More stories

  • in

    Pattern book design competition launches for envisioning future of NSW

    A pattern book design competition has launched, inviting Australian and international architects and architecture students to submit simple-to-build proposals for terrace houses and mid-rise apartment buildings for sites across Sydney and New South Wales.
    The competition objective is to increase the supply of quality and diverse housing through designs that can easily be replicated. The outcome of competition will lead to the creation of a pattern book containing endorsed low- and mid-rise housing designs for guiding development.
    The winning designs will be eligible for an accelarated development approval pathway, enabling homes to be built faster. The successful proposals will additionally be approved for construction on five sites supplied by Homes NSW, Landcom and Sydney Olympic Park.
    Abbie Galvin, the New South Wales government architect, will lead the panel responsible for evaluating the proposals, with other jury members yet to be appointed. The jury will be seeking designs that are liveable, straightforward to build, replicable, cost effective, sustainable and that meet the needs of industry and local communities.
    The competition, first announced in 2023, was officially initiated on 2 July 2024. The first phase will require participants to express their interest in designing a scheme for a terrace house or mid-rise apartment building. Shortlisted nominees will be announced in September 2024, progressing through to the next stage, which involves submitting a detailed design proposal.
    The expression of interest portal will close on 9 August. Competition winners are anticipated to be revealed in November 2024, supplemented by the winning designs which will simultaneously be released to the public.
    The final pattern book is expected to launch in 2025. More

  • in

    Open for inspection: Residences on show for Open House Melbourne 2024

    A Robin Boyd-designed house never before been seen by the public is among the many exceptional homes scheduled to welcome visitors during the 2024 Open House Melbourne Weekend on 27 and 28 July. Wildwood House, completed in 1966, is one of the few remaining houses designed by Robin Boyd during his partnership with Frederick Romberg. […] More

  • in

    Osgemeos Rocked Brazil. Can the Graffiti Twins Take the U.S., Too?

    Their street murals, monumental sculptures, intricate drawings and vivid paintings pop up at Lehmann Maupin gallery on the eve of their Hirshhorn debut.Just inside the door to the studio of the Brazilian artists Osgemeos is a self-portrait.Spray painted onto the concrete wall of the old metal workshop’s entryway, the image shows the identical twins Otávio and Gustavo Pandolfo, 50, standing next to each other, hands at their sides and looking forward. They’re wearing colorful printed clothing, bags slung over their shoulders and baseball caps propped on their heads.Their skin is the same shade of yellow as the other characters they’re known for throughout their art, a nod to the fact that they, too, might be from Tritrez, the fantastical world they explore in their graffiti-style murals, monumental sculptures, intricate drawings and vivid paintings that have for more than three decades rocked their native Brazil.The self-portrait is just a snippet of what’s to come after passing through a small doorway at the back of the room that leads to a work space that allows the twins to create on an enormous scale. Here, preparations are underway for “Endless Story,” their first museum survey of work in the United States. The full-floor presentation will run at the Smithsonian’s Hirshhorn Museum, in Washington, D.C., from Sept. 29 to Aug. 3, 2025, using the circular museum and its outside gardens to showcase some 1,000 artworks, photographs and archival materials.One of the brothers’ imposing sculptures, wrapped in black plastic so it can be shipped for the exhibition, hangs from chains on the sweeping ceiling and another is tucked away in a corner, a smidgen of what looks like a subway car visible.Under the studio’s mezzanine sits a model of the Hirshhorn, miniature versions of paintings and a photo of the pair as teenage B-boys placed on tiny gallery walls as the brothers decide where they should go. Working with Marina Isgro, the curator, has been a massive undertaking — not only do the artists have to select pieces they’ve done since art became their profession, but they also have to comb through the thousands of drawings their mother saved that they did as boys. Some depict sketches of cars and fire trucks, while others are an attempt to explain to their parents the importance of Tritrez to their journey.That magical world is also the focus of a solo exhibition at Lehmann Maupin gallery in New York. “Cultivating Dreams,” their sixth solo show with the gallery, runs through Aug. 16 and features 13 new paintings and an immersive installation, taking visitors through Tritrez, a dreamworld they first started drawing when they were just five years old.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Living Cities Forum announces first keynote speakers for 2024

