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      Parallel Fields of Color Align in Daniel Mullen’s Precise Mathematical Paintings

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      Art
      #abstract
      #acrylic
      #color
      #geometric
      #paintingDecember 7, 2021Grace Ebert“Future Monuments 10.” All images © Daniel Mullen, shared with permissionWhat are the visual impacts of converging planes of color? This question is central to Scottish artist Daniel Mullen’s most recent series of paintings, which displays stacks of thin, rectangular sheets in exacting, abstract structures. “I am looking more at Rothko’s body of work and studying the vibrations of color and the almost alchemic effect that his work has on the sense,” the Rotterdam-based artist tells Colossal.Comprised of meticulous angles and lines on linen, the acrylic paintings are studies of precision, geometry, and perception, allowing each element to collide in a mathematically aligned composition. Mullen’s process involves measuring and taping the individual planes before laying the slight, translucent marks. “In this way, the work is built up slowly over time, incorporating irregularities, brush strokes, and bleeding paint into a work that breathes, floats, and expands through the energy of color,” he says, explaining further:The forms might seem to reference glass panels or other architectural configurations but that is only the scaffolding for the viewer to locate themselves within. Beyond that initial shape is an attempt to move towards a perception of ekstasis; or the vibrant energy of the universe, imaginary and unmapped. One that questions the symbols of power and place in today’s fast-paced, heavily digitized environments.The pieces shown here follow Mullen’s collaborative synesthesia series that translates non-visual senses to the canvas—he and artist Lucy Cordes Engelman will be working more on this concept during a residency in upstate New York early next year. You can follow updates to that body of work and explore more of his recent paintings on Instagram.“Future Monuments 16”“Synesthesia 85”“Future Monuments 21”“Synesthesia 64”“Future Monuments 37”“Future Monuments 43”
      #abstract
      #acrylic
      #color
      #geometric
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      Illuminated Dinosaurs Stalk Paris’s Jardin des Plantes in a Spectacular Journey Through Time

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      Art
      #dinosaurs
      #immersive
      #lightDecember 6, 2021Grace EbertAll images © China Light Festival B.V.& Sichuan Tianyu Culture Communication Co., Ltd, shared with permissionTrilobites, luminous flying raptors, and a T-Rex towering 27 meters above the ground are just a few of the otherworldly creatures currently haunting the grounds of the Jardin des Plantes. The massive organisms are the subjects of a fantastic exhibition now on view at the Paris venue that takes viewers on a spectacular journey of development and biodiversity through the ages.Populated by hand-painted silk sculptures crafted by the Sichuan-based company China Lights, Evolution on a Path to Enlightenment opens about 3,700 million years ago with the Precambrian era’s marine creatures. The walkable, outdoor show then ventures into the early terrestrial environment of the Paleozoic period, greets the dinosaurs of the Jurassic and Cretaceous ages—this segment includes fanciful renditions of well-recognized creatures like the stegosaurs and velociraptor, all of which are based on research from paleontologists from the National Museum of National History—before closing with the birds and mammals that remain today.Visit the botanical garden before January 30, 2022, to explore life 600 million years ago or take a virtual tour in the video below.
      #dinosaurs
      #immersive
      #lightDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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      Cut from Found Feathers, Minuscule Silhouettes Become Intricate Symbolic Works

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      Art
      #birds
      #feathersDecember 3, 2021Grace Ebert“Gull Flight” All images © Chris Maynard, shared with permissionEquipped with surgical knives and scissors, artist Chris Maynard (previously) carefully slices exquisite silhouettes of birds, people, and tiny stars from individual feathers. He cuts the naturally shed materials, which come from private aviaries and zoos, into metaphorical scenes of change and transformation: figures hatch from eggs, a flock of seagulls flies into a perfectly round arc, and still developing chicks nestle into the barbs. “Feathers are symbols of our aspirations,” the artist tells Colossal. “Like a lot of us, I want to fly but I can’t, so I use feathers to try to capture an essence of flight.”To see how Maynard extracts such intricate shapes, head to his Instagram where he shares more about his process and a variety of recent works.“Journey”“Acorn Woodpecker”Top: “Worm Food.” Bottom left: “Entwine.” Bottom right: “Goodbye”“Undulation Reflection”“Another Creation Story”“Embryo III Flight Training”
      #birds
      #feathersDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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      Bars of Light Pierce a Dilapidated Sydney-Area Home in Ian Strange’s Illuminated Intervention

