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      Mantra’s Trompe L’oeil Murals Encase Enormous Butterflies in Vintage-Style Boxes

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      Art

      #butterflies
      #murals
      #public art
      #street art
      #trompe l’oeil

      October 15, 2020
      Grace Ebert

      Torino, Italy. All images © Mantra, shared with permission
      Working with entomologists around the globe, the French street artist known as Mantra (previously) transforms brick facades and concrete walls into massive studies of local butterfly specimens. With framed outer edges that mimic a wooden box, the trompe l’oeil murals render the winged insects in detail, depicting their richly hued scales and delicate antennae. Each artwork features species native to the area, making it possible that a live specimen might flutter by its enormous counterpart.
      In a conversation with Colossal, Mantra said he’s harbored a lifelong fascination with entomology that stems from spending hours in French gardens and bucolic areas as a kid. “As a child, I was interested, curious, and focused on the small life forms in those places,” he says. His current practice hearkens back to those carefree hours and connects with an adolescent desire to become a naturalist. “My approach is as a scientist,” the artist says, noting that education about environmental care and issues is part of the goal.
      Although Mantra considers all insects and natural life beautiful and crucial to maintaining biodiversity, the focus on butterflies revolves around his artistic ambitions because the vivid creatures allow him to experiment with color, shape, and texture. Each specimen is rendered freehand before the artist adds detail and the illusory shadows that make them appear three-dimensional. By painting various Lepidoptera species again and again, the artist is “repeating a mantra,” a detail of his practice that informs the moniker he works under.
      In recent months, Mantra has traveled to Belgium, Denmark, and Sweden, in addition to various locations throughout France, to complete public artworks, and he’ll be in Arkansas this month for two projects curated by Just Kids. Follow all of the artist’s entomological murals on Instagram.

      Rombas, France
      Cancún, Mexico. Image by Gino Caballero
      Silkeborg, Denmark
      Las Vegas, Nevada
      Dijon, France
      Jacksonville, Florida
      Brooklyn, New York
      Dallas, Texas. Image by Chop’ em Down
      Overum, Sweden
      Indianapolis, Indiana
      Cancún, Mexico. Image by Gino Caballero
      Torino, Italy. Image by Martha Cooper

      #butterflies
      #murals
      #public art
      #street art
      #trompe l’oeil

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      Two Fabric Homes by Artist Do Ho Suh Float Above an Atrium in Incheon International Airport

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      Art

      #architecture
      #fabric
      #installation
      #sculpture

      October 13, 2020
      Grace Ebert

      “Home within Home” (2019), polyester fabric, stainless steel, 292.91 x 325.59 x 316.93 inches. Images © Do Ho Suh, courtesy of Lehmann Maupin, shared with permission
      Living and working in London, Korean artist Do Ho Suh (previously) is concerned with “home, physical space, displacement, memory, individuality, and collectivity,” ideas he evokes in his life-sized fabric sculptures and installations. His 2019 piece “Home within Home,” which is suspended from an atrium in Incheon International Airport in Seoul, positions two structures vertically, with the larger polyester and steel construction on top. This newer work evokes a similar piece from 2013, titled “Home Within Home Within Home Within Home Within Home,” which placed replicas of Suh’s former living spaces within one another, from his first house in South Korea to an apartment building in Rhode Island.
      Often using his own experiences as source material, Suh’s multi-media practice explores both the physical and metaphorical understandings of home as he considers the ways people occupy structures in specific times, locations, forms, and histories. “The spaces we inhabit also contain psychological energy, and in his work, he makes visible those markers of memories, personal experiences, and a sense of security, regardless of geographic location,” a statement about his practice says.
      Suh is represented by Lehmann Maupin, and you can explore more of the artist’s architectural sculptures, installations, and smaller works on the international gallery’s site.

