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    Colossal’s Top Articles of 2024

    Image courtesy of Wally Dion

    Colossal’s Top Articles of 2024

    December 10, 2024

    ArtColossalDesignHistoryNaturePhotography

    Colossal

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    Throughout 2024, we were awed by archaeological finds, vibrant paintings, striking sculptures, remarkable photography, immersive installations, and so much more. It’s tough to choose only 10 top articles for the year!

    Lucky for us, dear Colossal readers, you’ve helped pick the best. Below, dive into our most-read stories on the site during the past twelve months, and find hundreds more in the archive.

    “Untitled (after François Gérard)” (2023), oil on canvas, 100 x 80 centimeters. Images © Ewa Juszkiewicz, courtesy of Almine Rech

    Ewa Juszkiewicz’s Reimagined Historical Portraits of Women Scrutinize the Nature of Concealment

    From elaborate hairstyles to hypertrophied mushrooms, an array of unexpected face coverings feature in Ewa Juszkiewicz’s portraits. Drawing on genteel likenesses of women primarily from the 18th and 19th centuries, the artist superimposes fabric, bouquets of fruit, foliage, and more, over the women’s faces.

    Image courtesy of Greg Jensen

    A Rare Cross-Section Illustration Reveals the Infamous Happenings of Kowloon Walled City

    At its height in the 1990s, Kowloon Walled City in Hong Kong housed about 50,000 people. Its population is unremarkable for small cities, but what set Kowloon apart from others of its size was its density. For a now out-of-print book titled Kowloon City: An Illustrated Guide, artist Hitomi Terasawa drew a meticulous cross-sectioned rendering of the urban phenomenon to preserve its memory.

    Image © Isak Finnbogason

    Remarkable Drone Footage Captures a New Volcanic Eruption in Iceland

    In January, photographer and drone pilot Isak Finnbogason captured stunning footage of an eruption on Iceland’s Reykjanes peninsula in December, documenting the nearly two-mile-long lava vent on the first day it was active. 

    “Water Lilies in Bloom” (2023), oil on canvas. Image courtesy of Erin Hanson

    Landscapes Radiate Light and Drama in Erin Hanson’s Vibrant Oil Paintings

    In vivid pinks, blues, and greens, radiant landscapes emerge in Erin Hanson’s impressionistic oil paintings. The artist is based in Oregon’s Willamette Valley, where the rolling hills and surrounding mountain ranges cradle miles of vineyards.

    Image © Richard Johnson

    Framed by Frozen Lakes, Richard Johnson’s ‘Ice Huts’ Capture Wintertime Communities in Canada

    Every year, Ontario’s 279-square-mile Lake Simcoe draws more people for its ice fishing than any other lake in North America, attracting upwards of 4,000 huts each year. The colorful villages caught the eye of Toronto-based architectural photographer Richard Johnson (1957-2021), who captured hundreds of the structures, from the artistic to the ad-hoc, in a series of bold portraits taken between 2007 and 2019.

    Image courtesy of the Italian Ministry of Culture / AFP Photo

    Archaeologists Discover an Extraordinary 2,100-Year-Old Mosaic Near the Colosseum

    Early this year, we shared news that the Italian Ministry of Culture had a remarkable find in the heart of Rome. In the late Republican era, a luxurious townhouse had been laden with designs made from shells, glass, white marble, and Egyptian blue tiles. A large “rustic” mosaic dating to the last decades of the 2nd century B.C.E.—a little over 2,100 years ago—was likely inspired by the decorative styles of Near East monarchies.

    ‘The Whole Booke of Psalmes.’ London: Company of Stationers, 1643. Image courtesy of The Grolier Club

    Spanning Seven Centuries, ‘Judging a Book by its Cover’ Celebrates an Enduring Art

    The Grolier Club’s exhibition, Judging a Book by its Cover, highlighted some of the most unique editions within its collection, including a pigskin- and brass-bound Jewish Antiquities and the Jewish War created for a Benedictine monastery in Bavaria around 1473—the oldest in the club’s library. The collection also features several religious texts, like the miniature book of psalms shown above, made by women at the Royal Exchange in London with a variety of silk and gold threads.

