Hassell has designed a $70 million, 200-room hotel that will become the first in the new Western Sydney Aerotropolis. Featuring an all-day dining restaurant, a cafe and bar, fitness centre and 580 square metres of meeting and ballroom space, the future hotel will help secure the potential of the burgeoning Sydney city. The international hotel […] More
The Japanese Film Festival (JFF) Fringe returns to Sydney screens this June with an off-season program of contemporary Japanese films exploring matters of art and design.
Presented by the Japan Foundation Sydney, the 2022 season’s program follows the theme of ‘In the Presence of Space,’ featuring a selection of documentaries that survey the intersection of Japanese contemporary art, music and architecture in film.
In acknowledgement of the near-completion of the highly anticipated Sydney Modern project at the Art Gallery of New South Wales, the series spotlights its designers, Japanese architects Kazuyo Sejima and Ryue Nishizawa of SANAA.
Architecture, Time and Kazuyo Sejima, directed by Takashi Homma, is a close examination of Sejima’s creative process from concept to completion. The documentary covers the three and a half years over which Sejima created the new building for Osaka University of Arts.
A Room of Her Own: Rei Naito and Light, directed by Yuko Nakamura, is an appraisal of an immersive artwork, Matrix, constructed in collaboration with SANAA architect Rye Nishizawa at the Teshima Art Museum. The art documentary attempts to get close to the essense of illusive artist Rei Naito, who refuses to be recorded on film, without ever pointing the camera at her.
Architectural film makers Bêka and Lemoine also have two films as part of the festival.
The JFF Fringe launched in 1997, this year marking a quarter of a century of celebration of Japanese film on Australian screens. The festival will run from 24-26 June and each film will screen twice, at Sydney’s Palace Verona or Palace Central.
Click here to view the full program. Tickets are now on sale at the Japanese Film Festival website.
Films
Architecture, Time and Kazuyo Sejima dir. by Takashi Homma (2020)
Tokyo Ride dir. by Bêka and Lemoine (2020)
Moriyama-San dir. by Bêka and Lemoine (2017)
A Room of Her Own: Rei Naito and Light dir. by Yuko Nakamura (2015) More
James Hardie, producer and marketer of high-performance fibre cement and fibre gypsum building solutions, has celebrated the start of construction of its new manufacturing facility with a ceremony in Truganina, Melbourne. James Hardie acknowledges the Kulin nation as the Traditional Owners and custodians of this land and pays respect to Elders past and present. The […] More
The Naomi Milgrom Foundation has announced Bangkok-based practice All Zone has been commissioned to design the 2022 MPavilion.
All Zone is known for its innovative approaches to architecture, particularly in reusing and recycling local materials.
Its notable projects include Thailand’s first contemporary art museum, MAIIAM, in Chiang Mai, completed in 2016, as well as its various installations and exhibitions, such as the “Set the Controls to the Heart of the Sun” installation for the Sharjah Architecture Triennial, and the Marmalade Sky inhalation for Wonderfruit Festival in Thailand.
Its work has also been featured in international exhibitions including New York’s Guggenheim Museum, the Chicago Architecture Biennial 2015, the Vitra Design Museum 2017, Triennale di Milano 2018 and Echigo-Tsumori Triennale 2018.
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Lighthouse The Art of Living Lightly for Chicago Architecture Biennial 2015. Image:
Courtesy All Zone
All Zone design director Rachaporn Choochuey studied at Chulalongkorn University in Bangkok and Columbia University in New York and the University of Tokyo. She has also been appointed Louis I. Kahn Assistant Visiting Professor of Fall’22 at Yale University.
“We [don’t take] the most conventional approach to doing architecture,” Choochuey told ArchitectureAU. “It’s mixed of experiments, sustainability, [being] hands-on and sometimes with an entrepreneurial spirit.
“Small commissions, temporary architecture or even exhibitions are our exercise in experimenting with an idea we have in the moment, and it means we can do a lot of trial and error.
“We are very interested to see how we can build lighter and lighter. I’m questioning the rigidity of architecture and the typology that would allow us to change or modify what we could do with the structure that we have. Where’s the limit?”
Choochuey presented at the Naomi Milgrom Foundation’s 2019 Living Cities Forum.
“Rachaporn’s architectural approach to ‘the art of living lightly’ and creating spaces with people and the environment at the heart of her practice demonstrates how architecture and design can contribute to creating sustainable, equitable cities,” said Naomi Milgrom, who commissioned All Zone for the MPavilion a year after the presentation.
The 2022 MPavilion will be installed in Melbourne’s Queen Victoria Gardens from 17 November.