      “Home within Home” (2019), polyester fabric, stainless steel, 292.91 x 325.59 x 316.93 inches
      “Home within Home” (2019), polyester fabric, stainless steel, 292.91 x 325.59 x 316.93 inches
      “Home within Home” (2019), polyester fabric, stainless steel, 292.91 x 325.59 x 316.93 inches
      “Passage/s” (2017)
      “Passage/s” (2017)

      #architecture
      #fabric
      #installation
      #sculpture

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    • 188 Shares105 Views

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      Little Amal: An Enormous Puppet Is Traveling 8,000km to Shine Light on the Refugee Crisis

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      Art

      #public art
      #puppets
      #refugees
      #social justice

      October 12, 2020
      Grace Ebert

      Photograph by Bevan Roos. All images shared with permission
      To draw attention to the ongoing refugee crisis, an oversized puppet will traverse 8,000 kilometers on a route starting at the Turkey-Syria border. From April to July 2021, “Little Amal” will travel across Greece, Italy, Switzerland, Germany, Belgium, and France on a search “to find her mother. To get back to school. To start a new life.” The international journey will end in the United Kingdom, with a celebration at Manchester International Festival. Good Chance Theatre, a London-based organization dedicated to humanitarian and social justice efforts, is helming the public project “embodying the urgent message, ‘Don’t forget about us.’”
      The 3.5-meter tall character, which was created by Handspring Puppet Company, will stop in 70 cities across Europe to meet with locals and participate in celebrations and education programs. “At this time of unprecedented global change, The Walk is an artistic response: a cultural odyssey transcending borders, politics, and language to tell a new story of shared humanity – and to ensure the world doesn’t forget the millions of displaced children, each with their own story,” Good Chance writes in a statement.
      Check out the official map of Amal’s international journey and planned events on the project’s site, and follow along with updates on her progress on Instagram and YouTube. (via It’s Nice That)

      Photograph by Bevan Roos
      Photograph by Bevan Roos
      Photograph by Bevan Roos
      Photograph by Bevan Roos
      Photograph by Bevan Roos
      Photograph by Bevan Roos
      Photograph by Nick Wall

      #public art
      #puppets
      #refugees
      #social justice

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    • 163 Shares102 Views

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      Using Shattered Ceramics, Artist Bouke de Vries Revitalizes Found Porcelain in New Sculptures

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      Art

      #ceramics
      #porcelain
      #sculpture

      October 7, 2020
      Grace Ebert

      All images © Bouke de Vries, shared with permission
      Bouke de Vries (previously) refers to some of his porcelain sculptures as “three-dimensional still lifes.” The artist, who was born in the Netherlands and now lives in London, creates sprawling assemblages that resemble a classic bowl of fruit or table setting frequently found in Dutch art. “I compose these pieces as, after the painter has finished with them, the ceramics get broken and decayed, and I breathe new life into them. The butterfly in still life is a symbol for the resurrection in (the) way I see what I do through my work,” he tells Colossal. In de Vries’s works, though, the seemingly mundane scenes are fractured with bursting ceramics, encroaching insects, and decaying fruit.
      The artist began working with porcelain as a restorer for 15 years before embarking on his own practice, which begins with a search for broken pottery and glass shards. He never breaks an undamaged piece but rather revitalizes those that are damaged already by creating new figures that celebrate the beauty of their previous forms. With a penchant for Kintsugi, he often utilizes gold lacquer to highlight the repaired cracks.
      Alongside sculptural still lifes, the figure of Guan Yin, the Buddhist goddess of compassion, mercy, and kindness, recurs in de Vries’s work. Often surrounded by cracked shards and recomposed garments, she conveys an ability for understanding and repair.
      In recent weeks, de Vries has been working on commissions and new pieces, in addition to a large-scale project that spans the entrance of one of Sotheby’s Bond Street galleries, which you can see on Instagram. To find out more about the artist’s vision behind that piece, watch this interview. (via Cross Connect Magazine)

      #ceramics
      #porcelain
      #sculpture

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    • 163 Shares145 Views

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      Antidote: Organic Lifeforms Rendered with Prussian Blue Create Vivid Ecosystems by Yellena James

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      Art

      #acrylic
      #coral
      #flowers
      #gouache
      #ink
      #nature
      #painting

      October 6, 2020
      Grace Ebert

      All images © Yellena James, courtesy of Stephanie Chefas Projects, shared with permission
      Using a combination of acrylics, gouache, and ink, Yellena James cultivates brightly-hued ecosystems ripe with lines, patterns, and nature-based motifs. The Portland-based artist paints organic forms that resemble both marine species like coral and kelp in addition to full-bloom flowers, creating brilliant, labyrinth-like ecosystems. Although Prussian blue ink has been a mainstay in James’s practice for years, she recently discovered that the specific color serves as a remedy for certain toxic metal poisonings. This realization spurred the series shown here, which is aptly named Antidote. Each work features the vibrant hue in some capacity.
      If you’re in Portland, check out James’s solo show at Stephanie Chefas Projects through October 10. To see the artist’s works in progress, head to Instagram, and try your hand at similar drawings with James’s book, Star, Branch, Spiral, Fan: Learn to Draw from Nature’s Perfect Design Structures. (via Supersonic Art)