    Image courtesy of Wally Dion, shared with permission

    Vivid, Translucent Quilts by Wally Dion Stitch Together Indigenous Culture and Making Traditions

    For many rural and economically strapped communities throughout history, quilting was a necessity. Tattered clothing and blankets were cut up and refashioned into new blankets, their patchwork styles evidence of the fabrics’ earlier uses. For Indigenous people, though, quilts “hold a particularly important cultural value,” says artist Wally Dion, “appearing as gifts, ceremonial objects, and celebratory markers.”

    “লয় [Loy]” (2019), Arjunpur Amra Sabai Club, Kolkata. Photo by Vivian Sarky. Image courtesy of Asim Waqif

    Immersive Bamboo Installations by Asim Waqif Whirl and Heave in Monumental Motion

    In his monumental, swirling structures, Delhi-based artist Asim Waqif merges tenets of architecture and sculpture into sweeping site-specific compositions. Using natural materials like bamboo and pandanus leaves, he often incorporates found objects, scaffolding, sound elements, cloth, and rope.

    “Animal in the Wind” (2014), clay, 36.7 x 20.8 x 30 centimeters. Image courtesy of JiSook Jung

    From Fire to Wind, JiSook Jung’s Ceramic Sculptures Animate the Elements

    JiSook Jung has long been drawn to clay for its inherent malleability. “Clay has the advantage of being able to quickly mold an image in my head into a visual form because it is soft and plastic,” the Seoul-based artist tells Colossal. “In that sense, I think clay is an intuitive and instinctive material.”

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    Laura Kramer’s Glass Sculptures Intersect Aesthetics and Archaeology

    “Curiosity Box.” All images © Laura Kramer, shared with permission

    Laura Kramer’s Glass Sculptures Intersect Aesthetics and Archaeology

    November 13, 2024

    ArtNature

    Jackie Andres

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    Material culture is an important aspect of understanding past and present histories. Used in anthropology and archaeology, the concept refers to the the cultural significance an object may hold. Whether it be tools, religious articles, clothing, or even art, physical items have always been a reflection of the societies that wield them. Glass artist Laura Kramer is driven by this phenomenon.

    Into her work, Kramer carries personal experiences from studying anthropology and archaeology and participating in excavations—or “digs”— in St. Eustatius, an island in the Caribbean. “I am interested in the connection of the imbued spirit within the object,” she explains. “My work is deeply influenced by the cabinet of curiosities—odd objects that may not be easily categorized.”

    “Cinnabar”

    From her studio in Rhode Island, Kramer sculpts organic forms encrusted in ornate textures that mimic the natural formation of crystals. Sometimes using found objects like wasp nests, the artist creates peculiar sculptures that defy generally accepted systems of classification. Challenging the typical boundary between the manmade and natural, her sculptures land in a liminal space when examined from an anthropological point of view.

    See more from Kramer on Instagram.

    “Marie”

    “Memento Mori”

    “Azurite”

    “Mary”

    “Crystal Bowl”

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    An A.I. Model Helped Uncover 303 Previously Unseen Nazca Lines in Peru

    All images courtesy of Masato Sakai et al.

    An A.I. Model Helped Uncover 303 Previously Unseen Nazca Lines in Peru

    September 26, 2024

    Art History

    Grace Ebert

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    In 2022, we shared news of a monumental discovery at Peru’s Nazca Pampa, a UNESCO World Heritage site once home to pre-Inca Indigenous peoples who were fond of etching gargantuan artworks into the earth’s surface. Discovered in 1927, archaeologists spent nearly a century uncovering 430 figurative glyphs depicting animals, people, and hybrid creatures.

