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    At home with Victor Horta, the master of art nouveau

    There is a category of houses so famous that they can no longer be used as houses. Such buildings exist outside the practical needs they were built to address and are preserved much as works of art are. Victor Horta’s house in Brussels is one. The Maison & Atelier Horta were designed by Victor Horta […] More

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    Charles Eamer Kempe – the stained-glass designer who kitted out England’s churches

    Anyone who enjoys visiting British churches and cathedrals will soon learn to identify stained glass by Charles Eamer Kempe (1837–1907). Helpfully, he often placed a wheatsheaf in one corner of his windows, a device taken from his family’s coat of arms, but in any case his fastidiously luxurious style is unmistakable. Swathed in robes of […] More

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    Schip shape – the infectiously bizarre style of the Amsterdam School

    Most architectural styles are pioneered by the wealthy. The villa, the mansion, the upmarket apartment block, the blockbuster cultural centre: these have been the vehicles for new architectures. The Amsterdam School was different, driven by the imperatives of social housing, municipal building and civic infrastructure. Its moment, though very specific to the Netherlands, was remarkably […] More

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    The most beautiful swimming pool in France

    In Roubaix, a city near Lille once known as the ‘Manchester of France’, there is an art deco swimming pool that opened to the public in 1932. Commissioned by the socialist mayor, Jean-Baptiste Lebas, who described it as ‘the most beautiful swimming pool in France’, it was intended as a social melting pot, where all […] More

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    ‘The buildings come into their own when imagined in drawings’

    For centuries, ambitious architects have been dependent on sublime visualisers, from John Soane and Joseph Gandy to Norman Foster and Helmut Jacoby. In ‘Superstructures: The New Architecture 1960–1990’ at the Sainsbury Centre for Visual Arts, Norwich (closed 2 September), the most arresting exhibits – alongside the models – are the renderings, perspectives, exploded sections and […] More

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    ‘The Southbank Centre suffers from architectural self-loathing’

    Given the unsuitable proposals its management has put forward in recent years, it is hard to avoid the conclusion that the Southbank Centre (SBC) is an arts institution suffering from architectural self-loathing. The latest plans have concerned the Royal Festival Hall (RFH), the undisputed jewel in the crown of the South Bank complex. Listed at […] More