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    Three Women Artists Gather for The Jaunt and Hashimoto Contemporary’s ‘Winter Camp’

    Seonna Hong, “Rest as an Act of Defiance” (2024), acrylic, oil pastel, and tape on raw canvas, 51 x 65 inches. All images courtesy of The Jaunt and Hashimoto Contemporary, shared with permission

    Three Women Artists Gather for The Jaunt and Hashimoto Contemporary’s ‘Winter Camp’

    December 12, 2024

    Art

    Kate Mothes

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    Through a unique collaboration between The Jaunt and Hashimoto Contemporary, three women artists spent a week together in the small town of Shelton, south of Olympia National Park.

    Hiking, delving into the area’s history, and learning about each other’s work, Bianca Nemelc, Genevieve Cohn, and Seonna Hong participated in the first Winter Camp. Given space and time away from their daily routines, the artists were invited to find inspiration from their new surroundings.

    Genevieve Cohn, “We Sow a Softness” (2024), acrylic on canvas, 36 x 24 inches

    The Jaunt was founded in 2013 by Jeroen Smeets, who curates the project and facilitates travel for artists to destinations worldwide. The program doesn’t assign a specific agenda or brief; the primary goal is to provide new experiences that inspire the creative process.

    Cohn, Hong, and Nemelc focused predominantly on painting and works on paper, responding to the act of gathering and the lush, natural environment of the Pacific Northwest.

    “Sharing common threads and divergent paths amongst each other’s experiences as artists and women navigating the world, the week-long residency allowed artists from different locales, backgrounds, and generations to create community,” says a statement about the program.

    Winter Camp is on view at Hashimoto Contemporary’s San Francisco location through December 21. Find more on the gallery’s website, and you can also explore more from The Jaunt.

    Bianca Nemelc, “Sun Catcher” (2024), acrylic on canvas, 50 x 60 inches

    Seonna Hong, “Get Your Bag” (2024), acrylic and oil pastel on raw canvas, 30 x 24 inches

    Genevieve Cohn, “To Hold, To Harbor” (2024), acrylic on canvas, 48 x 36 inches

    Bianca Nemelc, “Flower in Breeze” (2024), acrylic on canvas, 30 x 24 inches

    Genevieve Cohn, “Exercises in Attention” (2024), acrylic and conté on paper, 30 x 22 inches

    Seonna Hong, “Investigations” (2024), acrylic and oil pastel on raw canvas, 30 x 24 inches

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    Bernie Kaminski Invokes Decades Past Through Papier-Mâché Objects

    Photo by Robert Bredvad. All images courtesy of Bernie Kaminski, shared with permission

    Bernie Kaminski Invokes Decades Past Through Papier-Mâché Objects

    December 11, 2024

    ArtCraft

    Grace Ebert

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    When Bernie Kaminski sculpts his papier-mâché objects, he does so from a fitting spot: his kitchen table.

    Using the sticky pulp, the artist creates lifelike iterations of everyday items you might spot on a New York street corner or tucked in an apartment: a Lox bagel with red onion and schmear, a row of metal mailboxes, and a canvas L.L. Bean tote filled with tennis balls. Some works are one-offs, like the tighty whities or payphone, and others form a small part of a larger composition.

    Kaminski’s medicine cabinet, for example, features four shelves filled with various over-the-counter treatments and prescriptions. The branding evokes decades past, and closer inspection reveals tiny price tags glimpsing a time when a trip to the grocery store or pharmacy didn’t bring quite as much pain at the cash register as it does today.

    The box of matchbooks is similar. Bearing names like Jerry’s and Odeon, the items recall classic New York restaurants, some of which have been operating for decades and others that closed their doors years ago.

    Currently, Kaminski is working on a pair of tube socks and preparing for an exhibition in early 2025. You can follow his latest sculptures on Instagram.