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      Art
      #architecture
      #installation
      #light
      #public art
      #site-specific
      #street artDecember 3, 2021Grace EbertAll images © Ian Strange, shared with permissionTagged with graffiti and marred by a chipped facade, a stately Victorian home in a Sydney suburb is the site of a brilliant site-specific installation by artist Ian Strange. “Light Intersections II” uses angled beams of light to impale the derelict structure and permeate outer walls, windows, and the ornate, metallic railing on the second-floor balcony. Illuminating the battered building, Strange’s monumental public work is one of his many projects that explores ideas of home through architectural interventions.The artist, who lives between Melbourne and Brooklyn, relies on the concepts of drawing to inform much of his practice, with a particular focus on how single marks alter perspectives and affect understandings of the material world. He explains:The lines of light in ‘Intersections’ are an attempt to place abstracted perspective lines back into the environment. These drawn perspective lines don’t appear in nature, but are staples in both painting, drawing, and architecture, used as a way of containing, representing, and changing the natural environment.Commissioned by the City of Sydney, “Light Intersections II” follows the artist’s 2019 project that installed a similar concept throughout the galleries and around the perimeter of Melbourne’s Lyon Housemuseum. Watch the video below for a tour of the radiant home, and explore more of Strange’s work on Instagram. (via Street Art News)
      #architecture
      #installation
      #light
      #public art
      #site-specific
      #street artDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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      Canning the Sunset: Hundreds of Jars of Dyed Sand Preserve the Swirling Colors of a Skyline Before Dusk

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      Art
      Craft
      #sand
      #sky
      #sunsetDecember 2, 2021Grace EbertAll images © Carly Glovinski, shared with permissionThere’s a human impulse to preserve life’s blissful moments—a quick scroll through your camera roll will probably give you plenty of evidence—one Carly Glovinski gives into by bottling up the rich, swirling gradients the cloak the sky at day’s end. Her ongoing Canning the Sunset project, which the New Hampshire-born artist began in March of 2020, layers hand-colored sand in reused glass jars to capture the last hours of light before they descend into dusk.Now stored in hundreds of vessels in various shapes and sizes, the grainy compositions range from subtle pastel palettes to vibrant oranges and yellows, rationing the short-lived hues “for times of scarcity,” Glovinski says. “The sunset marks the sky with color in a fleeting moment each day, slipping down behind the horizon like grains of sand through an hourglass. To try and capture it, contain it, or possess it is a futile, and impossible gesture. ”Canning the Sunset is on view through December 4 at Untitled Art Fair Miami with Morgan Lehman Gallery, and Glovinski shares more of her paintings, sculptures, and other projects on Instagram. You also might enjoy these calming sunrises by Sho Shibuya.
      #sand
      #sky
      #sunsetDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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      Vintage Fabrics Encase Ceramic Shards in Zoë Hillyard’s Mended Pottery

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      Art
      Craft
      #ceramics
      #found objects
      #pottery
      #silk
      #textilesDecember 2, 2021Grace Ebert“Spring Vase” (2017), silk, linen, ceramic, and thread, 28 x 17 centimeters. All images © Zoë Hillyard, shared with permissionBirmingham, U.K.-based artist Zoë Hillyard revitalizes shattered vases and bowls by melding traditional craft techniques. She wraps a mishmash of vintage silks and fabrics around individual ceramic shards, binding the broken pieces with tightly stitched thread. Appearing glazed with antique florals and other ornate motifs, the patchwork forms contrast the original shape of the pottery with the newly mended exterior, a reconfigured finish that’s commonly disrupted by missing pieces and jagged edges.Gathering the source materials from ceramicists’ reject piles or by receiving broken family heirlooms for commissions, Hillyard works with the initial shape and purpose in mind. She says:Like archaeological treasures, they display imperfections in the form of holes and irregularity, and all the more interesting for them. Each piece is unique in terms of the combinations of materials used, the pattern of breakage, the impact of colour and print and aesthetic decisions made during reconstruction.Hillyard’s body of work is replete with metaphorical and physical tension and contrast between the old and new. Although the pieces appear delicate and light like the fabrics that envelop their sides, they retain the heftiness and weight of clay and are warmer to the touch than a porcelain vessel, for example. “Most surprisingly, they often have a subtle flex, disconcerting when contrasted with traditional ‘solid’ forms of ceramic repair,” the artist shares. “I enjoy these ambiguities, with the work challenging expectations and conventional definitions.”In addition to her practice, Hillyard teaches textile design at Birmingham City University. She currently has pieces at Contemporary Applied Arts in London and will show new works in June 2022 at The Pool House Gallery in Gloucestershire. Until then, explore more of her process and mended projects on Instagram. (via Women’s Art)“Shard Vase” (2016), silk, ceramic, and thread, 35 x 25 centimetersDetail of “Spring Vase” (2017), silk, linen, ceramic, and thread, 28 x 17 centimeters“Gestalt Vase” (2019), silk, ceramic, and thread“White Patch Vase” (2017), silk, ceramic, and thread, 35 x 21centimeters“Birdseye Vase” (2016), silk, ceramic, and thread, 45 x 27 centimeters“Katharina Klug Kimono Bowl” (2017), 14.5 x 27 centimeters“Stormy Vase” (2017), silk, ceramic, and thread, 25 x 20 centimeters
      #ceramics
      #found objects
      #pottery
      #silk
      #textilesDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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      Meticulous Sculptures by Artist Carol Long Highlight the Curved Lines and Colorful Embellishments Found in Nature