    But thanks to a new A.I.-trained system, researchers have identified an additional 303 drawings in just six months as detailed in a study published this week in the Proceedings of the National Academy of Sciences. Included in the findings are various birds, cats, ceremonial acts, and even a killer whale wielding a weapon.

    Dating back at least 2,000 years, the works offer insight into the cultural and spiritual practices of the ancient civilization. Although theories about the purpose of the lines range from calendars to agriculture and human migration, researchers know they were made by removing darker stones to reveal lighter, desert sand below.

    Whereas drones have helped to identify the giant line drawings that stretch across the desert, the A.I. model has been adept at detecting the smaller, relief-type renderings that mainly portray wild animals and are more difficult to find.

    The larger of the glyphs depict primarily humans, domesticated animals, and lone heads and “are typically located within viewing distance (on average 43 meters) of ancient trails that crisscross the Nazca Pampa and were most likely built and viewed at the individual or small-group level,” researchers say, noting that the smaller “are found an average of 34 meters from the elaborate linear/trapezoidal network of geoglyphs, which suggests that they were probably built and used on a community level for ritual activities.”

    Using aerial and satellite images of the site along with LIDAR data, archeologists trained the A.I. model to identify the sometimes imperceptible lines. The team then reviewed and confirmed the results by traveling to the location. They estimate that the A.I. model is 21 times faster at perceiving the works than humans. (via Smithsonian Magazine)

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    An Ancient Peruvian Site Reveals a Remarkable Painted Throne Room

    All images courtesy of the Denver Museum of Nature & Science, shared with permission

    An Ancient Peruvian Site Reveals a Remarkable Painted Throne Room

    September 25, 2024

    Art History Science

    Kate Mothes

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    Between about 350 and 850 C.E., a society known as the Moche thrived in the coastal valleys of northern Peru. Pañamarca, in the Nepeña Valley, is the southernmost center of the Moche culture and the site of a remarkable series of recent archaeological discoveries, including the latest: a monumental pillared hall with vibrantly painted walls.

    The Archaeological Landscapes of Pañamarca, founded in 2018, is a collaboration between Peruvian and U.S. archaeologists, art historians, and conservators. Its research and digs are supported by the National Geographic Society, the Institute of Latin American Studies at Columbia University, and the Avenir Conservation Center at the Denver Museum of Nature & Science.

    This year, archaeologists uncovered a pillared room containing evidence of its use by a high-status female leader. Scenes depict the powerful woman receiving visitors in procession or seated upon a throne.

    “Scholars will debate whether the woman painted on the walls of the throne room is human or mythical (a priestess, goddess, or queen),” researchers say. “But the physical evidence of the throne, including the erosion to its back support and the recovery of greenstone beads, fine threads, and even human hair, make clear that it was occupied by a real living person—and the evidence all points to a seventh-century woman leader of Pañamarca.”

    The figure portrayed on the walls is associated with the crescent moon, the sea and its creatures, and the fiber arts. Additional murals uncovered this past July reveal a scene of an entire workshop of women spinning and weaving, along with a retinue of men carrying textiles and the leader’s crown—which includes her braids.

    Lisa Trever, professor of art history at Columbia University, says, “Pañamarca continues to surprise us, not only for the ceaseless creativity of its painters but also because their works are overturning our expectations of gender roles in the ancient Moche world.”

    The colorful wall paintings of Pañamarca were first recorded in the 1950s, depicting battles between supernatural beings, priests, warriors in procession, a unique two-faced man, and ceremonial activities.

    “Moche archaeology is well known for its rich, elite tombs, impressive architecture and artworks, and elaborate religious artifacts and imagery,” says a project statement. Atop a granite hill, the site consists of a stepped adobe platform, two lower platforms, a walled plaza, and a number of other structures.

    Dig deeper on the Pañamarca project’s website and Instagram.

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