    Living Cities Forum will return in September with another one-day conference themed “Common Interests”. In 2024 the conference will be held in both Melbourne and Sydney. The theme focuses on public spaces and challenges keynote speakers to showcase progressive ideas and solutions for the future of cities. Four international speakers have been announced. They include: […] More

  • in

    A 60-storey hotel designed by Kerry Hill Architects proposed for Sydney CBD

    A proposal to establish a 60-storey hotel in Sydney’s CBD has been filed, following an architectural competition won by Kerry Hill Architects. The proposed building, to be sited at 372-382 Pitt Street, would be mixed-use, accomodating a 517-room hotel and retail tenancies. The design proposal is the outcome of design excellence competition, for which Kerry […] More

  • in

    Melbourne’s built treasures set to amaze during Open House Melbourne 2024

    The 2024 Open House Melbourne Weekend encourages Victorians to rediscover their city – all the places they never knew existed and all the homes they’ve always been curious to step inside.
    This year’s program will host more than 170 experiences between 27 and 28 July. As always the weekend will include visits to spaces not normally open to the general public and captivating buildings, both new and old.

    View gallery

    The Koorie Heritage Trust by Lyons, Greenaway Architects and Architecture Associates. Image: Supplied

    Some program highlights include Naarm Ngarrgu Library by Six Degrees Architects; the Australian Centre of Contemporary Art by Wood Marsh; the Koorie Heritage Trust by Lyons, Greenaway Architects and Architecture Associates; a forest land artwork by Agnes Denes at a water treatment facility not open to the public; 116 Rokeby, an 11-storey commercial tower designed by Carr; the Melbourne Holocaust Museum by Kerstin Thompson Architects (KTA), and a walk-through of the forthcoming Greenline project with the design team: TCL and Aspect Studios.
    In celebration of the 75th anniversary of the beloved Peter MacCallum Cancer Centre, designed by Silver Thomas Hanley, Design Inc and McBride Charles Ryan, a special behind-the-scenes tour of the building will be held.

    View gallery

    The Peter MacCallum Cancer Centre, designed by Silver Thomas Hanley, DesignInc and McBride Charles Ryan. Image: Supplied

    The doors to well-designed homes of all typologies and ages will also be unlocked. Some residences set to throw open their doors include Wildwood House by Robin Boyd, which has never before been open to the public; Armadale House by Neeson Murcutt Neille; Living Around a Courtyard by Rush Wright Associates; Nightingale Preston by Nightingale Housing, and four multi-residential projects in Fitzroy, designed by KTA.
    Tania Davidge, the executive director and chief curator of Open House Melbourne, said that this year’s theme, Rediscover your City, is designed to prompt Victorians to see Melbourne in a new light.
    “Open House Melbourne Weekend is a chance for the curious at heart and lovers of architecture to discover new places and spaces in their city, to re-examine what they have perhaps overlooked and reconnect with beloved favourites. This year, we celebrate the 50th Anniversary of the Victorian Heritage Register, an important milestone for the many significant places and objects protected by the register, many of which are in this year’s program,” said Davidge.
    “Open House Melbourne’s 2024 program of events, talks and tours underscore the importance of good design in shaping our community, with some of the country’s most celebrated designers and architects, photographers and artists generously sharing their knowledge.”
    Other experiences on the bill include a Designing with a Country panel presented by Yulendj Weelam Design Research Lab from RMIT’s School of Architecture and Urban Design, a documentary screening about the life and career of Australian architecture Gold Medalist Maggie Edmond, and a heritage address by esteemed architectural photographer John Gollings.
    Approximately 60,000 people are anticipated to attend the weekend. The full program is now on the Open House Melbourne website. Tickets will be released on 3 and 6 July. More

  • in

    Winning design for Queensland’s Suttons Beach precinct revealed

    The winning consortium for the design of the new Suttons Beach Public Space on Queensland’s Redcliffe Peninsula has been announced, following a national two-stage competition.
    After its launch in October 2023, the competition – commissioned by City of Moreton Bay and overseen by Citylab – received more than 116 expressions of interest. Twenty five of those nominations progressed to stage one, with three shortlisted.
    A proposal by Lahznimmo Architects with Plummer and Smith was unanimously selected by a jury comprising Amy Degenhart (the Australian Institute of Architects Queensland chapter president), Graham Burrows (director of Jackson Clements Burrows), Leah Lang (Queensland Government Architect), Nathalie Ward (director of Lat Studios), and Paul Cunningham (client project director at Moreton Bay City Council).
    Lahznimmo Architects director Annabel Lahz said they wanted to create a contemporary pavilion that was not only responsive to its context but acknowledged the history of Suttons Beach, as well as the social and cultural significance of the site for the community.

