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    Hiné Mizushima Felts Whimsical Sea Creatures Adorned with Beads and Crocheted Detail

    Detail of “Ancient Diorama Ammonite.” All images © Hiné Mizushima, shared with permission

    Hiné Mizushima Felts Whimsical Sea Creatures Adorned with Beads and Crocheted Detail

    September 13, 2024

    Art Craft Nature

    Grace Ebert

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    Nested in one of Hiné Mizushima’s wooden dioramas is an ancient marine menagerie. Vibrant blue felt lines the walls of the plush environment, which houses a pair of ammonites along with tall seagrass and small bits of coral reef.

    From her Vancouver studio, Mizushima stitches whimsical renditions of underwater creatures. Her soft, fiber sculptures take a playful approach to natural life, sometimes perching an octopus atop a human heart or finding a moray eel slithering out of an artery. Often depicted in pastel colors and adorned with beads and crocheted details, the creatures are friendly and even glitzy interpretations of their real-life counterparts.

    The works shown here will be on view in Mizushima’s solo show Creatures and Curiosities on view from September 14 to October 22 at Boris Zakkaten in Tokyo. Find more on Instagram.

    “Ancient Diorama Ammonite”

    “Heart Moray Eel”

    Detail of “Heart Moray Eel”

    “Ancient Diorama Squids”

    Detail of “Ancient Diorama Squids”

    “Heart Ocotpus”

    “Heart Squid”

    Detail of “Heart Squid”

    “Bugs 1”

    “Bugs 2”

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    Debra Broz Merges Humor and Kitsch in a Nod to Our ‘Strange World’

    Left: “Collie Pheasant” (2023). Right: “St. Bernard Pheasant” (2023). Both mixed media on secondhand ceramics, 10.5 x 8 x 3.5 inches. All images © Debra Broz, courtesy of Track 16 Gallery, shared with permission

    Debra Broz Merges Humor and Kitsch in a Nod to Our ‘Strange World’

    September 10, 2024

    Art Craft

    Kate Mothes

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    Vintage, mass-produced porcelain knick-knacks take on new life in Debra Broz’s intricate and uncanny hybrids (previously). Collies and St. Bernards with the bodies of pheasants meet rabbits with curiously long appendages and woodland creatures with human arms.

    In her solo exhibition Strange World at Track 16, Broz continues to explore the subversive and absurd through the leitmotif of midcentury kitsch. Whether merging two small sculptures or creating elaborate amalgamations, the artist finds the humor—and just a tinge of unease—in busyness, cuteness, and perplexity.

    “Weight of the World” (2024), mixed media on secondhand ceramics, 34 x 18 x 18 inches

    Strange World, which incorporates dozens of sculptures and glazed platters, revolves around three maximalist assemblages made of hundreds of individual figurines Broz collected during the past decade. Clusters of adorable animals like big-eyed bunnies, ducks, and cows emerge from bases as if blossoming with energy.

    In a statement for the show, Track 16 describes the pieces as “darkly optimistic, synthesizing the confusion of limitless information.” Chaotic and idiosyncratically beautiful, Broz’s pieces tap into our contemporary social reality, balancing tension and overwhelm with moments of levity and clarity.

    Strange World continues through October 12 in Los Angeles. Find more on Broz’s website and Instagram.

    Detail of “Weight of the World”

    “Slightly Human: Cat & Skunk” (2024), mixed media on secondhand ceramics, 4 x 5 x 3 inches

    “Slightly Human: Squirrels” (2024), mixed media on secondhand ceramics, 5.25 x 7.5 x 4 inches

    “Galaxy Brain” (2024), mixed media on secondhand ceramics, 25 x 22 x 18 inches

    Detail of “Galaxy Brain”

    “Slightly Human: Horse (The Champion)” (2024), mixed media on secondhand ceramics, 8.5 x 7 x 4 inches

    “White Rabbit No. 33” (2024), mixed media on secondhand ceramics, 6 x 4 x 2 inches

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