from some of the most renowned architects across Queensland, Australia and the world.
    “Designing an Olympic and Paralympic Stadium, which then becomes a city’s major events centrepiece, is a rare opportunity and a project that architects everywhere dream of being part of,” Crooks said. “This is a truly international moment, and we must cast our net wide to get the best design complemented by cutting edge innovation in sustainability, accessibility and athlete and visitor experience.”
    Crooks added that GIICA has “already been overwhelmed with interest from architects for both the [Brisbane] Stadium and the National Aquatic Centre, and this next step allows all those with a bold idea to come forward for formal consideration.”

    View gallery

    An EOI seeking a principal contractor for the Victoria Park precinct masterplan, and an EOI for the appointment of a lead designer for four regional venues, were each conducted in July this year.
    However, just last month a First Nations group took federal legal action to seek protection of Victoria Park/Barrambin – which they describe as “one of the city’s most important First Nations sites” – against major Olympic stadium development. Despite this, GIICA is continuing with plans to locate the stadium within the Victoria Park precinct.
    According to Crooks, “The stadium that hosts the opening and closing ceremonies is often one of the longest lasting memories for audiences and athletes at the games so getting a visionary design is key to the entire experience.”
    The successful principal architects will partner with GIICA during the early contractor involvement (ECI) process for both venues.
    The EOI is open for two weeks, closing Wednesday 24 September 2025 at 5pm. More

  • in

    Finalists announced for 2025 Make Award

    The Australian Design Centre (ADC) has revealed the 36 finalists for the 2025 MAKE Award, a biennial prize for innovation in Australian contemporary craft and design disciplines. It is the country’s most significant non-acquisitive prize in the field, with a $35,000 first prize and $10,000 for second place.
    Now in its second iteration, the Make Award attracted 197 entries from artists, craftspeople and designer-makers nationwide. Finalists were selected for works that demonstrate innovation in technique or materials and represent an evolution in their personal practice. The selected works span a wide range of fields including ceramics, glass, jewellery, textiles, metal, furniture and fibre.

    View gallery

    The 36 finalists this year are Jin Ah Jo, Ash Allen, Julie Bartholomew, Roseanne Bartley, Emma Bugg, Melissa Cameron, Scott Chaseling, Vita Cochran, Kirsten Coelho, Zara Collins, Laura Deakin, Lynda Draper, Dan Elborne, Caren Elliss, Jason Fitzgerald, Neville French, Jess Hall, Kirsten Haydon, Anke Kindle, Phong Lai, Cinnamon Lee, Noel Murphy, Sharon Peoples, Nicole Polentas, Jake Rollins, Jennifer Robertson, Hugo Rucks, Jeffrey Sarmiento, Lotte Schwerdtfeger, Gabbee Stolp, Bolaji Teniola, Jane Theau, Blanche Tilden, Alice van Meurs and Sarrita King, Zoe Veness and Melinda Young.

    View gallery

    The winner will be announced at the exhibition’s opening night on Friday 10 October 2025 at the Australian Design Centre in Sydney. The exhibition will run until 19 November before touring to JamFactory in Adelaide from December.
    This year’s judging panel includes Simone LeAmon, curator of Contemporary Design and Architecture at the National Gallery of Victoria; Brian Parkes, CEO of JamFactory; and artist Vipoo Srivilasa, who won the inaugural MAKE Award in 2023 with his ceramic work Diverse Dominion Deities.

    View gallery

    ADC CEO and artistic director Lisa Cahill, who also serves as a judge, praised the calibre of entries: “Innovation and a high level of skill were outstanding in the entries this year. Finalists have pushed the boundaries of material use and I am excited to see their work in the exhibition, as well as selecting the winner. More