    Photo by Robert Bredvad

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    Maxwell Mustardo’s Fluorescing Ceramics Merge Ancient Craft with Contemporary Style

    Group of vessels in the ‘Anthropophorae’ series. All images courtesy of Maxwell Mustardo, shared with permission

    Maxwell Mustardo’s Fluorescing Ceramics Merge Ancient Craft with Contemporary Style

    December 11, 2024

    ArtCraft

    Kate Mothes

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    Merging disparate reference points like cartoonish figures, fluorescent pigments, and classical vessels, Maxwell Mustardo’s Anthropophorae and Gadroons glow with personality. The New Jersey-based artist (previously) continues to revisit ancient forms that have been endlessly studied and reimagined over subsequent centuries, like amphorae, kraters, and gadrooning that celebrate tapered shapes.

    “Searching for new forms is mostly rediscovering old forms,” Mustardo tells Colossal. “One of my favorite aspects of ceramics, and the crafts more broadly, is the evolution of surfaces and forms through their constant appropriation in the aggressive exchange that occurs between individuals, studios, cultures, and time periods.”

    ‘Gadroons’

    The artist often turns to archetypes, from mugs and bottles to mathematical shapes—like the torus—to explore myriad relationships between geometry, material, history, and utility. He adds, “Each form provides various constraints that I can push around against and a web of references to tangle with.”

    Mustardo is currently working in the studio of the late Toshiko Takaezu (1922-2011), helping the artist’s foundation to establish a residency program for ceramists, fiber artists, and painters. Find more on his website.

    “Orange Amphora”

    “Blue & White Krater”

    Detail of “Orange Mug”

    Installation view of ‘Quasi-Neoclassical-ish’ at Odem Atelier. Photo by Nikodem Calcyznski

    “Green Amphora.” Photo by Nikodem Calczynski

    Detail of “Blurple Mug”

    The artist in his studio in August 2024

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    Fantastic Blooms Entwine with Sculptural Motifs in Mevlana Lipp’s Imagined World

    “Zenith” (2024), wood, velvet, acrylic color, ink, sand, aluminum stretcher, 45 x 33 x 4 centimeters. All images courtesy of the artist and Capsule Venice, shared with permission

    Fantastic Blooms Entwine with Sculptural Motifs in Mevlana Lipp’s Imagined World

    December 10, 2024

    Art

    Grace Ebert

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    Behind barred motifs evocative of a wrought iron fence, otherworldly flowers are in full bloom, their heads stretching wide and tall while tendrils and leafy vines wind around the open barriers. Rendered in contrasting palettes of jewel tones and pale, muted hues, these uncanny plants are part of the latest body of work by Mevlana Lipp.

    While visiting Venice earlier this year, the Cologne-based artist admired the elaborately patterned fencing that wove its way throughout the historic islands. “As I wandered through the city, I noticed the intricate metal bars on many windows,” he says. “For me, these bars symbolize a barrier between the world I inhabit and the fictional place I long for.”

    “Seven” (2024), wood, velvet, acrylic color, ink, sand, aluminum stretcher, 45 x 33 x 4 centimeters

    Vista is the culmination of this inspiration and presents an electrifying botanical collection. For these pieces, Lipp continues to meld painting and sculpture, as he layers acrylic paint, ink, and sand onto intricately cut wooden panels, which he positions atop velvet. This soft material interacts with the mottled, spotted, and patterned textures of the painted components and bolsters the sense of depth, becoming a vast chasm behind the fantastical florals.

    Compared to his previous works, though, Vista ventures into warmer, brighter color palettes. The artist shares:

    While the dark blue, green, and lilac backgrounds often create a sense of infinite voids, I wanted to explore other imageries as well. Think of an icy cold mist or a red desert stretching endlessly into the distance. I wanted to create works which have a wider array of temperatures.