      #acrylic
      #coral
      #flowers
      #gouache
      #ink
      #nature
      #painting

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      Minimal Female Figures Explore Community, Identity, and Connection in Laura Berger’s Paintings

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      Art

      #body
      #identity
      #painting

      October 5, 2020
      Grace Ebert

      “In my feelings” (2020), oil on canvas, 30 x 30 inches. All images © Laura Berger, shared with permission
      In Laura Berger’s minimalist paintings, female figures entwine together in abstract formations. Their dark locks flow with the curves of their bodies, which are posed in relaxed, natural stances. Using tight color palettes of muted tones, Berger works mostly in acrylic, although she’s ventured into oil since the onset of the COVID-19 pandemic. “I’m not sure if it’s related to everything that’s been going on in the world or to the shift in medium itself, but my ideas have been moving in a more narrative direction which has really opened up a lot of new things for me to work with,” she tells Colossal.
      The Chicago-based artist (previously) continues to explore themes of identity, community, and connection, in addition to more abstract conceptions of energy and quality of life, throughout her largely geometric body of work. “As a woman, I usually paint from that perspective point, but the figures are really meant mostly to serve as characters through which to explore our collective humanity and shared experience,” she says.
      If you’re in New York City, check out Berger’s solo show, which is open from November 21 to December 12, at Hashimoto Contemporary. Otherwise, follow her on Instagram to see her latest considerations of the female experience.

      “We wanted to feel the light” (2019), acrylic on canvas, 16 x 20 inches
      Left: “If I were you” (2019), acrylic on wood panel, 30 x 40 inches. Right: “If I were you 2” (2019), acrylic on wood panel, 30 x 40 inches
      “Mood” (2020), oil on canvas, 16 x 12 inches
      Left: “If I were you 3” (2019), acrylic on wood panel, 30 x 40 inches. Right: “Night fruit” (2020)
      “Strata” (2019), acrylic on cradled wood panel, 16 x 20 inches

      #body
      #identity
      #painting

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    • 175 Shares149 Views

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      Miniature Mixed Media Lace Works Depict Pastoral Scenes in New Work by Ágnes Herczeg

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      Art
      Craft

      #found objects
      #lace
      #mixed media

      October 2, 2020
      Christopher Jobson

      All photos © Ágnes Herczeg, shared with permission
      Working within a scale of just a few small inches, Hungarian artist Ágnes Herczeg (previously) threads together fragments of wood, seeds, and wire with delicate lace work to form pastoral scenes inspired in part by her surroundings in a small town near the river Danube. This year Herczeg utilized more tree bark and golf leaf, and developed her abilities with silk thread to create pieces even smaller than before. In a note to Colossal she shares this challenge to work increasingly smaller is “a very good mind game.” You can see lots of her new work on her website, and several pieces are for sale in her online shop.

      #found objects
      #lace
      #mixed media

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      An Intricate Lace Mural Envelops the Facade of a French Fashion Museum

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      Art

      #lace
      #murals
      #public art

      September 29, 2020
      Grace Ebert

      All images © Nespoon
      On France’s northern shores lies the port city of Calais, a municipality that once was a destination for lace manufacturers. To escape economic and social difficulties, English textile artists and engineers immigrated in the late 19th Century, often establishing clandestine operations that defied patent laws by bringing specialty machines and practices to the region. Soon after, Calais became an industrial hub for lace manufacturing, employing around 40,000 residents.
      A new mural by Warsaw-based artist Nespoon (previously) celebrates that rich history through an oversized textile that envelops the facade of a factory. The public artwork features delicate mesh and floral elements that cover the side of the Cité de la Dentelle et de la Mode, the city’s fashion and lace museum. Nespoon chose this particular motif, which dates back to 1894, from the institution’s archive before spray painting its intricate details onto the building.
      Check out the video below to see the lace motif in-progress, and find more of the artist’s textile-based pieces on Behance and Instagram.

      #lace
      #murals
      #public art

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