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    Adelaide Festival Centre’s Western Plaza slated for $35-million upgrade

    The Adelaide Festival Centre’s Western Plaza is set to undergo a $35-million transformation to improve accessibility and circulation around the precinct. Officially opened by then-prime minister Gough Whitlam on 2 June 1973, the original centre – designed by John Morphett of Hassell and Partners – was added to the SA Heritage Register in 1997. The […] More

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    A Glimpse Inside a Devastated Gaza

    For a few fleeting moments, the two-story house on the edge of Bureij, a ruined town in central Gaza, still felt like a Palestinian home.Bottles of nail polish, perfume and hair gel stood untouched on a shelf. A collection of fridge magnets decorated the frame of a mirror. Through a window, one could see laundry, hanging from a neighbor’s washing line, swaying in the gentle breeze.But despite the trappings of home, the house now has a new function — as a makeshift Israeli military barracks.Since Israeli ground forces recently fought their way into this part of central Gaza, a unit from the military’s 188th Brigade has taken over the building, using it as a dormitory, storeroom and lookout point.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    Silica-free alternative to engineered stone confirmed by university researchers

    University of Adelaide researchers have verified a new product manufactured by Silksurface as being a silica-free alternative to engineered stone. Silksurface began investigating safer alternatives to engineered stone prior to the recent announcement that the use, supply and manufacturing of engineered stone will be prohibited in Australia from 1 July 2024. “Today, we can confirm […] More

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    Proposed site revealed for $20-million Kangaroo Island art museum

    A prospective site for the proposed $20-million Art Museum of Kangaroo Island (AMKI) in South Australia has been revealed. The AMKI Establishment Association has announced that it intends to secure a block outside Kingscote, overlooking the Bay of Shoals. The association aims to obtain the site within the next few months before commencing final designs. […] More

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    Finalists revealed for Parramatta Riverside Theatres design competition

    Five architectural teams have been shortlisted as finalists in a Design Excellence Competition for the $180-million redevelopment of Riverside Theatres on the banks of Sydney’s Parramatta River.
    The City of Parramatta approved the business case for the redevelopment in January 2023 and, in August, launched a design competition that permitted international architects and designers to be part of an Australian-led design team.

    The redevelopment will feature a new 1,350 to 1,400-seat lyric theatre, a refurbished 760-seat riverside playhouse theatre, a new 430-seat multi-mode drama theatre, and an 80 to 90-seat digital studio and cinema. The venue will have more than double the capacity of the existing theatre.

    The five shortlisted design teams are:

    ARM Architecture (lead architect and urban design) with UN Studio (architecture and urban design), Aspect (landscape architecture), FCAD (designing with Country and emerging practice), Supermanoeuvre (architecture) and Second Edition (architecture and emerging practice)
    Cox (lead architect and urban design) with 3XN Studio (architecture), Turf (landscape architecture), Bangawarra (designing with Country) and Aileen Sage (architecture and emerging practice)
    Durbach Block Jaggers Architects (lead architect) with Openwork (urban design and landscape architecture), Jiwah (landscape architecture and designing with Country), Retallack Thompson Architects (architecture and emerging practice), Schuler Shook (theatre planning/venue design), Finding Infinity (sustainability) and Suzie Miller (advisor)
    Wardle (lead architect and urban design) with REX (architecture), Billy Maynard (architecture and emerging practice), Sue Barnsley Design (landscape architecture), WSP (designing with Country), Charcoalblue (theatre planning/venue design) and Eckersley O’Callaghan (structural engineering)
    Tonkin Zulaikha Greer (lead architect) with Spackman Mossop Michaels (landscape architecture and urban design), Sibling Architecture (architecture and emerging practice), Djinjama (designing with Country), and Atelier Ten (sustainability).

    City of Parramatta lord mayor Pierre Esber said each of the five finalists had presented the council with the kind of “ingenuity, innovation, imagination, creativity and design talent” they were hoping to see.

    “This is more than another performing arts centre – this will be the heart of arts and culture of Greater Sydney, so we want to find the best,” Esber said.

    “Our city is committed to the development of Parramatta as a destination and thriving cultural precinct. Through major cultural projects like this, we are pushing the boundaries to make the reimagined Riverside Theatres the next great stage Australian and international performers will be lining up to perform on.

    “The Riverside Theatres redevelopment will be a major piece of the growing Parramatta’s night-time economy – helping to further boost our local economy by encouraging more to visit and take in some of the best stage shows in Australia.”

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    Indicative render of the redevelopment of Parramatta Riverside Theatres. Image:

    City of Parramatta

    The design competition jury comprises Abbie Galvin (New South Wales government architect and chair), Jefa Greenaway (director of Greenaway Architects), Craig McMaster (theatre director of Riverside Theatres), Kerry Clare (director of Clare Design) and Oi Choong (founding director of Context Landscape Design).
    “Design competitions provide us the privilege of hearing from the deep and diverse talent in the design industry,” jury chair Abbie Galvin said. “The selected teams are clever, thoughtful and highly creative – and we anticipate some delightful responses for this important community facility.”