    Lipp’s interest in expanding his palette dovetails with the symbolic elements of his work. As the artist sees it, plants are metaphors for base instincts and emotion, as they commune with each other and various species without the same social and cultural pressures of humans. Broadening his formal approach offers more room for spontaneity and unrestrained exchanges. “When you walk into the forest, you take a look at all the existing connections, at how things interact with each other without fear,” he says. “Plants don’t run the risk of hurting each other’s feelings.”

    Vista is on view through December 15 at Capsule Venice. Find more from Lipp on Instagram.

    “Cassiopeia” (2024), wood, velvet, acrylic color, ink, sand, aluminum stretcher, 45 x 33 x 4 centimeters

    “Coil” (2024), wood, velvet, acrylic color, ink, sand, aluminum stretcher, 45 x 33 x 4 centimeters

    “Halo” (2024), wood, velvet, acrylic color, ink, sand, aluminum stretcher, 45 x 33 x 4 centimeters

    “Ice” (2024), wood, velvet, acrylic color, ink, sand, aluminum stretcher, 45 x 33 x 4 centimeters

    “Cassiopeia” (2024), wood, velvet, acrylic color, ink, sand, aluminum stretcher, 45 x 33 x 4 centimeters

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    Ethereal, Glowing Curtains Drape Over Lake Michigan in Reuben Wu’s Light Paintings

    Ethereal, Glowing Curtains Drape Over Lake Michigan in Reuben Wu’s Light Paintings

    December 10, 2024

    ArtPhotography

    Kate Mothes

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    Along the Lake Michigan shoreline, Reuben Wu (previously) created a unique confluence of light shows over the water last summer. Known for creating light paintings in dramatic landscapes using drone-mounted lasers, his ongoing series SIREN marks a new direction of illuminated “aeroglyphs,” which transcend their original geometries to open up into more fluid shapes.

    “This series captures ephemeral, curtain-like structures that hover delicately in space, shaped by their environment rather than imposing upon it,” Wu says. The cascading white forms mimic the lake’s rolling waves and, on this particular evening amid a Perseids meteor shower, the surprise appearance of the northern lights. See more on his website.

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    Cozy Homes and Woodland Wonders Abound in Julie Liger-Belair’s Collages

    “cottage bubble.” All images courtesy of Julie Liger-Belair, shared with permission

    Cozy Homes and Woodland Wonders Abound in Julie Liger-Belair’s Collages

    December 10, 2024

    Art

    Kate Mothes

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    From flowery headdresses to botanical guises to houses perched on the tippy-top of tree stumps, Julie Liger-Belair’s collages (previously) invite us into a whimsical world. In paper and found objects, she dives into personal stories and the emotional connections binding us to nature, place, and a sense of belonging.

    In her Scrappy Blablah series, for example, the artist compiles various cutouts into playful compositions that provide a way of processing external information, coming about “when the paper scraps on my table decide to embody my feelings about the world outside my studio,” she says. “But they also provide the antidote.”

    “Vietnam 1”

    Liger-Belair and her family recently visited Vietnam, spurred by their eldest daughter, who was adopted from the country and hadn’t been back since. New works inspired by the trip include larger collages with painted elements on wood panels, in addition to found objects, vintage photos, and snapshots the artist took on the trip.

    She continues themes of home and comfort through the motif of the house, which often encompasses figures, flowers, patterns, and vines that unfurl beyond their confines. In other compositions, the house shrinks in size, as giant mushrooms and blossoms coexist alongside woodland creatures in fanciful landscapes.

    Liger-Belair has also revisited ideas from earlier assemblage work, making small, three-dimensional pieces in sardine tins and other found boxes. “I have always loved collecting things and using them in pieces,” she tells Colossal. “My experiments with resin and ceramics have also made their way into this series (called) tinned stories, and they are more fun, dreamlike pieces.”

    Find much more on Liger-Belair’s website, Instagram, and Behance.