It coincides wit the 70th anniversary of the establishment of Australia-Thailand diplomatic relations. Thai ambassador to Australia Busadee Santipitaks said, “The Royal Thai Embassy will work closely with MPavilion and the Thai community to promote the spirit of creativity and active engagement as part of our 70th anniversary celebrations.” More
Stewart Architecture has designed a $200 million mixed-use precinct in Canberra in March, located on a key corner of the Northbourne corridor. Plans include the creation of an “urban village,” comprising residential and office buildings, a retail marketplace, community spaces, and restaurants and cafes. Five buildings, varying between six and 16 levels and containing up […] More
Affectionately known as the “roundhouse,” the “champagne cork” and even the “wedding cake,” a well known brutalist landmark in Newcastle’s civic precinct has been added to the State Heritage Register. Designed by practice Romberg and Boyd in association with Wilson and Suters and opened in 1977 , the former City Administration Centre represented an “important […] More
Macarthur Anglican School, a prestige high school in Sydney’s south-west, engaged Mayoh Architects to design a new Integrated Studies Centre. The project came with a brief that specified the materials needed to be tough and as maintenance-free as possible.
The curved, split-level design centres around a landscaped garden, allowing for cross-discipline study so students can interact with one another through the co-location of labs, workshops, classrooms and breakout spaces. One of the highlights of the new building is the seminar room, which includes tiered seating.
The ceiling of the seminar room is Gyprock Rigitone Matrix 8 mm Round. This edge-to-edge product provides excellent acoustic properties, which helps to contain noise between the different learning areas. The tiered seating is bookended by walls clad with Cemintel Barestone complemented by acoustic tiles. The use of Barestone for selected elements of the interior means that the seminar is visually connected with the striking exterior, which also features Barestone (along with Cemintel Surround Blackish), to create a cohesive design.
The project architect, Mayoh’s Jonathan Henley, says there were a lot of acoustic challenges in this building to consider during the design process. “We have timber workshops and metal workshops underneath classrooms, which is great for collaboration between disciplines and staff, but difficult for acoustics,” he says. “You might be having exams or quiet study in one room and then you’d have workshop activity at the same time.”
Acoustic management is always a challenge in a school, especially for STEAM subjects, so Henley relied on CSR products to assist with the acoustics in the new building. With many noisy events occurring throughout the building during the average school day, including the use of industrial machinery, it was important to keep noise transfer to a minimum.
Bradford Insulation was specified for the walls and roof for acoustic and thermal comfort, while Gyprock Ceilings Rigitone Matrix 8 mm Round was chosen to minimize sound transfer between the two levels of the building. The ceilings’ plasterwork was configured around the rooms’ curves, while maintaining acoustic integrity.
Additional acoustic management included Bradford SoundScreen and Acoustigard products behind the Gyprock walls. “We researched the different products and the wall types so we could achieve higher levels of acoustic separation between the different areas,” says Henley.
With air quality a big issue for schools, especially post-COVID, Henley says the design of the new building included provision for cross-ventilation. External louvres can be operated remotely, allowing teachers to open up classrooms to capitalize on external breezes, or close them for heating or cooling via air-conditioning.
Gyprock Ceilings Rigitone was also specified in the classrooms, which is manufactured with Activ’Air technology and has an enduring impact on indoor air quality. Activ’Air was developed by worldwide plasterboard specialist Saint-Gobain. It converts VOCs, particularly formaldehyde, into non-harmful inert compounds that are permanently locked in the board and cannot be released back into the air.
The school is situated on 85 acres, including a working farm for the agricultural students, so Henley says that it was important to specify materials that complemented the surrounding open spaces. “I think that the mix of the dark Surround, the Barestone, and the timber was the aesthetic that we were going for, surrounded by greenery on the inside and the outside, which made the greenery pop,” he says.
CSR Gyprock More
A former medical centre in the Canberra suburb of Belconnen designed by Ken Woolley is facing demolition under an ACT government plan to replace it with a mixed-use development.
The former Kippax Health Centre was the first health centre for west Belconnen. Residents are opposing the demolition as part of the expansion over Holt District Playing Field, which is intended to accommodate retail expansion and make way for a new mixed-use development. The block earmarked to supersede the health centre could see the development of 80 new dwellings.
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Sketch perspective of the proposed Kippax Health Centre, 1974. Image:
Courtesy of the Department of Health
Dissident residents have said that while they are not opposed to the development of the Kippax centre, they have objected to the appropriateness of this particular proposal, which would see the demolition of the revered health building and local playing fields.
“Of course we need community housing but not at the group centre, putting the health centre and playing fields at risk,” said local resident and chair of the Save Kippax Playing Fields Christopher Watson.
Watson has also suggested that the health centre, which operated as a public clinic from 1975 to 2005 before it shut for private practice, be reopened to the public on the grounds that nearby medical facilities do not provide enough access to crucial mental health services.
The ACT Heritage Council declined to list the Woolley building back in February 2022 on the grounds that it was not eligible for provisional registration, thereby paving the way for the rezoning and expansion.
“The Heritage Council is not satisfied on reasonable grounds that the Place is likely to have heritage significance as defined by section 10 of the Heritage Act 2004,” the decision read.
The ACT government then lodged an application for the demolition of the centre as part of a masterplan for the Kippax group centre.
According to the ACT government, community engagement on the Kippax Group Centre Draft Masterplan in early 2016 indicated strong support for the proposed recommendations that included the establishment of a new central hub with new community facilities and a retail expansion for the centre.
Watson has suggested that any submission against the proposed demolition will assist their cause, “no matter how small.” Written and online submissions must be received by the authority by close of business 18 May. More