    A concept reference design was approved by the City of Parramatta in May 2022. The project is expected to commence in 2024. More

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    Five much-anticipated future buildings of 2024

    With every new year comes the delivery of new projects. Here are the major projects we are eager to see in completed condition this 2024:
    Australian Opal Centre by Glenn Murcutt, Wendy Lewin, and Dunn and Hillam

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    Australian Opal Centre by Glenn Murcutt, Wendy Lewin, and Dunn and Hillam. Image:

    Dunn and Hillam

    Stage one of the Australian Opal Centre – a $34-million museum that will house a comprehensive collection of gems and other buried treasures found in Australia’s opal fields – is set to open in late 2024. Designed by Wendy Lewin in collaboration with Dunn and Hillam, and based on an initial concept by Wendy Lewin and Pritzker Prize laureate Glenn Murcutt, the building will be sited adjacent to a former opal-mining site in Lightning Ridge, New South Wales. It will feature subterranean volumes that will lead visitors deep into the earth, presenting stories of miners, machinery, fossils, and of course the opals themselves.
    Queensland Performing Arts Centre by Blight Rayner and Snøhetta

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    New Queensland performing arts venue by Blight Rayner and Snøhetta. Image:

    Blight Rayner and Snøhetta

    This new $150-million theatre in Brisbane’s Southbank is set to become the largest performing arts centre in Australia. The competition winners, Norwegian practice Snøhetta and Brisbane firm Blight Rayner Architecture, vied against 23 other outfits to be crowned design team for the significant cultural project. Their winning design features a glass facade, two new studio spaces and glazed foyer spaces, as well as interwoven references to the region’s First Nations people. The project has taken considerably longer than was first forecast, with initial predictions that it would be completed in 2022.
    Barangaroo Pavilion by Spresser and Peter Besley

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    Barangaroo Pavilion by Spresser and Peter Besley and Arup. Image:

    Spresser and Peter Besley

    The result of another design competition, the Barangaroo Pavilion at Watermans Cove is an eagerly awaited project – especially given that one of the primary materials in the composition is local oyster shells. The shells, found locally in Sydney, will be transformed into white “oyster concrete” and used as an essential constituent in 123 columns. The pavilion will also feature a landscaped rooftop garden to provide shade over the meeting place and events space. Architect Jessica Spresser, of the eponymous Brisbane studio Spresser, designed the project in conjunction with fellow architect Peter Besley and Arup.
    Sydney Metro by Foster and Partners, and Architectus

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    Proposed Sydney Metro station at Pitt Street to be designed by Foster and Partners and Architectus. Image:

    Courtesy Transport for NSW

    Sydney commuters will rejoice when six new metro train stations, including Crows Nest, Victoria Cross, Barangaroo, Martin Place, Pitt Street and Waterloo, commence services in 2024. Latest government communiques have revealed that station works are expected to be completed early in 2024, with Victoria Cross slated as the first station to open. Each station has been designed to be more accessible and inclusive than existing stations by integrating level access between platforms and trains. The 15.5-kilometre Sydney Metro City section of the project received planning approval in January 2017.
    Powerhouse Museum Building J by Lahznimmo Architects

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    Building J at Museums Discovery Centre, designed by Lahznimmo Architects. Image:

    Lahznimmo Architects

    The $30-million dollar expansion of Powerhouse Museum’s storage facility and discovery centre in north-west Sydney is complete, but has yet to meet fire regulations – resulting in a delayed opening. Lahznimmo Architects was engaged to bring Building J to life, enabling the Powerhouse Museum to expand its public education programs, workshops, exhibitions and events. According to the design statement, the overall form of the structure is simple and industrial in nature, with a facade that tilts, folds and peels to create openings. More

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    Fresh Finds: product highlights from Houses 155

    Oyster Sconce Made in Australia, this ceramic wall light by Robert Gordon Interiors features a delicate fluted shell and is available in five glaze colours. Carved and crafted by skilled hands, each piece is unique in colour, shade and size because of the natural characteristics of clay. Visit website Hay Colour Crate Hay Colour Crates […] More

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    Plans revealed for Adelaide’s tallest building

    A $400-million, 37-storey skyscraper has been proposed for Adelaide’s CBD – in what could become the city’s tallest tower at 183 metres.
    A development application was submitted on 30 October by the Freemasons Hall Trust for the site behind the heritage-listed 1927 Freemasons Grand Lodge at 254 North Terrace. Project plans were listed on the public developments register this December. According to planning documents, the historic lodge will remain on the site, with more than 80 percent of the building to be retained. The Great Hall, at the rear, is proposed for demolition.

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    A development application was submitted by the Freemasons Hall Trust for the site behind the heritage-listed 1927 Freemasons Grand Lodge at 254 North Terrace. Image:

    Walter Brooke

    Designed by Walter Brooke, the proposed tower features a 240-room hotel, office spaces, a business lounge, a function area, a pool, an observatory with 360-degree views of the city, and a wellness centre. The tower has also been proposed as the site of a new museum of South Australian history, with reports that plans for the museum will be submitted later this year.

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    If constructed, Freemasons would retain partial ownership of the building, with the objective being to increase their annual donations to not-for-profit organizations. Image:

    Walter Brooke

    If constructed, Freemasons would retain partial ownership of the building, with the objective being to increase their annual donations to not-for-profit organizations from $2.9 million to $5 million.
    According to the Keystone Adelaide website, the project has involved contributions from not only Walter Brooke, but Arup, Future Urban, Hosking Willis Architecture, the History Trust of South Australia, Adelaide City Council, and Michael Baragwanath.
    To find out more about the plans, visit the website. More