    “the upside of down” from the ‘tinned stories’ series

    “forest blablah”

    “blablah in the garden”

    “house bubble 14”

    “house bubble 18”

    “mountain landscape” from the ‘tinned stories’ series

    “wide awake,” plus another piece from the studio

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    Colossal’s Top Articles of 2024

    Image courtesy of Wally Dion

    Colossal’s Top Articles of 2024

    December 10, 2024

    ArtColossalDesignHistoryNaturePhotography

    Colossal

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    Throughout 2024, we were awed by archaeological finds, vibrant paintings, striking sculptures, remarkable photography, immersive installations, and so much more. It’s tough to choose only 10 top articles for the year!

    Lucky for us, dear Colossal readers, you’ve helped pick the best. Below, dive into our most-read stories on the site during the past twelve months, and find hundreds more in the archive.

    “Untitled (after François Gérard)” (2023), oil on canvas, 100 x 80 centimeters. Images © Ewa Juszkiewicz, courtesy of Almine Rech

    Ewa Juszkiewicz’s Reimagined Historical Portraits of Women Scrutinize the Nature of Concealment

    From elaborate hairstyles to hypertrophied mushrooms, an array of unexpected face coverings feature in Ewa Juszkiewicz’s portraits. Drawing on genteel likenesses of women primarily from the 18th and 19th centuries, the artist superimposes fabric, bouquets of fruit, foliage, and more, over the women’s faces.

    Image courtesy of Greg Jensen

    A Rare Cross-Section Illustration Reveals the Infamous Happenings of Kowloon Walled City

    At its height in the 1990s, Kowloon Walled City in Hong Kong housed about 50,000 people. Its population is unremarkable for small cities, but what set Kowloon apart from others of its size was its density. For a now out-of-print book titled Kowloon City: An Illustrated Guide, artist Hitomi Terasawa drew a meticulous cross-sectioned rendering of the urban phenomenon to preserve its memory.

    Image © Isak Finnbogason

    Remarkable Drone Footage Captures a New Volcanic Eruption in Iceland

    In January, photographer and drone pilot Isak Finnbogason captured stunning footage of an eruption on Iceland’s Reykjanes peninsula in December, documenting the nearly two-mile-long lava vent on the first day it was active. 

    “Water Lilies in Bloom” (2023), oil on canvas. Image courtesy of Erin Hanson

    Landscapes Radiate Light and Drama in Erin Hanson’s Vibrant Oil Paintings

    In vivid pinks, blues, and greens, radiant landscapes emerge in Erin Hanson’s impressionistic oil paintings. The artist is based in Oregon’s Willamette Valley, where the rolling hills and surrounding mountain ranges cradle miles of vineyards.

    Image © Richard Johnson

    Framed by Frozen Lakes, Richard Johnson’s ‘Ice Huts’ Capture Wintertime Communities in Canada

    Every year, Ontario’s 279-square-mile Lake Simcoe draws more people for its ice fishing than any other lake in North America, attracting upwards of 4,000 huts each year. The colorful villages caught the eye of Toronto-based architectural photographer Richard Johnson (1957-2021), who captured hundreds of the structures, from the artistic to the ad-hoc, in a series of bold portraits taken between 2007 and 2019.

    Image courtesy of the Italian Ministry of Culture / AFP Photo

    Archaeologists Discover an Extraordinary 2,100-Year-Old Mosaic Near the Colosseum

    Early this year, we shared news that the Italian Ministry of Culture had a remarkable find in the heart of Rome. In the late Republican era, a luxurious townhouse had been laden with designs made from shells, glass, white marble, and Egyptian blue tiles. A large “rustic” mosaic dating to the last decades of the 2nd century B.C.E.—a little over 2,100 years ago—was likely inspired by the decorative styles of Near East monarchies.

    ‘The Whole Booke of Psalmes.’ London: Company of Stationers, 1643. Image courtesy of The Grolier Club

    Spanning Seven Centuries, ‘Judging a Book by its Cover’ Celebrates an Enduring Art

    The Grolier Club’s exhibition, Judging a Book by its Cover, highlighted some of the most unique editions within its collection, including a pigskin- and brass-bound Jewish Antiquities and the Jewish War created for a Benedictine monastery in Bavaria around 1473—the oldest in the club’s library. The collection also features several religious texts, like the miniature book of psalms shown above, made by women at the Royal Exchange in London with a variety of silk and gold threads.