    View gallery

    A key design driver was to create a diverse range of spaces for the public to gather in. Image:

    Lahznimmo Architects with Plummer and Smith

    “Our response has been to use the new pavilion to stitch together a legible pedestrian network with enhanced accessible paths around the site and up to Marine Parade. The architecture of the pavilion through the use of a two storey colonnade, reinforces these new pathway connections, drawing park users through and around the building,” Lahz said.
    “Another key design driver was to create a diverse range of spaces for the public to gather in: from the upper rooftop deck with views over the park and bay to covered seating in the colonnade and landscape as well as in the new rotunda.
    “Whilst we appreciated the significance that the original art deco pavilion had for the community, we didn’t want to just replicate what was already there. Instead our design takes some clues from the original pavilion’s expression such as its curved corners, strong horizontal lines and concrete roof deck and integrates these into a contemporary beach pavilion.”
    The winning proposal is designed to be versatile with options for sheltered seating, seating open to the elements and public areas that could accommodate events or temporary art installations. Plans show the heritage stairs located on the site have been transformed into a prominent feature, with the introduction of a vibrant flower bed and connections to a new public deck on the upper level of the pavilion that offers views of the bay and surrounding parklands.

    View gallery

    Queensland Government Architect Leah Lang said the winning design features “a joyful interpretation of the much-loved existing rotunda.” Image:

    Lahznimmo Architects with Plummer and Smith

    Queensland Government Architect Leah Lang said the winning design demonstrated an in-depth understanding of the historical and cultural significance of the site, which was integrated in both the architectural and landscape design. “They sought to revitalise the space by bolstering commercial viability, accessibility, social connections, and a versatile landscape design for everyday activities and events,” she said.
    “The reverse rotunda concept was inspiring and is a joyful interpretation of the much-loved existing rotunda providing a valuable space within the landscape that is welcoming and increases accessibility,” Lang said. More

  • in

    Scandinavian design brand makes its way to Australia with unveiling of debut store

    Contemporary Scandinavian design brand Bolia has marked its Australian debut with the unveiling of its first store in Melbourne’s Richmond.
    The new store features a creative space called the Design Atelier, where clients can receive personalised guidance on selecting materials, textures and colours for custom and bespoke furniture pieces. Curated mood boards, material samples and lookbooks stored within the Design Atelier provide clients with access to ideas and inspiration and enables them to visualise a space.
    Bolia is a Danish design company with a global presence. The company operates 88 stores across 12 countries. Despite its prominent presence, the brand remains dedicated to positioning sustainability at the core of its values and operations. This commitment involves striving for a reduced environmental footprint and embodying the principles of a responsible business. Bolia is committed to creating quality products that last, with the design house offering a 10-year warranty on their pieces – a move they say encourages consumers to “buy less, but better.”

    View gallery

    The new store features a creative space called the Design Atelier, where clients can receive personalised guidance on selecting materials and colours for custom and bespoke furniture pieces. Image: Supplied

    Beyond sustainability, the brand prioritises collaboration and designer diversity. “At Bolia, we believe that fresh perspectives pave the way for change, and that creativity thrives on diversity, curiosity, openness, and collaboration. This is why our design collective includes more than 60 talented designers, from 19 countries around the world – all with a shared passion for sustainable ideas and New Scandinavian Design,” said Bolia CEO Lars Lyse Hansen.
    Although Bolia is new to the Australian market, the brand already has strong ties to Australian design. Emily Broom, an Australian designer based in Copenhagen, clinched the Bolia Design Award in 2020 for her design, the Zen rug. This successful outcome led to two collaborative design series being produced by Broom and Bolia – both series are now featured as part of the collection.
    “We can’t wait to share our passion for timeless, long-lasting design with Australian customers, and to give them a warm welcome to our creative universe,” said Hansen.
    Bolia’s collection comprises both indoor and outdoor settings and objects. Their first Australian store is now open at 620 Church St, Richmond. To find out more about the brand and its collection, visit the Bolia website. More