  • in

    Shortlist revealed: 2025 Eat Drink Design Awards

    The shortlist for the 2025 Eat Drink Design Awards has been announced, with 64 projects shortlisted across six primary categories.
    Eat Drink Design Awards jury chair and editor Cassie Hansen noted that the awards offer a unique perspective for exploring the direction hospitality design is headed, while also reflecting the wider cultural and economic factors shaping the way we dine and socialise.
    “In an increasingly digital world, the jury observed many compelling interiors that encourage visiting in person. Designers are exploring new and creative ways to engage audiences beyond the traditional. From immersive bars to expansive breweries, the focus has shifted toward storytelling, atmosphere and emotional connection. Designers are creating memorable, tactile experiences that resonate deeply with customers,” said Hansen.
    The jury remarked, “This year, we celebrated the numerous restaurants, bars, cafes and more that broke away from tradition, making a striking impression with designs that feel bold and original.”
    2025 Eat Drink Design Awards shortlist
    Best Restaurant Design
    Best Bar Design
    Best Cafe Design
    Best Hotel Design
    Best Retail Design
    Best Identity Design
    From hundreds of entries, the Eat Drink Design Awards are shortlisted and awarded by a jury of industry leaders from the hospitality and design sectors. The 2025 jury consists of:

    Callan Boys, national restaurant editor, Good Food
    Jean-Paul Ghougassian, director, Ritz and Ghougassian
    Jason M. Jones, founder and creative director, Entrecôte and Hopper Joint
    Simone McEwan, co-founder, Nice Projects
    Cassie Hansen, jury chair and editor of InteriorsAU

    Winners will be announced on Wednesday 29 October 2025. The jury will also select one iconic hospitality venue from Australia or New Zealand to be inducted into the Eat Drink Design Awards Hall of Fame. Venues considered for this accolade have achieved a level of cultural significance as well as demonstrating longevity in an industry often categorized as transient.
    The Eat Drink Design Awards are organized by Architecture Media (publisher of ArchitectureAu).
    The Eat Drink Design Awards are endorsed by the Australian Institute of Architects and the Design Institute of Australia. More

  • in

    Apartments approved within Bulimba Barracks masterplan

    The transformation of Brisbane’s historic Bulimba Barracks has progressed following Brisbane City Council’s approval of an apartment complex within the 21-hectare riverside precinct.
    The Apollo Road Apartments form part of the first stage of the site’s masterplan, designed by Buchan for the Shayer Group. This stage also includes the adaptive reuse of the heritage-listed fabrication shed and the construction of a new riverside pavillion, both of which were approved for development in May this year.
    According to a release from Buchan, “The two- and three-storey multi-residential complex … will offer superior amenity with its waterside location, shared recreation spaces and adjacency to the fabrication shed, [which] is set to become a community hub that will put retail and hospitality on the residents’ doorstep.”

    View gallery

    Buchan principal and project lead Lynn Van Dievoort said the design of the two apartment buildings – which are proposed directly to the west of the shed, on the footprint of the former WWII warehouses – speaks to the site’s rich history as well as Brisbane’s sub-tropical climate.
    “Planning for the two buildings prioritised fresh air, natural light and green space for residents,” she said. “The design draws on the site’s industrial heritage, with curved forms and brickwork referencing a former soap and candle factory dating back to the 1880s.”
    The two apartment buildings together contain 69 one-, two- and three-bed dwellings, and are separated by a communal courtyard.

    View gallery

    “Taking inspiration from the vernacular Queenslander, the communal courtyard acts as a front verandah for residents to gather,” Van Dievoort said. “Residents will also have private outdoor space, with sheltered balconies and terraces on the upper-level and apartments and courtyard gardens at ground level, enabling indoor and outdoor living attuned to the climate.”
    The apartment complex will be connected to the riverfront parkland and to the fabrication shed via a landscaped pedestrian laneway, which is designed to host community gardens, play spaces and public art.
    Future plans for the precinct include further multi-residential development ranging from two storeys at the site’s edges up to five storeys high in the site’s centre.