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      Art
      Craft
      #animals
      #ceramics
      #insects
      #plants
      #potteryNovember 30, 2021Grace EbertAll images © Carol Long, shared with permissionHonoring the humble shape of the vessel is at the center of Carol Long’s practice. From her studio in rural Kansas, the artist throws simple ceramic cylinders that she contorts into supple butterfly wings,  curved chrysalises, or vases with embellished handles.“When it comes off the potter’s wheel, that’s just the beginning,” she tells Colossal. “I usually sit for a second and look at the piece and see which way I can push it out or in.”The resulting forms are evocative of both flora and fauna and traditional pottery, although Long’s sculptures emphasize smooth, sinuous walls and squiggly bases rather than angled edges. She uses slip trailing to add tactile decorative elements to the piece like small spheres, handles, or raised linework. “The relationship between the glazes that are inside the vectors, the shapes made by the slip trailing, are really important in how they’re divided and how they sit next to each other,” she says, noting that the process is particularly meticulous because it involves applying the material to each intricate, ribbed pattern and delicate outline.Whether a vase or wide-mouthed jar, the whimsical sculptures are brimming with color and textured details. “I love the flowing lines, and I love the idea of framing a picture on my pots. A lot of times I have a focal point like an animal or insect and then I’ve framed it with other designs,” the artist says.Long is hosting an annual open house at her studio next month and will show a body of work at Charlie Cummings Gallery in July of 2022. Until then, shop available pieces on Etsy—she also has an update slated for mid-December—and follow her latest pieces on Instagram. (via Women’s Art)
      #animals
      #ceramics
      #insects
      #plants
      #potteryDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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      Loose Threads Dangle from Bizarrely Expressive Portraits Sewn by Yoon Ji Seon

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      Art
      Photography
      #fiber art
      #humor
      #portraits
      #sewing
      #threadNovember 30, 2021Grace Ebert“Rag face #21004” (2021), sewing on fabric and photography, 112 x 73 centimeters. All images © Yoon Ji Seon, courtesy of CRAIC AM, shared with permissionThe cheeky, uncanny works that comprise Yoon Ji Seon’s ongoing Rag Face series bring the knotted, twisting, and generally convoluted entanglements of a subject’s psyche to the forefront. Her photographic portraits are printed on roughly cut pieces of canvases and then overlaid with rows of tight stitches and loose strings that drip from an eye or loop across a face. Adding color and depth, the threads “can be seen or felt like internal conflicts, external stimuli, umbilical cord, blood vessels, sagging skin, hair, or time as a point of each viewer,” the artist says.Zany and outlandish in expression, the portraits are a playful mix of confusion and jest that Yoon derives from traditional Korean comedies, called madangnori. Those performances consider “the suffering and reality of the people through humor and satire while arousing the excitement of onlookers,” she says, explaining further:I think what I’m doing these days is to make (an) ‘image’ of these comedies. What I want to pursue through my work is ‘humor’ in the end, but this humor does not bloom in happiness. During intense, painful, and chaotic lives, humor can be like a comma, to relax and recharge.Because the sewn works are unique on either side, they produce mirrored images that are a distorted version of their counterpart, bolstering the strange, surreal affect of each piece.The Rag Face series now spans decades of the Daejeon City, South Korea-based artist’s practice, and you can browse dozens of those pieces on her site. (via Lustik)“Rag face #16020” (2016), sewing on fabric and photography, 141 x 97 centimeters“Rag face #21003” (2021), sewing on fabric and photography, 94 x 68 centimeters“Rag face #21004” (2021), sewing on fabric and photography, 112 x 73 centimeters“Rag face #16015” (2016), sewing on fabric and photography, 47 x 26 centimeters“Rag face #17010” (2017), sewing on fabric and photography, 128 x 97 centimeters“Rag face #19003” (2019), sewing on fabric and photography, 146 x 119 centimeters“Rag face #21002” (2021), sewing on fabric and photography, 170 x 118 centimeters“Rag face #17010” (2017), sewing on fabric and photography, 128 x 97 centimeters
      #fiber art
      #humor
      #portraits
      #sewing
      #threadDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More