    Image courtesy of Wally Dion, shared with permission

    Vivid, Translucent Quilts by Wally Dion Stitch Together Indigenous Culture and Making Traditions

    For many rural and economically strapped communities throughout history, quilting was a necessity. Tattered clothing and blankets were cut up and refashioned into new blankets, their patchwork styles evidence of the fabrics’ earlier uses. For Indigenous people, though, quilts “hold a particularly important cultural value,” says artist Wally Dion, “appearing as gifts, ceremonial objects, and celebratory markers.”

    “লয় [Loy]” (2019), Arjunpur Amra Sabai Club, Kolkata. Photo by Vivian Sarky. Image courtesy of Asim Waqif

    Immersive Bamboo Installations by Asim Waqif Whirl and Heave in Monumental Motion

    In his monumental, swirling structures, Delhi-based artist Asim Waqif merges tenets of architecture and sculpture into sweeping site-specific compositions. Using natural materials like bamboo and pandanus leaves, he often incorporates found objects, scaffolding, sound elements, cloth, and rope.

    “Animal in the Wind” (2014), clay, 36.7 x 20.8 x 30 centimeters. Image courtesy of JiSook Jung

    From Fire to Wind, JiSook Jung’s Ceramic Sculptures Animate the Elements

    JiSook Jung has long been drawn to clay for its inherent malleability. “Clay has the advantage of being able to quickly mold an image in my head into a visual form because it is soft and plastic,” the Seoul-based artist tells Colossal. “In that sense, I think clay is an intuitive and instinctive material.”

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    Inside Miniature Dioramas, Flying Saucers Drift Across Extraterrestrial Landscapes

    All images © A House of Wonders, shared with permission

    Inside Miniature Dioramas, Flying Saucers Drift Across Extraterrestrial Landscapes

    December 6, 2024

    ArtCraft

    Jackie Andres

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    Within the confines of a small, ovoid frames, Caroline Dewison, of A House of Wonders, crafts miniature scenes laden with remarkable detail. Building upon previous mystical vistas inspired by the woodlands surrounding her studio in Warrington, England, the artist’s most recent ventures forge a deeper path toward the otherworldly.

    Hovering above minuscule streams and valleys, UFOs contrast sharply against Dewison’s hand-painted nature scenes. The artist has been fascinated by the possibility of beings on other planets since childhood and continues to explore this speculation.

    “In my lifetime, it’s gone from there being just us to scientists finding hundreds and thousands of exoplanets, many with the possibility of life,” she explains. “I would like to think that we’re not alone.” Within each diorama, the flying saucers are cleverly affixed to jut outward from two-dimensional backgrounds, furthering a sense of depth.

    Along with revisiting her lifelong interest in the extraterrestrial, the artist has also rekindled her relationship with automata. She relishes problem-solving and the logistical aspects of constructing kinetic pieces, sharing, “I love working out how to create a moving piece of art and really enjoy engineering the mechanism to add life to my work.” As a result, the tiny UFOs make a dynamic appearance as well, rotating and drifting above foreign crop circles and thickets of pine.

    While Dewison still mainly works with laser-cut plywood, Jesmonite, acrylic paint, clay, and a 3D-printing pen, she is also working on constructing new designs for frames.

    A busy year is ahead of the artist. Dewison’s work is currently on view as part of Small Works | Big Impact at Momentum Gallery in Asheville, and later this month, her dioramas will be featured in the Oddities and Curiosities Expo in Melbourne with Beinart Gallery. Find Dewison’s miniatures for sale in her shop, A House of Wonders, and keep an eye on Instagram for new work, upcoming shows, and more.

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