    View gallery

    Van Dievoort said the approval of the Apollo Road Apartments marks the start of new era for Bulimba, noting that the project “will set a benchmark for future developments in the Bulimba Barracks precinct as it evolves into a vibrant new neighbourhood.” More

  • in

    Simone Bliss: Trusting the chaos

    Designers are increasingly turning to strategies of reduce, reuse and recycle in response to the environmental crisis. In this episode of Design Speaks Weekly, Emily Wong, editor of Landscape Australia, is joined by landscape architect and creative director of SBLA Studio Simone Bliss to discuss rethinking the design process in the face of the climate crisis.
    Drawing on SBLA Studio’s work on the landscape design of Richmond High School – a project that integrated a significant amount of onsite materials – Simone reflects on the value of open-ended design: a process that embraces uncertainty and imperfection.

    During the conversation, Simone remarks that built environment professionals need to start integrating reuse into design philosophy more consistently, alongside a willingness to relinquish control over detail. With Richmond High School, she explains, the team explored the idea that not everything has to be perfectly finished or fully resolved. Instead, the design intentionally leaves space for things to evolve through found materials.

    Design Speaks Weekly is presented in partnership with the Australian Institute of Architects and with support from Lysaght. A fresh episode will be delivered every Tuesday. You can listen to it on major podcast apps, including Apple Podcasts, Spotify, Amazon Music and Pocket Casts. More

  • in

    Seven-building mixed-use development proposed in Canberra

    A development application has been submitted for the masterplan and first stage of a major mixed-use precinct on a 1.8-hectare site in Canberra’s inner-north.
    The site of the proposed development is the Dickson Tradies site in the suburb of Dickson, currently occupied by the Canberra Tradesmen’s Union Club building. Established in 1964, the club has long served as a community venue offering hospitality, entertainment and fitness services. The club will continue to operate on site, but will relocate into a newly constructed building as part of the staged redevelopment.
    Stewart Architecture was invited to participate in a design competition for the site and was later commissioned to prepare the masterplan and development application design. The broader consultant team includes environmental consultant Finding Infinity, Colliers, Arcadia Landscape Architecture, Neuron and Sellick Consultants. The design was also informed by Connecting with Country workshops, undertaken with Ngunnawal Elder Aunty Violet Sheridan.

    View gallery

    The overarching proposal – known as The Green at Dickson – features seven architecturally distinct buildings that will collectively accommodate 645 residential dwellings, 5,000 square metres of commercial, retail and dining spaces, and 4,400 square metres of new club facilities. The proposed buildings are arranged around the Dickson Green, an open green space held at the centre of the site.
    In a communique, Stewart Architecture has characterised the design as being “landscape-led,” with a strong focus on public realm and walkability. The masterplan includes a series of laneways and pedestrian streets, along with the naturalisation of Sullivan’s Creek, which currently runs through a concrete stormwater drain on the site. The central green space will be oriented towards the creek, with a public promenade running alongside it.

    View gallery

    The communique outlines the plan’s sustainability ambitions, developed in collaboration with Finding Infinity. These include water neutrality, zero waste to landfill, a potential anaerobic digestor that would allow the site to process more waste than it produces, a zero-waste retail strategy, and buildings powered by 100 percent renewable energy.
    Environmental strategies also include high wall-to-window ratios to minimise the need for mechanical heating and cooling, as well as energy-saving measures that encourage social interaction – such as shared laundries with large clotheslines on the buildings’ rooftops.
    Stage one of the project will involve the development of Buildings A and B, the demolition of the nursery, gym, squash courts and part of the motel, as well as the naturalisation of Sullivan’s Creek.
    The application is on exhibition until 1 October. More

  • in

    Long-awaited regional library opens on NSW Central Coast

    On the New South Wales Central Coast, Gosford’s new regional library has opened to a design by Sydney-based practice Lahznimmo Architects, who were first awarded the project in 2020.
    Reflecting on the commission, director of Lahznimmo Andrew Nimmo commented, “We knew that the community had been waiting for this library for a very long time so felt certain that the project would proceed posthaste.” However, the effects of the COVID-19 pandemic led to various stumbling blocks, delaying the project’s completion by two years.
    “The fact that the library has been built; true to the original vision, without major compromises, and for the funds available is testament to the determination of a lot of people within council to make it happen,” Nimmo observed. More